This is an insight into 1930s Hollywood and an epic of laughter. David O. Selznick is determined to rewrite Gone with the Wind. He engages the services of "script doctor" Ben Hecht, who has never read the book, and director Victor Fleming, poached straight from the set of The Wizard of Oz.

Moonlight, Magnolias, and Madness: Insanity in South Carolina from the Colonial Period to the Progressive Era

Military wife, mom, and professional organizer Ellie Avery returns in her fourth cozy mystery, in which she stumbles across two dead bodies in her new neighborhood, and discovers that murder is a clear and present danger.

Inspired by the legendary work of Slim Aarons, a photographic narrative tour of a beautiful, unique, historical city and the remarkable people who live there. Author Ned Brown kicks off the Good Life series with the story about what makes Charleston, South Carolina so desirable to its residents and the five million visitors who seek it out each year. This stunning coffee- table book features photographs by Gately Williams, whose work is regularly featured in Garden & Gun, Coastal Living, and other publications. With his signature ease, Brown profiles more than fifty “interesting Charlestonians, doing interesting things in a beautiful place.” Charleston: A Good Life highlights native Charlestonians and those who have made the southern Holy City their home during the past two decades. Some are wealthy, many not, but all enjoy the richness of a place that has been voted the best small city in the world by Travel + Leisure magazine.

From the late nineteenth century through World War II, popular culture portrayed the American South as a region ensconced in its antebellum past, draped in moonlight and magnolias, and represented by such southern icons as the mammy, the belle, the chival

Chesapeake Shores is now on the Hallmark Channel! Family and friends mean everything in Chesapeake Shores, and one woman will discover that even love can bloom anew. From #1 New York Times bestselling author Sherryl Woods. Jess O'Brien has overcome a lot—the challenges of ADD, the near bankruptcy of her beloved Inn at Eagle Point, and her self-perception as a screwup in a family of overachievers. Now she's ready to settle down. Her friends persuade her to join a dating service—but she gets no takers! Heartbroken, she confides in her childhood best friend, psychologist Will Lincoln, who may just have an agenda of his own… Will has loved Jess for as long as he can remember. He knows her faults and her strengths. But for all Will's sincerity and charm, Jess fears his feelings for her will never go beyond friendship. With her family and the town of Chesapeake Shores behind him, Will finally makes his case. But first, Jess must learn to take the chance of a lifetime… Previously published. Read the Chesapeake Shores Series by Sherryl Woods: Book One: The Inn at Eagle Point Book Two: Flowers on Main Book Three: Harbor Lights Book Four: A Chesapeake Shores Christmas Book Five: Driftwood Cottage Book Six: Moonlight Cove Book Seven: Beach Lane Book Eight: An O’Brien Family Christmas Book Nine: The Summer Garden Book Ten: A Seaside Christmas Book Eleven: The Christmas Bouquet Book Twelve: Dogwood Hill Book Thirteen: Willow Brook Road Book Fourteen: Lilac Lane

THE FIRST NOVEL IN ACE ATKINS’ NEW YORK TIMES BESTSELLING QUINN COLSON SERIES. “In Quinn Colson, bestselling author Ace Atkins has created an American hero in a time when we need him.”—C. J. Box After years of war, Army Ranger Quinn Colson returns home to the rugged, rough hill country of northeast Mississippi to find his native Tibbehah County overrun with corruption, decay, meth runners, and violence. His uncle, the longtime county sheriff, is dead. A suicide, he’s told, but others—like tomboy deputy Lillie Virgil—whisper murder. In the days that follow, it’s up to Colson to discover the truth, not only about his uncle, but about his family, his friends, his town, and himself. And once it’s discovered, there’s no going back for this real hero of the Deep South.

Finding Salus, the debut novel of Meg M. Robinson, keeps readers engaged within a modern-day setting of supernatural beings, mystery, romance, and Greek mythology.

Tin Pan Alley, once New York City’s songwriting and recording mecca, issued more than a thousand songs about the American South in the first half of the twentieth century. In Reinventing Dixie, John Bush Jones explores the broad impact of these songs in creating and disseminating the imaginary view of the South as a land of southern belles, gallant gentlemen, and racial harmony. In profiles of Tin Pan Alley’s lyricists and composers, Jones explains how a group of undereducated and untraveled writers—the vast majority of whom were urban northerners or European immigrants— constructed the specific and detailed images of the South used in their song lyrics. In the process of evaluating the origins of Tin Pan Alley’s songbook, Jones analyzes these songwriters’ attitudes about North-South reconciliation, ideals of honor and hospitality, and the recurring theme of the yearning for home. Though a few of the songs employed parody or satire to undercut the vision of a peaceful, romantic South, the majority ignored the realities of racism and poverty in the region. By the end of Tin Pan Alley’s era of cultural prominence in the mid-twentieth century, Jones contends that the work of its writers had cemented the “moonlight and magnolias” myth in the minds of millions of Americans. Reinventing Dixie sheds light on the role of songwriters in forming an idyllic vision of the South that continues to influence the American imagination.

Winner of the Jefferson Davis Award Winner of the Johns Family Book Award Winner of the Army Historical Foundation Distinguished Writing Award “A work of deep intellectual seriousness, sweeping and yet also delicately measured, this book promises to resolve longstanding debates about the nature of the Civil War.” —Gregory P. Downs, author of After Appomattox Shiloh, Chancellorsville, Gettysburg—tens of thousands of soldiers died on these iconic Civil War battlefields, and throughout the South civilians suffered terrible cruelty. At least three-quarters of a million lives were lost during the American Civil War. Given its seemingly indiscriminate mass destruction, this conflict is often thought of as the first “total war.” But Aaron Sheehan-Dean argues for another interpretation. The Calculus of Violence demonstrates that this notoriously bloody war could have been much worse. Military forces on both sides sought to contain casualties inflicted on soldiers and civilians. In Congress, in church pews, and in letters home, Americans debated the conditions under which lethal violence was legitimate, and their arguments differentiated carefully among victims—women and men, black and white, enslaved and free. Sometimes, as Sheehan-Dean shows, these well-meaning restraints led to more carnage by implicitly justifying the killing of people who were not protected by the laws of war. As the Civil War raged on, the Union’s confrontations with guerrillas and the Confederacy’s confrontations with black soldiers forced a new reckoning with traditional categories of lawful combatants and raised legal disputes that still hang over military operations around the world today. In examining the agonizing debates about the meaning of a just war in the Civil War era, Sheehan-Dean discards conventional abstractions—total, soft, limited—as too tidy to contain what actually happened on the ground.