The allocation of resources and the design of policies tailored to local-level conditions require highly disaggregated information. Data on poverty at the local level is typically not available because most household surveys are not representative past the regional level. This volume aims to promote the effective use of Small Area Estimation poverty maps in policy making. It presents the range of policies and interventions which have been informed by poverty maps, focusing on the political economy of poverty maps and the key elements to their effective use by policy makers. The volume also looks at the future of poverty maps in terms of new techniques and new areas of application.

The allocation of resources and the design of policies tailored to local-level conditions require highly disaggregated information. Data on poverty at the local level is typically not available because most household surveys are not representative past the regional level. This volume aims to promote the effective use of Small Area Estimation poverty maps in policy making. It presents the range of policies and interventions which have been informed by poverty maps, focusing on the political economy of poverty maps and the key elements to their effective use by policy makers. The volume also looks at the future of poverty maps in terms of new techniques and new areas of application.

“P.S. I Love You More Than Tuna is both a lighthearted celebration of the loving bond between human and cat, and a touching meditation on the eternal nature of that love.” —Jackson Galaxy, host of Animal Planet’s My Cat From Hell An illustrated gift book for adults grieving a companion cat, celebrating the often-quirky bond between humans and felines. Our cats occupy a unique space in our hearts. When they’re gone, the loss can be devastating, the grief profound. P.S. I Love You More Than Tuna gives us an opportunity to give friends, loved ones, or ourselves tangible comfort during the grieving period, when so many of us feel isolated and misunderstood after a beloved pet dies. The author and illustrator (devoted cat lovers themselves) offer this book as a universal love letter from the felines we've bid goodbye to. It celebrates the special bonds we forge with our four-legged companions and reminds us that their love for us—and ours for them—need never end.

Rain or shine, two siblings always find the silver lining in this joyful, shining picture-book debut Is there anything better than a sunny day? How about a day that’s sunny . . . and birdy? Or breezy and buzzy? Blue and wishy? Cloudy and fishy? In this enchanting, buoyant picture-book debut from Shelley Johannes, a pair of siblings find the bright side during all the seasons of a year—bringing optimism, curiosity, and wonder to each situation they encounter, no matter the weather.

Penned by the very first Crayon Activist, Bellen Woodard, this picture book will tug at readers' heartstrings and inspire them to make a difference! When Bellen Woodard’s classmates referred to "the skin-color” crayon, in a school and classroom she had always loved, she knew just how important it was that everyone understood that “skin can be any number of beautiful colors.” This stunning picture book spreads Bellen’s message of inclusivity, empowerment, and the importance of inspiring the next generation of leaders. Bellen created the More Than Peach Project and crayons with every single kid in mind to transform the crayon industry and grow the way we see our world. And Bellen has done just that! This moving book includes back matter about becoming a leader and improving your community just like Bellen. Her wisdom and self- confidence are sure to encourage any young reader looking to use their voice to make even great spaces better!

This thought-provoking and original book argues that hyperimages—calculated displays of images on walls or pages—have played a major role in the history of art. In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thürlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. In part because the hyperimage is not permanently available, this interplay of images has been largely unexplored. Through case studies organized within three groups of producers—collectors and curators, art historians, and artists—Thürlemann proposes a theory of the hyperimage, explores the semiotic nature of this plural image use, and discusses the arrangement and interpretation of such pictures in order to illuminate the phenomenon of Western image culture from the beginning of the seventeenth century until today. His analysis of the ways in which images are assembled and associated provides a crucial context for the explosive present-day deployment of images on digital devices.

When Loletta marries NBA star Clarence Jackson, she thinks her life will be perfect. But it soon becomes clear all he wants is a trophy wife, and a mistress to complete the picture. Determined not to lose him, Loletta invites his mistress, Sharmaine, into their bedroom. And when Clarence sees how amenable his wife is, he rededicates himself to their marriage. But sexy Sharmaine refuses to be cast aside so easily and Loletta announces what she soon finds out is an unwanted pregnancy. The nightmare has just begun, but Loletta's got a few surprises to share.

Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptor, a training in a trade met their practical needs. This ‘training’ was of an altogether different nature to an ‘education’ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late seventeenth to early nineteenth centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the ‘art and mystery’ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ‘long’ eighteenth century.