These thirteen tales are populated by an assortment of fictional as well as real characters, all of them vividly sketched and true-to-life: the botanist Linnaeus, the composer Offenbach, the poet Hart Crane, the visionary horror writer H. P. Lovecraft, a southern sheriff, a dealer in rare books, a country singer, an old maid (and her suitor), and a mathematician. Whether these stories are deemed disquieting, comic, prophetic, or tall in the telling, they show us worlds where the truth reveals itself in many shapes. Throughout the writings comprising More Shapes Than One, Fred Chappell's storytelling magic transforms the commonplace.

While piloting his spaceship through the skies, Captain Invincible encounters three-dimensional shapes, including cubes, cylinders, and pyramids.

Introduces basic shapes through fun, poetic text. A circle, a triangle, an oval, a square—shapes are found everywhere!

Introduces shapes, including squares, triangles, circles, and rectangles, and presents images of buildings that employ these shapes in their architecture.

Under the interpretive gaze, Chappell's stories reveal a dazzling range, and all of his work shows a concern with the relationship between the spiritual and material in people's lives, the moral development of the human race, and the flawed, enigmatic, and yet enlightening interaction between men and women."--Jacket.

Stanley Fish's Surprised by Sin, first published in 1967, set a new standard for Milton criticism and established its author as one of the world's preeminent Milton scholars. The lifelong engagement begun in that work culminates in this book, the magnum opus of a formidable critic and the definitive statement on Milton for our time. How Milton works "from the inside out" is the foremost concern of Fish's book, which explores the radical effect of Milton's theological convictions on his poetry and prose. For Milton the value of a poem or of any other production derives from the inner worth of its author and not from any external measure of excellence or heroism. Milton's aesthetic, says Fish, is an "aesthetic of testimony": every action, whether verbal or physical, is or should be the action of holding fast to a single saving commitment against the allure of plot, narrative, representation, signs, drama--anything that might be construed as an illegitimate supplement to divine truth. Much of the energy of Milton's writing, according to Fish, comes from the effort to maintain his faith against these temptations, temptations which in any other aesthetic would be seen as the very essence of poetic value. Encountering the great poet on his own terms, engaging his equally distinguished admirers and detractors, this book moves a 300-year debate about the significance of Milton's verse to a new level.

Talking math with your child is simple and even entertaining with this better approach to shapes! Written by a celebrated math educator, this innovative inquiry encourages critical thinking and sparks memorable mathematical conversations. Children and their parents answer the same question about each set of four shapes: "Which one doesn't belong?" There's no one right answer--the important thing is to have a reason why. Kids might describe the shapes as squished, smooshed, dented, or even goofy. But when they justify their thinking, they're talking math! Winner of the Mathical Book Prize for books that inspire children to see math all around them. "This is one shape book that will both challenge readers' thinking and encourage them to think outside the box."--Kirkus Reviews, STARRED review

Expert guidance and essential practice questions to help you succeed when taking both the UKCAT and BMAT.

This revised and updated 2011 edition is the most comprehensive guide available to the UKCAT and BMAT. Readers will find all they need to face the tests with confidence, fulfil their potential and succeed in their application - whichever universities they are applying to. New questions have been added to the extensive practice sections of both the UKCAT and BMAT. In addition this essential text takes would-be doctors through everything they need to know from writing their personal statements and preparing for interviews to time management and test-taking strategies.

This is an introduction to the concept of shape. Each page shows a shape, which, when you pull a tab, transforms into a familiar object. On the reverse side of each page in an ever-decreasing selection of flaps - all of that shape - which when lifted to reveal labelled pictures of familiar objects.