It is off-season in a remote Highland sea port: twenty-one-year-old Morvern Callar, a low-paid employee in the local supermarket, wakes one morning to find her strange boyfriend has committed suicide and is dead on their kitchen floor. Morvern's laconic reaction is both intriguing and immoral. What she does next is even more appalling... WINNER OF THE SOMERSET MAUGHAM AWARD

Morvern Callar is a 21-year-old supermarket worker from a small port town in the West of Scotland. Morvern believes that life is something that you get on with, as best you can and with what you've got. One morning Morvern finds that what she's got is a dead boyfriend on the kitchen floor. Extraordinarily, she doesn't tell anyone and this and her subsequent choices propel her on a journey that transforms her life.

Heterosexuality in contemporary novels, re-examined using the frameworks of feminism and queer theory. Drawing on feminist and queer theories of sex, gender and sexuality, this study focuses on female identities at odds with heterosexual norms. In particular, it explores narratives in which the conventional equation between heterosexuality, reproductive sexuality and female identity is questioned.

After the scandalous theft of a pub's World Cup cash kitty, a homeless drifter pursues his eccentric uncle: 'The Man Who Walks', up into the Highlands to recover the money - a cool -27,000. The nephew's frantic, stalled progress and other bizarre diversions form this wickedly hilarious novel. But who is The Man Who Walks? Is he simply a water-carrying madman with one glass eye and a fondness for whisky and pony nuts, and who has a physiological inability to handle slopes? Or is he a savant, touched by the hand of God, wandering the back roads along ancient, ancestral tracks? And as the sinister, unstable nephew gains on The Man Who Walks, can it be that it will all end in a field and that this field is Culloden Moor?

'A sequel to his acclaimed début Morvern Callar, These Demented Lands, confirms that Alan Warner boasts an extravagant talent... This novel is set on a Scottish island that contains a variety of weird landmarks and an hallucinogenic cast of characters - including a DJ who wants to set up the rave to end all raves, a visitor whose job is to assess candidates for sainthood and the wonderfully unfazed heroine, Morvern Callar' - Harry Ritchie, Mail on Sunday A powerful, hilarious and original novel about the intersection of lives in the rough and ready communities and wild landscapes of the Scottish Highlands.

Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Bolton's approach demonstrates how the encounter between the philosophy of Luce Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.

It is the early 1970s and for 16-year-old Simon Crimmons there's really not much to do in the Highlands of Scotland. The only local drama and romance is the West Highland Line, so Simon joins up as a train driver. But that summer he is introduced to a world far more glamorous and strange than the railways can provide.

Out of school & out in the world, gathered in Gatwick to plan a super-cheap last-minute holiday to celebrate their reunion. Kay, Kylah, Manda, Rachel & Finn are joined by Finn's gorgeous friend Ava - a half-French philosophy student & are ready to go on the rampage.

The Seal Club is a three-novella collection by the authors Alan Warner, Irvine Welsh and John King, three stories that capture their ongoing interests and concerns, stories that reflect bodies of work that started with Morvern Callar, Trainspotting and The Football Factory - all best-sellers, all turned into high-profile films.

Disappearing Men examines the complex and rebellious representations of gender in the work of several writers of 'devolutionary' Scottish fiction in the period 1979 to 1999. The study focuses on the context of a 'crisis in masculinity' accompanying the rapidly changing male role in the period, concluding that men often disappear from sight in this writing, highlighting issues of male insecurity and female disorientation in a new gender landscape. Hence the novels examined here by authors James Kelman, Jancie Galloway, Jackie Kay, A.L. Kennedy and Alan Warner, strongly challenge the stereotype of the Scottish 'hardman' and his dominance in 20th century Scottish fiction. Disappearing Men dissects this challenge by giving major consideration to the relationship between the innovative literary forms often found in this writing and the concepts of selfhood they give rise to. The possibilities inherent in these texts of reimagining gender identity and relations make them important contemporary documents of our struggles with realising selfhood and relations with others. A sustained and intimate analysis, this monograph will be of crucial interest to those concerned with issues of gender and representation in our rapidly changing era.