In the city that never sleeps, a new threat is dawning. In the shadow of the full moon a phantom is lurking, waiting for its prey. No one knows its name, no one has ever seen its face, everybody fears this ghost in the moonlight. Its past is shrouded in mystery, its purpose is unclear. The urban legend tells that in the nights of the full moon the phantom brings justice to the righteous and swift retribution to the wicked, making its presence known when it is already too late? While a man struggles to discover the reason and the culprits for the death of the woman he loved and lost, the phantom will strive to keep him alive, guarding over him from the shadows of the night, trying to keep its secrets and past buried. Will the phantom reveal what hides behind its actions? Will it finally reveal the face hidden away from the silvery moonlight?

In 1946, years before the phrase "serial murder" was coined, a masked killer terrorized the town of Texarkana on the Texas-Arkansas border. Striking five times within a ten-week period, always at night, the prowler claimed six lives and left three other victims wounded. Survivors told police that their assailant was a man, but could supply little else. A local newspaper dubbed him the Phantom Killer, and it stuck. Other reporters called the faceless predator the "Moonlight Murderer," though the lunar cycle had nothing to do with the crimes. Texarkana's phantom was not America's first serial slayer; he certainly was not the worst, either in body count or sheer brutality. But he has left a crimson mark on history as one of those who got away. Like the elusive Axeman of New Orleans, Cleveland's Mad Butcher of Kingsbury Run, and San Francisco's Zodiac Killer, the Phantom Killer left a haunting mystery behind. This is the definitive story of that mystery.

“Guy is not only a historian but a longtime police officer in Ohio, bringing firsthand knowledge of the criminal justice system” to the Phantom Killer tale (Crime Capsule). Prohibition ended on December 5, 1933, and Steubenville hoped that its reputation as “Little Chicago” would end with it. That hope was short-lived when, eight weeks later, the Phantom Killer made his midnight debut. Under the glow of a full moon, in the mill yards of Steubenville’s Wheeling Steel Plant, the killer ambushed a rail worker, shooting him five times. The Steubenville Police Department, Jefferson County Sheriff’s Department and Wheeling Steel Mill Police joined forces in the New Year to find the Phantom before he took another victim. The strongest of millworkers on the midnight shift began to arm themselves, wondering who would be next. As the investigation wore on, Steubenville was once again thrust into the national spotlight as the Phantom’s reign of terror continued. Local historian Susan M. Guy delves into one of the city’s most infamous crimes.

The salacious and scandalous murders of a series of couples on Texarkana's "lovers lanes" in seemingly idyllic post-WWII America created a media maelstrom and cast a pall of fear over an entire region. What is even more surprising is that the case has remained cold for decades. Combining archival research and investigative journalism, Pulitzer Prize nominated historian James Presley reveals evidence that provides crucial keys to unlocking this decades-old puzzle.Dubbed "the Phantom murders" by the press, these grisly crimes took place in an America before dial telephones, DNA science, and criminal profiling. Even pre-television, print and radio media stirred emotions to a fever pitch. The Phantom Killer, exhaustively researched, is the only definitive nonfiction book on the case, and includes details from an unpublished account by a survivor, and rare, never-before-published photographs.Although the case lives on today on television, the Internet, a revived fictional movie and even an off-Broadway play, with so much of the investigation shrouded in mystery since 1946, rumors and fractured facts have distorted the reality. Now, for the first time, a careful examination of the archival record, personal interviews, and stubborn fact checking come together to produce new insights and revelations on the old slayings.

The beloved second book in the middle grade Phantom Stallion series about a girl, her horse, and the beauty of the American West returns with a brand-new, stunning cover and bonus material! Perfect for fans of Canterwood Crest and classic horse stories like Black Beauty and My Friend Flicka. Sam has befriended the mysterious, powerful mustang known as the Phantom, and she’s determined to defend his freedom on the open range. But when tame mares start going missing from local ranches, the Phantom becomes the number one suspect—and there’s one rancher who would use any excuse to capture the wild white stallion. When a reward is offered to anyone who can bring the Phantom in, Sam is no longer just fighting for his freedom—she’s fighting for his life.

When writing workshops first blossomed in classrooms, its hallmarks were genuine curiosity, individual choice, quality conversations, and engaging children's literature. A joyous hum of intention, creativity, and craft enlivened the school day. Today's teachers are often faced with a range of obstacles, as new initiatives are embraced, mandates handed down, and scripted programs are purchased. Sometimes teachers must sacrifice the original principles of the writing workshop and lose the creative venue they provide. Above and Beyond the Writing Workshop is filled with original writing challenges designed to bring back the spirit of the original writing workshop model and encourage teachers to enhance it with invention, innovation, and inspiration. Teaching creative writing is not only possible, but an important process in their instruction. Author Shelley Harwayne invites teachers to keep the workshop spirit alive by: Encouraging professional conversations on classroom ideas and methods between colleagues; Developing writing cues that allow young writers to be inquisitive, outspoken, and independent; Showing how high quality writing can make a difference; Offering an inspired and stimulating outlet for students to express their passions. Harwayne's book will help teachers encourage students to write the world around them, which can generate more critical thinking and make for a more well-rounded child.

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere--in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. In Alice in Japanese Wonderlands, Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture. Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the "father of the Japanese short story," Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment.

Skeletal remains rotting behind cellar walls, temple priests removing brains with iron hooks, phantom locomotives roaring across midnight plains—Brian Righi isn't making this stuff up. The ghost stories he finds in history are far more chilling than any Hollywood horror scene. Join the seasoned paranormal investigator on a tour through mankind's millennium-old obsession with death and the afterlife. Ghosts, Apparitions and Poltergeists surveys 4,000 years of hauntings and ghost huntings—from the embalming rituals of ancient Egypt to the Ouija boards and séances of nineteenth century Spiritualism—highlighting a few outlandish tales and colorful characters along the way. Once you've learned the history, launch a paranormal investigation of your own with Righi's guide to modern ghost hunting, full of detailed advice culled from his seven years of experience in the field.

This story is packed with the weirdest, meanest and funniest assortment of ghouls, witches, and Yogis.