This is the second anthology in a four-volume set of dramatic monologues exploring the Mother/Daughter experience. Each volume reflects a different stage of a woman's life: "Thirtysomethings" explores both career and early motherhood through characters in their 30s. The anthology features the work of playwrights Barbara Lindsay, Barbara H. Macchia, Catherine Frid, Chris Lockheardt, Constance Koepfinger, Debbie L. Feldman, Elizabeth Whitney, Hope McIntyre, Jennie Webb, Joan Lipkin, Judith Pratt, Karen Jeynes, Katelyn Gendelev, Kathleen Warnock, Kiesa Kay, Kimberly del Busto, Koorosh Angali, Lisa Stephenson, Lylanne Musselman, Meryl Cohn, Rachel Barnett, Sera Weber-Striplin, Sybil R. Williams and Vicki Cheatwood. Foreword by Erica Glyn-Jones.

This is the third anthology in a four-volume set of dramatic monologues exploring the Mother/Daughter experience. Each volume reflects a different stage of a woman's life: "Mid-Life Catharsis" shows the complexity of arrivals and departures during one's 40s, 50s and early 60s. This anthology features the work of playwrights Ann C. Hall, Barbara H. Macchia, Chris Van Strander, Christine Emmert, Ed Friedman, Janet Torreano Pound, Jennie Webb, Kathleen Warnock, Kerri Kochanski, Kit Wainer, Linda Evans, Lisa Stephenson, Marisa Smith, Martha Patterson, Maryjane Cruise, Maureen Brady Johnson, Michele Merens, Molly Best Tinsley, Monica Bauer, Rachel Barnett, Rachel Rubin Ladutke, Robin Rice Lichtig, Sandra de Helen, Sandra Gail Teichmann-Hillesheim, Selden Smith, Sera Weber-Striplin, Shareen Knight, Shirley King and Steven Schutzman. Foreword by Jill Dolan.

“Lively and evocative, Mother Land is a deftly crafted exploration of identity and culture, with memorable and deeply human characters who highlight how that which makes us different can ultimately unite us.”—Amy Myerson, author of The Bookshop of Yesterdays and The Imperfects From the critically acclaimed author of America for Beginners, a wonderfully insightful, witty, and heart-piercing novel, set in Mumbai, about an impulsive American woman, her headstrong Indian mother-in-law, and the unexpected twists and turns of life that bond them. When Rachel Meyer, a thirtysomething foodie from New York, agrees to move to Mumbai with her Indian-born husband, Dhruv, she knows some culture shock is inevitable. Blessed with a curious mind and an independent spirit, Rachel is determined to learn her way around the hot, noisy, seemingly infinite metropolis she now calls home. But the ex-pat American’s sense of adventure is sorely tested when her mother-in-law, Swati, suddenly arrives from Kolkata—a thousand miles away—alone, with an even more shocking announcement: she’s left her husband of more than forty years and moving in with them. Nothing the newlyweds say can budge the steadfast Swati, and as the days pass, it becomes clear she is here to stay—an uneasy situation that becomes more difficult when Dhruv is called away on business. Suddenly these two strong-willed women from such very different backgrounds, who see life so differently, are alone together in a home that each is determined to run in her own way—a situation that ultimately brings into question the very things in their lives that had seemed perfect and permanent . . . with results neither of them expect. Heartfelt, charming, deeply insightful and wise, Mother Land introduces us to two very different women from very different cultures . . . who maybe aren’t so different after all.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all.Years ago, Sukie moved in with Nathan because her mother was dead and her father was difficult, and she had nowhere else to go. Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

Shortlisted for the Rathbones Folio Prize • Winner of the 2021 Kate O'Brien Award • Winner of the 2021 Dalkey Emerging Writer Award Sinéad Hynes is a tough, driven, funny young property developer with a terrifying secret. No-one knows it: not her fellow patients in a failing hospital, and certainly not her family. She has confided only in Google and a shiny magpie. But she can't go on like this, tirelessly trying to outstrip her past and in mortal fear of her future. Across the ward, Margaret Rose is running her chaotic family from her rose-gold Nokia. In the neighbouring bed, Jane, rarely but piercingly lucid, is searching for a decent bra and for someone to listen. And Sinéad needs them both. As You Were is about intimate histories, institutional failures, the kindness of strangers, and the darkly present past of modern Ireland; about women's stories and women's struggles; about seizing the moment to be free. Wildly funny, desperately tragic, inventive and irrepressible, As You Were introduces a brilliant voice in Irish fiction with a book that is absolutely of our times.

While spying on her neighbors with her son's toy binoculars, Nina becomes entranced with the subjects of her secret vigils until she encounters them in the real world and must decide whether to let them into her life or not.

A debut novel of love, narcissism, and ailing cattle Idiopathy (?d?'?p??i): a disease or condition which arises spontaneously or for which the cause is unknown. Idiopathy: a novel as unexpected as its title, in which Katherine, Daniel, and Nathan—three characters you won't forget in a hurry—unsuccessfully try to figure out how they feel about one another and how they might best live their lives in a world gone mad. Featuring a mysterious cattle epidemic, a humiliating stint in rehab, an unwanted pregnancy, a mom–turned–media personality ("Mother Courage"), and a workplace with a bio-dome housing a perfectly engineered cornfield, it is at once a scathing satire and a moving meditation on love and loneliness. With unusual verbal finesse and great humor, Sam Byers neatly skewers the tangled relationships and unhinged narcissism of a self-obsessed generation in a remarkable, uproarious first novel.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Red, White, & Royal Blue meets The West Wing in Jasper Sanchez’s electric and insightful #ownvoices YA debut, chronicling a transmasculine student’s foray into a no-holds-barred student body president election against the wishes of his politician father. Optics can make or break an election. Everything Mark knows about politics, he learned from his father, the Congressman who still pretends he has a daughter and not a son. Mark has promised to keep his past hidden and pretend to be the cis guy everyone assumes he is. But when he sees a manipulatively charming candidate for student body president inflame dangerous rhetoric, Mark risks his low profile to become a political challenger. The problem? No one really knows Mark. He didn’t grow up in this town, and his few friends are all nerds. Still, thanks to Scandal and The West Wing, they know where to start: from campaign stops to voter polling to a fashion makeover. Soon Mark feels emboldened to engage with voters—and even start a new romance. But with an investigative journalist digging into his past, a father trying to silence him, and the bully frontrunner standing in his way, Mark will have to decide which matters most: perception or truth, when both are just as dangerous. “Mind-bogglingly good. This is a novel that every teen needs.” —Kacen Callender, author of Felix Ever After "Charming, stunning, and unapologetically queer." —Mason Deaver, bestselling author of I Wish You All the Best and The Ghosts We Keep

A play in one act. Comedy. Cast: 3 women, 3 men. Synopsis: Andrew has thrown a house party in hopes that the girl of his dreams, Marisa, will attend. Once he learns she is somewhere in his home, he becomes set on winning her heart. Matters are complicated when Chuck arrives bent on the same goal, followed by Jill who reveals her ex boyfriend is pursuing Marisa. Beatrice (aka "Benny"), a tom-boy, watches on amused as her peers become more and more frenzied over the unbearably hot object of their affections. When Marisa finally enters, passions run high and Chuck is almost killed! In the end, an unexpected twist unites Marisa with her true love.