'More than a Symbol' seeks to demonstrate that the interpretation of baptism as a mere symbol bearing witness to a previously completed conversion experience is inadequate both as a summary of biblical teaching and as a summary of Baptist thought. Starting with H. Wheeler Robinson and culminating in the work of G. R. Beasley-Murray, British Baptists in the twentieth century argued effectively that baptism must be interpreted as an effective sign, a meeting place of grace and faith, a sacrament rather than a mere symbol. This book argues that the New Testament exegesis that is at the heart of this reformulation is fundamentally accurate, and that the resulting system is theologically coherent. The book also argues that this view is not a Baptist novelty, but is rather a recovery of the foundational Baptist thought of the seventeenth century.

Fowler surveys the entire scope of British Baptist literature from the seventeenth-century pioneers onwards. He shows that in the twentieth century leading British Baptist pastors and theologians recovered an understanding of baptism that connected experience with soteriology and that in doing so they were recovering what many of their forebears taught.

Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.

Blood is more than a fluid solution of cells, platelets and plasma. It is a symbol for the most basic of human concerns--life, death and family find expression in rituals surrounding everything from menstruation to human sacrifice. Comprehensive in its scope and provocative in its argument, this book examines beliefs and rituals concerning blood in a range of regional and religious contexts throughout human history. Meyer reveals the origins of a wide range of blood rituals, from the earliest surviving human symbolism of fertility and the hunt, to the Jewish bris, and the clitoridectomies given to young girls in parts of Africa. The book also explores how cultural practices influence gene selection and makes a connection with the natural sciences by exploring how color perception influences the human proclivity to create blood symbols and rituals.

Robert Langdon, while at the U.S. Capital Building, finds an object encoded with five symbols, which is an ancient invitation to usher its recipient into a long-lost world of esoteric wisdom. When Langdon's belived mentor, Peter Solomon, is kidnapped, he realizes his only hope of saving Peter is to accept this mystical invitation and follow wherever it leads him. Langdon is instantly plunged into a clandestine world of Masonic secrets, hidden history, and never-before-seen locations - all of which seem to be dragging him toward a single, inconceivable truth.

Secrets of the Lost Symbol is an essential resource for Dan Brown fans who want to know the facts behind the fiction. From Abramelin the Mage to the Zohar, this encyclopedic unofficial companion guide to The Lost Symbol uncovers the forgotten histories of arcane traditions that have shaped—and still inhabit—our modern world. Discover the truth about Freemasonry—a major theme in Brown's best-selling novel—including its rituals, temples, and infamous members such as the legendary Albert Pike. Get the real story behind the Rosicrucians, the Temple of Solomon, and ancient occult rites.

From its probable beginnings as an interrogatory creed for catechumens to its current place in the Sunday liturgy, the Apostoles' Creed has played an integral role in the sacraments of the church. The symbol of faith, as it was called by generations of Christians, was not only a vehicle of orthodox instruction but a profession of faith of profound beauty and meaning to be memorized and pondered for a lifetime. It is this Creed, a lasting achievement of the Christian tradition that Nicholas Ayo, C.S.C., presents to the general reader in The Creed as Symbol. A meditative yet thought-provoking study, this volume presents the Apostles' Creed as more than a basic confession of faith but as a symbol/metaphor of the mystery of God. Ayo holds that the Apostles' Creed is a sacred poem, an ancient psalm, holy and beautiful in its form as well as in its content. Basic literary criticism and linguistics are used to explicate the figurative body of the Creed--its words--as well as the theological meditation of its soul--the mysteries it seeks to teach. And as Ayo balances the study of the medium with the message, he does so with the conviction that the two are inextricably linked together and can never be separated. Ayo divides the Apostoles' Creed into its 12 historically recognized articles, each with its own chapter. In addition to his introduction, Ayo has included a brief history of the Creed's formation, a full summary of the ideas covered, an appendix containing differing versions of the Creed, a bibliography, and complete notes. This work is an ideal companion piece to any student religious text or standing alone, as a parish renewal source book or primary text for catechumens. The Creed as Symbol will enrich anyone's understanding of the Creed, the perennial and core doctrine of Christianity.

Kolsbun tells the surprising story of the peace sign in words and pictures, from its origins in the nuclear disarmament efforts of the late 1950s to its adoption by the antiwar movement of the 1960s, through its stint as a mass-marketed commodity and its enduring relevance now.

The author examines the meaning and imprecisions of 'symbol' in this interdisciplinary study of nineteenth-century writers.

Already hailed as a landmark in contemporary Catholic theology, Jesus Symbol of God surveys scriptural data, the key moments in the development of doctrine, and the distinctive horizons of our contemporary world to develop a comprehensive and systematic christology for our time. The task of christology is to explain what it means to say that Jesus is the bearer and revealer of God in the Christian community, the decisive mediation of God's salvation -- or, in other words, the symbol of God.