Essays on the Greek Romances Original Author: Elizabeth Hazelton Haight Edited/Added and Translated By: M. Meenachi Sundaram TABLE OF CONTENTS Essays on the Greek Romances. 1 PREFACE.. 4 ESSAYS ON THE GREEK ROMANCES. 7 Chapter I : THE GREEK ROMANCES AND THEIR RE-DATING.. 7 Chapter II : CHARITON’S CHAEREAS AND CALLIRHOE.. 18 Chapter III: THE EPHESIACA OR HABROCOMES AND ANTHIA BY XENOPHON OF EPHESUS 36 Chapter IV: THE AETHIOPICA OF HELIODORUS. 54 Chapter V: THE ADVENTURES OF LEUCIPPE AND CLITOPHON BY ACHILLES TATIUS 80 Chapter VI: THE LESBIAN PASTORALS OF DAPHNIS AND CHLOE BY LONGUS. 98 Chapter VII : LUCIAN AND HIS SATIRIC ROMANCES: THE TRUE HISTORY AND LUCIUS OR ASS 117 Chapter VIII: A COMPARISON OF THE GREEK ROMANCES AND APULEIUS’ METAMORPHOSES 148 INDEX.. 160 ABOUT THE AUTHOR.. 173 PREFACE If all the world loves a lover, as the old proverb says, then this my book should win wide fame. For these Greek Romances of the first to the fourth century of our era seem still to be singing the immemorial refrain from the old spring-time song of “The Vigil of Venus”: Cras amet qui numquam amavit, quique amavit cras amet. “Let those love now, who never lov’d before; Let those who always lov’d, now love the more.” At a time when fiction is the most popular form of literature, these wonderful old Greek stories of love, adventure and worship are half forgotten and rarely read except by the scholar. Yet here, as in epic, lyric, elegy, drama, oratory and history, the Greeks were pioneers. In the second and third centuries they had created four different types of romance (of love, of adventure, the pastoral, the satiric) which were to have great influence on French, Italian and English fiction. The student of comparative literature, the student of the history of fiction cannot afford to neglect these pioneer Greek novels. Their appeal, however, should be just as great for the general reader as for the scholar. For here are stories that mirror the life of the Mediterranean world in the Roman Empire with all its new excitements of travel, piracy, kidnapping, the new feminism, the new religious cults. And through all the different types of romance except viii the satiric the Love-God holds supreme sway over the hearts of men. So human, so vivacious are the love-stories that I offer to my readers Longus’ assurance of profit in his introduction to his Pastoral Romance:

Essays on the Greek Romances by Elizabeth Hazelton Haight: This collection of essays offers a detailed exploration of the Greek Romances, a genre of literature that emerged in the Hellenic and Roman worlds. With its insightful analysis and careful scholarship, "Essays on the Greek Romances" is a must-read for anyone interested in the history of literature. Key Aspects of the Book "Essays on the Greek Romances": Literary Criticism: The book offers detailed and insightful literary criticism, examining the themes, motifs, and conventions of the Greek Romances. Scholarship: The book is a work of careful scholarship, drawing on a wide range of sources to offer a comprehensive study of the genre. Cultural Context: The book explores the social, cultural, and historical context of the Greek Romances, offering insights into the values and beliefs of the Hellenic and Roman worlds. Elizabeth Hazelton Haight was an American author and scholar who lived from 1872 to 1964. She was a leading figure in the field of literary criticism, known for her careful scholarship and insightful analysis. "Essays on the Greek Romances" is one of her most celebrated works.

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In the early Roman Empire a new literary genre began to flourish, mainly in the Greek world: prose fiction, or romance. Broadly defined as a love story that offers adventure and a romantic vision of life, this form of literature emerged long after the other genres and, until recently, seemed hardly worthy of critical attention. Here B. P. Reardon addresses the growing interest in ancient fiction by providing a literary and cultural framework in which to understand Greek romance, and by demonstrating its importance as an artistic and social phenomenon. Beginning with a discussion of Chariton's Chaereas and Callirhoe, Reardon sets out the generic characteristics of the romance. He then moves through a wide range of works, including those of Longus and Heliodorus, and reveals their sophistication in terms of social observation, technique within a convention, and the stance adopted by the authors toward their own creations. Although antiquity left behind little discussion of the genre, Reardon shows how romance can be assessed within its time period by considering the practice of narrative in other Greek literature and the concept of fiction in antiquity. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

First published by CUP in 1989, The Medieval Greek Romance provides basic information for the non-specialist about Greek fiction during the period 1071-1453, as well as proposing new solutions to problems that have vexed previous generations of scholars. Roderick Beaton applies sophisticated methods of literary analysis to the material, and the bridges of the artificial gap which has separated `Byzantine'literature, in a form of ancient Greek as both homogenous and of a high level of literary sophistication. Throughout, consideration is given to relations and interconnections with similar literature in western Europe. As most of the texts discussed are not available in English translation, the argument is illustrated by lucid plot summaries and extensive quotation (accompanied by literal English renderings). For this edition, The Medieval Greek Romance has been revised throughout and expanded with the addition of an `Afterword' which assesses and responds to recent work on the subject.