Undertaking a dangerous quest, Prince Lionheart must enter hidden realms to stop the King from waking the Dragon's children--and rescue the girl he betrayed.

In Wolf Moon Blood Moon, Ed Falco considers love and the loss of love, what we have today and what we remember of yesterday, the promise of youth and the disappointments and pleasures of aging. By turns whimsical, meditative, and poignant, these poems examine the joys and sorrows of living. The first section offers a meditation on loss, as the author explores bereavements both personal and remote. From an elderly mother and her stroke-impaired son struggling to have a simple conversation, to a man coping with the breakup of his marriage, to strangers caught in the public tragedies of a flood or an act of mass violence, these are poems acknowledging that loss is inevitable, infused with grief, and borne with courage. The second section explores the turbulence, sensuality, and mysteries within a particular life. Speakers in these poems contemplate aging while on their way to see a Broadway play, recall a father’s violence and a mother’s selflessness, and explore the complexity of a world that seems impossible to comprehend. Together, the two sections suggest a poet looking back in contemplation.

What happens to amusement park rides once they are put into storage or destroyed? They are magically transported to a place known as Amusement Park Between, a park that coexists within any other and is only accessible by those who are of its blood. There are no limits and no humans. The only residents are the rides. However, they are much different from our kind. Amusement Park Betweens rides are alive, having both the characteristics of man and beast. Amusement Park Between was once merry and joyous, but for the past several years, it has spiraled into turmoil. An evil tyrant known as Ironwheel has taken control, casting a dark shadow over Amusement Park Between, his evil intentions endangering both their world and our own. The rides only hope is the key to their prophecy: the red will defeat the black. That particular key is the only ride that was created differently: Railrunner, the red roller coaster. This is his story.

The novel is set in the twenty-third century and is a satire that gets quite politically bigoted for the sake of amusement. A fleet of space vessels are detected by Earths tracking stations as they enter the outer reaches of the solar system. Messages of greeting are met with silence, and after several attempts, it is presumed that they constitute an invasion force. Several world powers have nuclear capabilities, and after a meeting on a global level, it is decided to attack the ships that are growing ever nearer before they can accomplish their mission. The strike is totally successful, and the threatened hysteria dies down. Then a second wave of vessels, exactly as the first are detected, once again ignored every message of enquiry of intent that Earth has sent them. Further warheads are sent to destroy them with total success just as before. It seems that the vessels have no conventional weapons and are unable to defend themselves. While on Earth, looting, murder, and other crimes is rampant during the hysteria. One man, Hakt, begins digging in his backyard to create an underground shelter. He feels certain the end of civilisation is upon them. The first few chapters deal with his experiences, especially when a third wave of craft are detected on their way to Earth. As the various powers all maintaining their nuclear arsenal is exhausted, the ships arrive unmolested. One lands in the Gambia, while the others land on the far side of the moon. A united nation squabbles over who will go to greet the lone vessel. Once the argument subsides, a deputation does indeed approach. A gas is released from the ship, and those it lands on are dissolved to nothing more than grey residue. Not only that; the ships also bathe every conflict theatre currently undergoing war on the whole planet! The tacit aliens have brought peace to Earth, but at what cost?

". . .There will be signs in the sun, in the moon, and in the stars. . .Now when these things begin to happen, look up and lift up your heads, because your redemption draws near." Luke 21:25a, 28 It is rare that Scripture, science, and history align with each other, yet the last three series of Four Blood Moons have done exactly that. Are these the "signs" that God refers to in His Word? If they are, what do they mean?What is their prophetic significance?

"WHEN THE MOON TURNS TO BLOOD is a harrowing and fascinating tale of apocalyptic obsession and murder. Leah Sottile leads us down every head-shaking twist and turn of the case, an expert guide to the dark tributaries of religious extremism that run closer to the American mainstream than we'd ever like to believe."―Jess Walter, American author of Ruby Ridge On the heels of the sensational murder trial and shocking verdict, WHEN THE MOON TURNS TO BLOOD examines the culture of end times paranoia and a trail of mysterious deaths surrounding former beauty queen Lori Vallow and her husband, grave digger turned doomsday novelist, Chad Daybell. When police in Rexburg, Idaho perform a wellness check on seven J.J. Vallow and his sister, sixteen-year-old Tylee Ryan, both children are nowhere to be found. Their mother, Lori Vallow, gives a phony explanation, and when officers return the following day with a search warrant, she, too, is gone. As the police begin to close in, a larger web of mystery, murder, fanaticism and deceit begins to unravel. Vallow's case is sinuously complex. As investigators prod further, they find the accused Black Widow has an unusual number of bodies piling up around her. WHEN THE MOON TURNS TO BLOOD tells a gripping story of extreme beliefs, snake oil prophets, and explores the question: if it feels like the world is ending, how are people supposed to act?

Attacked by a vampire, Jon Hyde-White and his sweet, innocent fianc e, Cassandra Thorpe, have one hope for their survival: their love, and the Rite of the Blood Moon.

This book is published on the occasion of a major survey of Viola's work organized by the Whitney Museum of American Art in New York, which has traveled to Los Angeles and Amsterdam and which arrives in Frankfurt in Spring 1999. Through contributions by over 30 authors from many different disciplines the Editor offers for the first time an interpretive framework which draws on the aesthetic consideration of each individual work, and thus sheds new light on the complexity of Viola's entire ceuvre. In his introduction Rolf Lauter presents an overview of the installations and videos and draws out the "elective affinities" between the many different pieces.

He may be an aloof loner, but it looks like Kai is getting mighty comfy in his role as the houseguest at Sayaka's family home. He may even be picking up a few friends along the way and is actually having some fun! Of course, there's always his sempai Ai, trying to convince him to return to the life they once lived and then there's Natsuki, Sayaka's brother, who keep trying to out him as a vampire!