Six Feet Under meets Edward Scissorhands in Mortal Remains, a tight, smartly written romance with an occult twist. Though her classmates call her Morticia and Ghoul Girl, Lily actually likes her work—the dead are good listeners, and they don't judge. Lily learns their stories, shares her worries with them as she makes up their faces, and embroiders pillows for their final rest. “The way I figure it,” says Lily, “a person's arrival into this world is about as unglamorous as it gets. The least I can do is dignify their departure." Then, after a mysterious explosion burns down a neighborhood house long the source of weird stories, Lily and her friends poke around in the debris and come across the hatch to an underground vault. Inside, they find an injured teenage boy who has been trapped there for days. He has little memory of his life before the explosion and speaks in an odd, stilted manner that suggests limited interaction with the outside world. Yet the boy, Adam, feels there is something familiar about Lily—and Lily must admit that she feels a strange connection to him as well. Could Adam be the boy who, years ago, protected her from the bullying of a gang of neighborhood kids? But when she finds out that boy died shortly after their encounter, she realizes Adam couldn't be him… could he? Where did Adam come from, anyway? And, most importantly, why was he kept prisoner by his own father? Within days of the explosion, my night terrors returned with a vengeance. In them I was falling, always falling, until I heard the crack of bone and woke screaming, my hair plastered to my sweat-drenched cheeks. I knew I’d only find peace when I’d put the question of Adam’s fate to rest once and for all. It became my obsession. . . .

An account of the organized underworld of ritualistic terror operating in a picturesque Massachusetts town discusses the work of police, forensic scientists, and anthropologists to piece together a series of crimes. Reprint.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

The first book ever produced with full access the Pink Floyd archive. Published to accompany the V&A's major summer exhibition, Pink Floyd: Their Mortal Remains, celebrates 50 years of one of the greatest bands of all time. Five essays tackle different aspects of their far-reaching legacy in music and the visual arts. Authors including Jon Savage, Howard Goodall and Rob Young examine what makes the band truly special, from the mythology underpinning their output, through to their experimentation with technology to create new sounds. their epic staging and performance impact will also be explored, along with the anti-authoritarianism that infuses their lyrics. 00The book is heavily illustrated throughout, emphasizing the essential role that visual material played in supporting the music and creating the lasting Pink Floyd phenomenon. 00Victoria Broackes is Senior Curator and Head of Exhibitions for the Department of Theatre and Performance at the V&A. She has produced a number of successful touring exhibitions, including You Say You Want a Revolution? and David Bowie Is. Anna Landreth Strong is Curator of Modern and Contemporary Performance at the V&A. 00Exhibition: Victoria and Albert Museum, London, United Kingdom (13.05-01.10.2017).

In a small upstate New York town, an idyllic lake yields a ghastly discovery when the skeletal remains of a young woman missing for twenty-seven years are pulled from the icy depths—along with unmistakable evidence of her murder. Suddenly, the long-dormant case of Kelly McShane Braden’s mysterious disappearance is reactivated. And for two devastated men, dark emotions and disturbing secrets will also rise to the surface. For local coroner Dr. Mark Roper, the murder is more than just a grim interruption of his general practice in sleepy Hampton Junction. Kelly Braden had been a surrogate sister. When the police insist the trail of Kelly’s disappearance is too cold to pick up again, he vows to find the missing pieces of the past that will lead him to a killer. Because that’s what cracks cold cases: “One guy who can’t get it out of his head.” Yet Mark isn’t the only one with Kelly’s murder on his mind. Dr. Earl Garnet, chief of staff at Buffalo’s St. Paul’s Hospital, was once Kelly’s secret lover . . . and would-be savior. Until his plans to rescue her from an abusive marriage were cut short by her vanishing. Now, as the last person to see Kelly alive, he’s in danger of becoming the prime suspect, unless he can unmask the murderer first. But neither man knows about the twisted chain of lies and corruption that led to Kelly’s death—or the shocking revelations that were meant to go with her to a watery grave. And the harder they push for answers, the easier they make it for their lethal quarry to zero in on them—and push back with deadly force. With Mortal Remains, Peter Clement remains in total control of readers’ nerves from the very first page, once more wielding heart-racing suspense and scalpel-sharp terror with a master surgeon’s skill.

When an African-American deputy is shot on a roadside, Texas Caddo County Sheriff Bo Handel uncovers a white supremacist hate campaign being staged from a compound on the edge of town.

Do you believe in ghosts? Chances are you're either too willing, or not willing enough, to believe that personal consciousness survives after bodily death. Some underestimate the evidence for life after death, not realizing how impressive the most convincing cases are. Others overestimate it, rejecting alternative explanations too readily. In fact, several non-survivalist explanations--hidden or latent linguistic or artistic talents, extreme memory, even psychic abilities--are as interesting as the hypothesis of survival, and may be more plausible than their critics realize. Immortal Remains takes a fresh look at some of the most puzzling cases suggesting life after death, and considers how to tell evidence for an afterlife from evidence for exotic things (including psychic things) done by the living. Author Stephen E. Braude, who has done extensive research in parapsychology and dissociation, explores previously ignored issues about dissociation, creativity, linguistic skills, and the nature and limits of human abilities. He concludes that we have some reason, finally, for believing in life after death.

The Solar System is ours. Biotechnology has provided the Settled Worlds with a riot of habitable environments; sentient craft ply the routes between the planets; the souls of the dead live on in the Noosphere, a psychic Net where they can be contacted by the living. Paradise? Not quite - and when a strange womb is recovered from a living spaceship crashed on Mars it swiftly becomes the focus of intrigue and murder as the Settled Worlds begin to disintegrate under the strain of a vicious interplanetary war between two rival factions.

Mortal Remains introduces new methods of analyzing death and its crucial meanings over a 240-year period, from 1620 to 1860, untangling its influence on other forms of cultural expression, from religion and politics to race relations and the nature of war. In this volume historians and literary scholars join forces to explore how, in a medically primitive and politically evolving environment, mortality became an issue that was inseparable from national self-definition. Attempting to make sense of their suffering and loss while imagining a future of cultural permanence and spiritual value, early Americans crafted metaphors of death in particular ways that have shaped the national mythology. As the authors show, the American fascination with murder, dismembered bodies, and scenes of death, the allure of angel sightings, the rural cemetery movement, and the enshrinement of George Washington as a saintly father, constituted a distinct sensibility. Moreover, by exploring the idea of the vanishing Indian and the brutality of slavery, the authors demonstrate how a culture of violence and death had an early effect on the American collective consciousness. Mortal Remains draws on a range of primary sources—from personal diaries and public addresses, satire and accounts of sensational crime—and makes a needed contribution to neglected aspects of cultural history. It illustrates the profound ways in which experiences with death and the imagery associated with it became enmeshed in American society, politics, and culture.

Book of the Year, 2018 Saltire Literary Awards A CrimeReads Best True Crime Book of the Month For fans of Caitlin Doughty, Mary Roach, Kathy Reichs, and CSI shows, a renowned forensic scientist on death and mortality. Dame Sue Black is an internationally renowned forensic anthropologist and human anatomist. She has lived her life eye to eye with the Grim Reaper, and she writes vividly about it in this book, which is part primer on the basics of identifying human remains, part frank memoir of a woman whose first paying job as a schoolgirl was to apprentice in a butcher shop, and part no-nonsense but deeply humane introduction to the reality of death in our lives. It is a treat for CSI junkies, murder mystery and thriller readers, and anyone seeking a clear-eyed guide to a subject that touches us all. Cutting through hype, romanticism, and cliché, she recounts her first dissection; her own first acquaintance with a loved one’s death; the mortal remains in her lab and at burial sites as well as scenes of violence, murder, and criminal dismemberment; and about investigating mass fatalities due to war, accident, or natural disaster, such as the 2004 Indian Ocean tsunami. She uses key cases to reveal how forensic science has developed and what her work has taught her about human nature. Acclaimed by bestselling crime writers and fellow scientists alike, All That Remains is neither sad nor macabre. While Professor Black tells of tragedy, she also infuses her stories with a wicked sense of humor and much common sense.