When Richard Slater receives a letter of complaint from one of his constituents, a Margaret Hayton, he merely responds with his standard letter of empty promises. Clearly, this woman is insane and must be avoided at all costs. But she will not be dismissed so easily, and when Richard finally sets eyes on the ‘twenty-something vision in stone-washed denim, with a cloud of dark ringlets and huge, serious eyes’ he risks losing his heart, his head and quite possibly his political career.

Past and present collide in this heartfelt novel of love and loss from the National Book Award–winning author of A Wrinkle in Time. After the tragic death of her son and the seeming collapse of her marriage, Charlotte Napier flees to Portugal in the hopes of finding guidance from her mentor: her mother-in-law, Violet. Instead, she finds solace in the letters of Mariana Alcoforado, a seventeenth-century nun. Charlotte and Mariana’s stories may be different in origin, but they share the same inner turmoil. As she reads the letters, Mariana’s spiritual journey sheds light on Charlotte’s own crisis. Finding inspiration in the nun’s struggles with sin, temptation, and faith, Charlotte gains perspective on her own mind—and sets out to accept the demanding, challenging nature of love. This ebook features an illustrated biography of Madeleine L’Engle including rare images from the author’s estate.

“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.

A voyeuristic look at modern romance brings together an assortment of actual love letters, written by a diverse cross section of people, that appear exactly as they were originally written, offering candid insights into how people think about love.

Lily, who has attention-deficit hyperactivity disorder, and Abelard, who has Asperger's, meet in detention and discover a mutual affinity for love letters--and, despite their differences, each other.

When her bookshop closes its doors, Laura agrees to help organize a literary festival. Her initial excitement is followed by panic when she realizes that an innocent mistake has led the festival committee to believe that she is a personal friend of the reclusive writer Dermot Flynn. Even though Laura has been infatuated with Dermot since her college days, traveling to Ireland to persuade him to come out of hiding is not what she had in mind. Nevertheless, she sets off to charm her literary hero into headlining the festival. Unfortunately, Dermot is maddening, temperamental, and up to his ears in a nasty case of writer's block. But he's also infuriatingly attractive.... With all the warmth and wit that have made Katie Fforde's novels huge bestsellers in the U.K., Love Letters is an irresistible tale of love and literature and the quest for a happy ending.

Remember letters? They were good, weren’t they? The thrill of receiving that battered envelope, all the better for the wait . . . In this richly entertaining book, paper geek John O’Connell puts forward a passionate case for the value of letter-writing in a distracted, technology-obsessed world. Drawing on great examples from the past, he shows that the best letters have much to teach us – Samuel Richardson’s ‘familiar letters’; Wilfred Owen’s outpourings to his mother; the sly observational charms of Jane Austen. And in doing so he reminds us of the kind of letters we would all write if we had the time – the perfect thank-you letter, a truly empathetic condolence letter, and of course the heartfelt declaration of love. Was there a Golden Age of Letters? Why is handwriting so important? Can we ever regain the hallowed slowness of the pre-Twitter era? In answering these questions O’Connell shows how a proper letter is an object to be cherished, its crafting an act of exposure which gives shape and meaning to the chaos of life. *** ‘The nib touches the paper. And instinctively I follow the old formula: address in top right-hand corner; date just beneath it on the left-hand side. My writing looks weird. I hand-write so infrequently these days that I’ve developed a graphic stammer - my brain’s way of registering its impatience and bemusement. What are you doing? Just send an email! I haven’t got all night . . .’

From the private papers of Winston Churchill to the tender notes of an unknown Tommy in the trenches, Love Letters of the Great War brings together some of the most romantic correspondence ever written. Many of the letters collected here are eloquent declarations of love and longing; others contain wrenching accounts of fear, jealousy and betrayal; and a number share sweet dreams of home. But in all the correspondence – whether from British, American, French, German, Russian, Australian and Canadian troops in the height of battle, or from the heartbroken wives and sweethearts left behind – there lies a truly human portrait of love and war. A century on from the First World War, these letters offer an intimate glimpse into the hearts of men and women separated by conflict, and show how love can transcend even the bleakest and most devastating of realities. Edited and introduced by Mandy Kirkby, with a foreword from Orange Prize-winner Helen Dunmore.

While living in exile in Berlin, the formidable literary critic Viktor Shklovsky fell in love with Elsa Triolet. He fell into the habit of sending Elsa several letters a day, a situation she accepted under one condition: he was forbidden to write about love. Zoo, or Letters Not about Love is an epistolary novel born of this constraint, and although the brilliant and playful letters contained here cover everything from observations about contemporary German and Russian life to theories of art and literature, nonetheless every one of them is indirectly dedicated to the one topic they are all required to avoid: their author's own unrequited love.

This is a novel for everyone who has ever been happily married -- and for everyone who would like to be. Reminiscent of the work of David Bergen and Barbara Gowdy, Love Letters of the Angels of Death heralds the arrival of a formidable literary voice.