Finley Knight, ex-cop turned private investigator, lives a lonely, solitary life. She uses her downtime to reflect on the past and wonders what could have been. Detective Dee Woodard transferred to Corpus Christi nine years ago to put distance between herself and her ex…an ex she was still in love with. A murder investigation leads her to Moonlight Avenue and Finley Knight. Rylee Moore left the windy plains of Amarillo in her rearview mirror, hoping to start over in this city by the bay, only to find employment hard to come by. Finley Knight wasn’t hiring either, but Rylee’s begging and pleading—and not taking “no” for an answer—finally lands her a job. Not as an apprentice, as she wanted, but as the lone employee at Moonlight Avenue Investigations—receptionist. When another murder hits close to home, Finn ignores the police directive to stay out of it and goes on a search for the killer…reluctantly taking Rylee along for the ride. After a gruesome third murder, Dee is booted from the case. She joins Finn’s team…the chase bringing them closer and closer to a vicious drug dealer. Amongst the chaos, crime, and cover-up…love pokes its head above the water. But can they stay alive long enough to explore it?

The first voice we hear in Gina B. Nahai's second novel is that of Lili, the grown daughter of a miraculous mother. When Lili was 5 and living in the Jewish ghetto of Tehran, her mother, Roxanna, "had grown wings, one night when the darkness was the color of her dreams, and flown into the star-studded night of Iran that claimed her." Thirteen years would pass, Lili informs us, before she would find her mother again. This short introduction serves as a framing device for the story of Roxanna's life, a life begun as a "bad-luck" child. According to her sister, Miriam the Moon, she "had been a runaway before she ever became a wife or a mother, before she came into existence or was even conceived."

Maggie Holloway is unsatisfied with the explanation for her former stepmother's death, and when the residents of a nursing home begin dying suddenly and inexplicably she becomes suspicious. It is only later that she realizes she herself is a target for a twisted killer.

An original exploration of the relationship between the Mughal emperor and his subjects in the space of the Mughal empire's capital, The King and the People overturns an axiomatic assumption in the history of premodern South Asia: that the urban masses were merely passive objects of rule and remained unable to express collective political aspirations until the coming of colonialism. Set in the Mughal capital of Shahjahanabad (Delhi) from its founding to Nadir Shah's devastating invasion of 1739, this book instead shows how the trends and events in the second half of the seventeenth century inadvertently set the stage for the emergence of the people as actors in a regime which saw them only as the ruled. Drawing on a wealth of sources from the seventeenth and eighteenth centuries, this book is the first comprehensive account of the dynamic relationship between ruling authority and its urban subjects in an era that until recently was seen as one of only decline. By placing ordinary people at the centre of its narrative, this wide-ranging work offers fresh perspectives on imperial sovereignty, on the rise of an urban culture of political satire, and on the place of the practices of faith in the work of everyday politics. It unveils a formerly invisible urban panorama of soldiers and poets, merchants and shoemakers, who lived and died in the shadow of the Red Fort during an era of both dizzying turmoil and heady possibilities. As much an account of politics and ideas as a history of the city and its people, this lively and lucid book will be equally of value for specialists, students, and lay readers interested in the lives and ambitions of the mass of ordinary inhabitants of India's historic capital three hundred years ago.

“There’s a dash of action, a sprinkle of cheer, and a lot of love to warm up this sweet, sexy wintertime tale.” —Publishers Weekly on Moonlight Over Manhattan, starred review Determined to conquer a lifetime of shyness, Harriet Knight challenges herself to do one thing a day in December that scares her, including celebrating Christmas without her family. But when dog walker Harriet meets her newest client, exuberant spaniel Madi, she adds an extra challenge to her list—dealing with Madi’s temporary dog sitter, gruff doctor Ethan Black, and their very unexpected chemistry. Ethan thought he was used to chaos, until he met Madi—how can one tiny dog cause such mayhem? To Ethan, the solution is simple—he will pay Harriet to share his New York apartment and provide twenty-four-hour care. But there’s nothing simple about how Harriet makes him feel. Ethan’s kisses make Harriet shine brighter than the stars over moonlit Manhattan. But when his dog-sitting duties are over and Harriet returns to her own home, will she dare to take the biggest challenge of all—letting Ethan know he has her heart for life, not just for Christmas? Don't miss Sarah Morgan's next book, The Summer Seekers!

Lauren Voss has a nice, quiet, orderly life running her grandmother’s Heron Bay Resort on the Texas coast. Three years removed from a break-up that left her ex—and her life—behind in San Diego, she’s adjusted to the slow pace in Rockport, seeking out neither new friends nor lovers. Vandalism at the resort’s clubhouse—and a cryptic message written in blood—brings Detective Harley Shepherd, with her obnoxious Hawaiian shirts, into her life. A tragedy sent Harley Shepherd running to the sleepy fishing village of Rockport, where violent crime is rare. So different from her life as a homicide detective in a large city, she embraced the quiet and easy-going attitude of the town, determined to put her past behind her. Was it luck or fate that had her catch a case of simple vandalism? The lovely Lauren Voss made no attempt to hide her dislike of both her—she reminded Lauren of her ex—and her Hawaiian shirts. Was the vandalism a prank, as Lauren suspects? When a body is found floating near the resort’s pier, Harley is convinced it’s related. As the formality and animosity between them changes and a friendship forms, the women find themselves growing closer as a killer terrorizes the peaceful town they both now call home.