Fiction. Winner of the 3-Day Novel Contest (2013). Joshua Chapman Green is searching...searching for answers. He is combing through boxes in the attic of his recently deceased mother's home and uncovering childhood memories, mysterious letters, and perplexing photos of people he does not know. They appear to be circus performers, members of a travelling freak show, or Victorian-era sideshow performers. Then he finds a crumbling copy of Moss-Haired Girl: Confessions of a Circus Performer by Zara Zalinzi...the clasp falls away, and the pages open revealing a family story that may or may not be true. In this ambitious novella, R.H. Slansky weaves a complex narrative about the very nature of narrative: it is an annotated re-issue of a fictional autobiography that casts a questioning eye on the reliability of family lore. MOSS- HAIRED GIRL is wonderful stuff, punchy and clever and engaging.--San Francisco Book Review Ever wonder if the mad-dash products of speed-writing contests can be any good? With MOSS-HAIRED GIRL, winner of the 2013 Three-Day Novel Contest, R.H. Slanksy answers in the affirmative and offers some guidance by example to would-be contestants: Start with a great premise and bite off only so much as you can chew... At 72 pages, it's a slight but extremely fun read. Let's see what Slansky can do with a few more days.--The Globe and Mail MOSS-HAIRED GIRL is an enjoyable, light read with stylistic flair... the elements of Slansky's writing and the novella's presentation offer the reader plenty to reflect upon.--The Peak

Adopted teen Leila discovers that her connection to nature and passion for environmental activism are part of her unique and magical genetic makeup, and a grove of trees that holds a mythical secret.

NEWSFLASH . . . VLOGGING IS GO! It's bad enough having to move house, school and country all at the same time, without making a fool of yourself on the first day of term. But that's just what Lucy's done - and one of her classmates has videoed the whole thing and put it online! Lucy's so stressed, her stammer's become worse than ever. So when a friend encourages her to create her own videos, she thinks it's a terrible idea - surely she's embarrassed herself enough for one lifetime! But when Lucy finally gives vlogging a try, she's amazed to find that people actually want to watch . . . Includes tips for making your own vlogs!

The carnival sideshows of the past have left behind a fascinating legacy of mystery and intrigue. The secrets behind such daring feats as fire-eating and sword swallowing and bizarre exhibitions of human oddities as "Alligator Boys" and "Gorilla Girls" still remain, only grudgingly if ever given up by performers and carnival professionals. Working alongside the performers, Joe Nickell blows the lid off these mysteries of the midway. The author reveals the structure of the shows, specific methods behind the performances, and the showmen's tactics for recruiting performers and attracting crowds. He also traces the history of such spectacles, from ancient Egyptian magic and street fairs to the golden age of P.T. Barnum's sideshows. With revealing insight into the personal lives of the men and women billed as freaks, Nickell unfolds the captivating story of the midway show.

A Southern Living Best New Book of Winter 2019; A Refinery29 Best Book of January 2019; A Most Anticipated Book of 2019 at The Week, Huffington Post, Nylon, and Lit Hub; An Indie Next Pick for January 2019 “Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.” —Emma Donoghue, author of Room "A worthy match for 3 a.m. disquiet, a book that evoked existential dread, but contained it, beautifully, like a shipwreck in a bottle.” —Margaret Talbot, The New Yorker A taut, gripping tale of a young woman and an Iron Age reenactment trip that unearths frightening behavior The light blinds you; there’s a lot you miss by gathering at the fireside. In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice? A story at once mythic and strikingly timely, Sarah Moss’s Ghost Wall urges us to wonder how far we have come from the “primitive minds” of our ancestors.

When Talibah and her younger brother, Adom, accompany their father, an academic, to his homeland of modern Egypt on his research assignment, they become involved in a mystery surrounding an ancient, lost pharaoh—a rare queen ruler. Someone has tried to wipe her from the record, to make it appear as if she never existed! She needs Talibah to help her and her high priest, Senenmut, reclaim their rightful place in history. Exotic locales, mysterious strangers, and a sinister archaeologist round out an adventure that is full of riddles, old tales, and, most surprisingly of all, a link to Talibah’s and Adom’s mother, who died mysteriously.