G. E. Moore famously observed that to assert, 'I went to the pictures last Tuesday but I don't believe that I did' would be 'absurd'. Moore calls it a 'paradox' that this absurdity persists despite the fact that what I say about myself might be true. Over half a century later, such sayings continue to perplex philosophers and other students of language, logic, and cognition. Ludwig Wittgenstein was fascinated by Moore's example, and the absurdity of Moore's saying was intensively discussed in the mid-20th century. Yet the source of the absurdity has remained elusive, and its recalcitrance has led researchers in recent decades to address it with greater care. In this definitive treatment of the problem of Moorean absurdity Green and Williams survey the history and relevance of the paradox and leading approaches to resolving it, and present new essays by leading thinkers in the area. Contributors Jonathan Adler, Bradley Armour-Garb, Jay D. Atlas, Thomas Baldwin, Claudio de Almeida, André Gallois, Robert Gordon, Mitchell Green, Alan Hájek, Roy Sorensen, John Williams

Representationalism grasps the meaning and grammar of linguistic expressions in terms of reference; that is, as determined by the respective objects, concepts or states of affairs they are supposed to represent, and by the internal structure of the content they articulate. As a consequence, the semantic and grammatical properties of linguistic expressions allegedly reflect the constitution of the objects they refer to. Questions concerning the meaning of particular linguistic expressions are supposed to be answerable by investigating the metaphysics of the corresponding phenomena. Accordingly, questions of the meaning of psychological concepts, are turned into questions of the nature of psychological states. Concerned with Moore‘s Paradox, representationalist approaches lead into an investigation of the state of affairs supposedly described by Moore-paradoxical assertions, and thus eventually into investigations concerning the metaphysics of belief. This book argues that this strategy necessarily yields both a wrong solution to Moore‘s Paradox and an inadequate conception of the meaning of the expression I believe. Turning to the metaphysics of belief is of no use when it comes to understanding either the meaning of the expression 'I believe' or the logic of avowals of belief. Instead, it proposes to focus on the role they play in language, the ways in which they are used in practice.

G. E. Moore famously observed that to assert, 'I went to the pictures last Tuesday but I don't believe that I did' would be 'absurd'. Moore calls it a 'paradox' that this absurdity persists despite the fact that what I say about myself might be true. Over half a century later, such sayings continue to perplex philosophers and other students of language, logic, and cognition. Ludwig Wittgenstein was fascinated by Moore's example, and the absurdity of Moore's saying was intensivelydiscussed in the mid-20th century. Yet the source of the absurdity has remained elusive, and its recalcitrance has led researchers in recent decades to address it with greater care.In this definitive treatment of the problem of Moorean absurdity Green and Williams survey the history and relevance of the paradox and leading approaches to resolving it, and present new essays by leading thinkers in the area.ContributorsJonathan Adler, Bradley Armour-Garb, Jay D. Atlas, Thomas Baldwin, Claudio de Almeida, André Gallois, Robert Gordon, Mitchell Green, Alan Hájek, Roy Sorensen, John Williams

A Unified Treatment of Moore's Paradox is the culmination of a decades-long engagement with Moore's paradox by the world's leading authority on the subject, the late John Williams. The book offers a comprehensive account of Moore's paradox in thought and speech, both in its comissive and omissive forms. Williams argues that Moorean absurdity comes in degrees, and shows that contrary to one tradition in the literature on Moore's Paradox, we cannot explain Moorean absurdity in speech in terms of Moorean absurdity in thought, but must account for each form of absurdity in its own terms. Williams also explores the extent to which Moore's paradox may arise for attitudes other than belief, such as desire. Written with Williams' trademark clarity and wit, the book is packed with arguments bearing on a wide range of topics in epistemology, the philosophy of language, and the philosophy of mind.

This book explores how the trans phenomenon can challenge the existing concept of the Self and its nature. The catalyst is Moore’s Paradox: can a trans person coherently state ‘I am a girl but I don’t believe that’? More deeply, three fundamental philosophical questions arise, of ontological, epistemological, and conceptual significance: what Self understands that the natal-gender is ‘wrong’? How does the trans person know that the natal-gender is ‘wrong’ and what counts as evidence? And finally, how does this effect the concept of Self itself? Seeking answers, Brakel considers various theories of the Self, including classical accounts, modern views, and models developed by selected gender theorists. The book then takes a biological turn, first developing an evolutionary proper-function analysis of gender and trans-gender and subsequently proposing the possibility of a new ontological phenotype. With a review of cutting-edge neuroscientific research conducted over the last twenty-five years, Brakel propels this timely and important investigation toward the future, using experimental philosophy empirical studies adapted from classic thought experiments on the nature of the Self.

Can the love reserved for family and friends be extended to a place? “Luminous essays” on nature and environmental stewardship (Booklist). Named one of the Top Ten Northwest Books of the Year by the Oregonian In this book, acclaimed author Kathleen Dean Moore, a winner of the Sigurd Olson Nature Writing Award for Holdfast, reflects on how deeply the environment is entrenched in the human spirit, despite the notion that nature and humans are somehow separate. Moore’s essays, deeply felt and often funny, make connections in what can appear to be a disconnected world. Written in parable form, her stories of family and friends—of wilderness excursions with her husband and children, camping trips with students, blowing up a dam, her daughter’s arrest for protesting the war in Iraq—affirm an impulse of caring that belies the abstract division of humans from nature, of the sacred from the mundane. Underlying these wonderfully engaging stories is the author’s belief in a new ecological ethic of care, one that expands the idea of community to include the environment, and embraces the land as family. “Stands with the best tradition of nature writing.” —The Oregonian

Assertions belong to the family of speech acts that make claims regarding how things are. They include statements, avowals, reports, expressed judgments, and testimonies - acts which are relevant across a host of issues not only in philosophy of language and linguistics but also in subdisciplines such as epistemology, metaphysics, philosophy of mind, ethics, and social and political philosophy. Over the past two decades, the amount of scholarship investigating the speech act of assertion has increased dramatically, and the scope of such research has also grown. The Oxford Handbook of Assertion explores various dimensions of the act of assertion: its nature; its place in a theory of speech acts, and in semantics and meta-semantics; its role in epistemology; and the various social, political, and ethical dimensions of the act. Essays from leading theorists situate assertion in relation to other types of speech acts, exploring the connection between assertions and other phenomena of interest not only to philosophers but also to linguists, psychologists, anthropologists, lawyers, computer scientists, and theorists from communication studies.

In Original Self, spiritual pioneer Thomas Moore guides readers back to their God-given personalities through fifty heart-lifting meditations. This inspiring collection offers fresh interpretations of living with originality rather than conformity, presenting multidimensional portraits of the creative self and different angles from which to top one's primal emotions and possibilities. Learn what it means to live from the burning essence of the heart, with the creativity that comes from allowing the soul to blossom in its own colors and shapes. With his usual grace and insight, Moore counters the prevailing assumptions of the day and offers strikingly unorthodox views on what is virtuous and healthy, opening up possibilities for a renewal of the way we live socially and in our private lives.

Basing consideration upon a characterization of reason in its deductive, inductive, and ethical functioning, Goldstick asks what must hold good for reason so characterized to be a dependable guide to truth.