This collection of strange tales centers on the concept of death, dying, and the afterlife. These stories are not meant to be scary, in the traditional sense, but rather disturbing and even thought provoking. Many of these are written by easily recognizable authors, such as Edgar Allan Poe, Henry James, and Rudyard Kipling, and others are by more obscure writers from the same era. Also included in this volume are ten original pictures from the Cemetery Photography gallery of Osie Turner. They all appear beautifully on both color and grayscale readers. Contents include: The Dead Valley by Ralph Adams Cram August Heat by William Fryer Harvey The Altar of the Dead by Henry James The Highwaymen by Lord Dunsany The Facts in the Case of M. Valdemar by Edgar Allan Poe They by Rudyard Kipling From the Dead by Edith Nesbit The Satyr by Alma Newton The Wood of the Dead by Algernon Blackwood The Return by Walter de la Mare

Anthony G. Roof's Left for Dead and Other Morbid Tales is a collection of disturbing short stories that will haunt the dark recesses of your mind, weave your dreams into terrifying nightmares and leave you feeling sickened and uneasy as you helplessly crave for more. Find out what it's like to be "Left for Dead" as you follow George through a dismal struggle to be taken seriously enough to make a livable wage. Discover what it's like to commit "The Cardinal Sin," to be in a constant state of "Rigor Mortis," to encounter "The Centipede," and to witness the "Fall of the Feline King." These dark tales of doom take readers to the underworld where "Hell Unfolds," and leaves them with confusion and fear only to wander aimlessly "Into the Night." This book will frighten and repulse you and make you think twice about leaving the safety of your home unarmed. WARNING: THIS BOOK IS RATED MATURE AND IS NOT INTENDED FOR CHILDREN. READER DISCRETION IS ADVISED.

In these eight immaculately realised strange stories, Quentin S. Crisp delves deep into the decadence of contemporary life. The fresh originality of the tales and their settings: an English country garden in

A sweet little cat drives a man to insanity and murder.... The grim death known as the plague roams a masquerade ball dressed in red.... A dwarf seeks his final revenge on his captors.... A sister calls to her beloved twin from beyond the grave.... Prepare yourself. You are about to enter a world where you will be shocked, terrified, and, though you'll be too scared to admit it at first, secretly thrilled. Here are four tales -- The Black Cat, The Masque of the Red Death, Hop-Frog, and The Fall of the House of Usher -- by the master of the macabre, Edgar Allan Poe. The original tales have been ever so slightly dismembered -- but, of course, Poe understood dismemberment very well. And he would shriek in ghoulish delight at Gris Grimly's gruesomely delectable illustrations that adorn every page. So prepare yourself. And keep the lights on.

Featuring two previously unpublished short stories! Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?

Revered former Metal Maniacs editor Jeff Wagner analyses the heady side of metal in this exhaustive narrative history of a relentlessly ambitious musical subculture. Beginning with the hugely influential mid-1970s efforts of progressive rock acts Rush and King Crimson, Wagner unfurls a vast colourful tapestry of sounds and styles, from the 'Big 3' of Queensryche, Fates Warning and Dream Theater to the extreme prog pioneers Voivod, Watchtower, Celtic Frost and others.

Death Metal is among the most despised forms of violently themed entertainment. Many politicians, conservative groups and typical Americans attribute youth violence and the destruction of social values to such entertainment. The usual assumptions about the Death Metal scene and its fans have rarely been challenged. This book investigates the demographic trends, attitudes, philosophical beliefs, ethical systems, and behavioral patterns within the scene, seeking to situate death metal in the larger social order. The Death Metal community proves to be a useful microcosm for much of American subculture and lends insight into the psychological and social functions of many forbidden or illicit entertainment forms. The author's analysis, rich in interviews with rock stars, radio hosts, and average adolescent fans, provides a key to comprehending deviant tendencies in modern American culture.