'Morrison was the first Australian to break into Fleet Street's elite corps of foreign correspondents. Everyone who followed owes him an enormous debt. He set the benchmark: courage, truthfulness and the need to be there, face to face. His amazing life, splendidly and succinctly told, is an inspiration. If Morrison has been largely forgotten, this book will change that forever.' - Phillip Knightley, author of The First Casualty, a history of war correspondents This is the compelling story of 'Chinese Morrison', who bestrode continents, helped bring down a dynasty and chronicled his times so brilliantly that he not only wrote history but changed it as well. In 1882, at the age of 19, George Ernest Morrison's strong sense of courage and devotion to reporting the truth led him to expose the Australian Kanaka slave trade. It marked the beginning of what was to be an illustrious career. In the decades that followed, Morrison achieved international fame for his work as a correspondent for the London Times in the decadent and dangerous Chinese capital of Peking, not least when he helped to organise the defence of the legations during the 55-day siege of the Boxer Uprising. Then, as adviser to the fledgling Chinese Government, he was a pivotal figure in the fall of the last Emperor and the birth of the Chinese Republic. Peter Thompson and Robert Macklin have written a powerful and gripping biography of an Australian journalist and adventurer who paused only to tell his stories and to plan his next foray among the great events and leading figures of his day.

Reprint of a biography of George Morrison, an Australian-born explorer, adventurer and Peking correspondent for the London TTimes'. The author, who was himself a well-known Australian identity, based his biography primarily on Morrison's personal papers. Includes a select bibliography and an index. First published in 1967.

Peking is one of the great cities of the world and one of the most fascinating. It has changed so radically in the past thirty years that the city's fabulous past is in danger of being lost to memory. This memoir of Peking from 1933 to 1946, compiled by one of the finest photographers who has ever worked in Asia, is thus a significant document and will be of interest not only to longstanding China-watchers but also to the many tourists who have been privileged to visit Peking in the decade since the city has again been opened to the West. The photographs provide a unique insight into life in Peking in the years preceeding the Communist revolution of 1949. The photographer, Hedda Morrison, left Nazi Germany in 1933 to manage a German-owned photographic studio in Peking. Her sympathetic approach to her subject is manifested in the large number of photographs showing Chinese people from all walks of life at work and enjoying their leisure. Architectural studies provide valuable evidence of buildings and monuments that have since changed or disappeared, and photographs taken beyond Peking and in the Western Hills convey the beauty of the north China landscape.

He was our man in Peking. She was ... everybody's. The ravishing new novel from the author of the bestselling EAT ME. 'A most engaging, clever and memorable romp' Sydney Morning Herald He was our man in Peking. She was ... everybody's. 1904. Forty-two-year-old, handsome and influential Australian G.E. Morrison, Peking correspondent for tHE tIMES of London, considered the most eligible Western bachelor in China has yet to meet his match. But one night he encounters Mae Perkins, the ravishing daughter of a California millionaire and a turbulent affair begins. War, meanwhile, has broken out between Russia and Japan for domination over northeast China. Morrison's colleague Lionel James has an idea that will revolutionise war correspondence, but only Morrison can help him. Just as Mae seems to be slipping away from Morrison, James's quest propels him into her orbit once more. Inspired by a true story, A MOSt IMMORAL WOMAN is a surprising, witty and erotic tale of sexual and other obsessions set in the 'floating world' of Westerners in China and Japan at the turn of the twentieth century. At its heart stands an original and devastatingly honest woman, as seen from the perspective of the extraordinary man who was drawn to love her. 'Cleverly constructed, this is to bodice ripping what Harvard is to Play School.' QANtAS: tHE AUStRALIAN WAY 'Jaivin creates a fully realised, intensly lived-in past ... It might be her best work' tHE AGE

An Australian in China Being the Narrative of a Quiet Journey Across China to Burma Morrison, George Ernest,

The convulsive history of foreign journalists in China starts with newspapers printed in the European factories of Canton in the 1820s. It also starts with a duel between two editors over the future of China and ends with a fistfight in Shanghai over therevolution. This book tells the story of China's foreign journalists.

This book explores the place of China and the Chinese during the age of imperialism. Focusing not only on the state but also on the vitality of Chinese culture and the Chinese diaspora, it examines the seeming contradictions of a period in which China came under immense pressure from imperial expansion while remaining a major political, cultural and demographic force in its own right. Where histories of China commonly highlight episodes of conflict and subjugation in China’s relations with the West, the contributions to this volume explore the complex spaces where empires and their peoples did not merely collide but also became entangled.

A fearless writer confronts grief and transforms it into art, in a book of surprising beauty and love, "a masterpiece by a master” (Elizabeth McCracken, Vanity Fair). "Li has converted the messy and devastating stuff of life into a remarkable work of art.”—The Wall Street Journal WINNER OF THE PEN/JEAN STEIN AWARD • LONGLISTED FOR THE PEN/FAULKNER AWARD • NAMED ONE OF THE TEN BEST FICTION BOOKS OF THE YEAR BY TIME AND ONE OF THE BEST BOOKS OF THE YEAR BY Parul Seghal, The New York Times • NPR • The Guardian • The Paris Review The narrator of Where Reasons End writes, “I had but one delusion, which I held on to with all my willpower: We once gave Nikolai a life of flesh and blood; and I’m doing it over again, this time by words.” Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.

The story of the British acquisition of Hong Kong is intricately related to that of the Portuguese enclave of Macao. The British acquired Hong Kong in 1841, following 200 years of European endeavours to induce China to engage in foreign trade. As a residential base of European trade, Portuguese Macao enabled the West to maintain continuous relations with China from 1557 onwards. Opening with a vivid description of the first English voyage to China in 1637. Macao and the Britishtraces the ensuing course of Anglo-Chinese relations, during which time Macao skillfully – and without fortifications – escaped domination by the British and Chinese. The account covers the opening of regular trade by the East India Company in 1770, including the 'country' trade between India and China and Britain's first embassies to Peking, and relates the bedeviling effect of the opium trade. The story culminates in the resulting war from which Britain won, as part of its concessions, the obscure island of Hong Kong. Among those who feature in this lucid and lively account are the merchant princes Jardine and Matheson, the missionary Robert Morrison, the artist George Chinnery, and Captain Charles Elliot, Hong Kong’s maligned founder. Austin Coates (1922–97), a former senior British civil servant in Hong Kong, Malaya, and Sarawak, left government service at age forty to pursue a professional writing career. Widely regarded as the most distinguished English-language author in Hong Kong, Coates remained a long-time Hong Kong resident, later dividing his time between Hong Kong and Portugal, where he died. Macao and the British is a companion to his other two books on Macao, A Macao Narrative and the historical novel City of Broken Promises. Both these books and his other novel, The Road, are also available in the Echoes series from Hong Kong University Press. "Macao history at its most readable. It … should be immediately snapped up by anyone who has been unlucky enough to have missed it up to now." – South China Morning Post "This study vividly introduces the general reader to historic Macau, once 'the outpost of all Europe in China' and foothold to East India Company officials and private merchants trading in Canton." – Clive Willis, Emeritus Professor of Portuguese Studies, University of Manchester and author of China and Macau "Macao and the British 1637–1842: Prelude to Hong Kong (1988), published originally in 1964 as Prelude to Hong Kong, was the first work on Macau by Austin Coates (1922–1997). It is the first comprehensive survey ever to be written on the English presence, the Anglo-Chinese-Portuguese relations in Macau, and the Portuguese settlement's strategic importance for the British China Trade." – Rogerio Puga, Assistant Professor of History, University of Macau