When the Spanish arrived in Peru in 1532, men of the Inca Umpire worshipped the Sun as Father and their dead kings as ancestor heroes, while women venerated the Moon and her daughters, the Inca queens, as founders of female dynasties. In the pre-Inca period such notions of parallel descent were expressions of complementarity between men and women. Examining the interplay between gender ideologies and political hierarchy, Irene Silverblatt shows how Inca rulers used their Sun and Moon traditions as methods of controlling women and the Andean peoples the Incas conquered. She then explores the process by which the Spaniards employed European male and female imageries to establish their own rule in Peru and to make new inroads on the power of native women, particularly poor peasant women. Harassed economically and abused sexually, Andean women fought back, earning in the process the Spaniards' condemnation as "witches." Fresh from the European witch hunts that damned women for susceptibility to heresy and diabolic influence, Spanish clerics were predisposed to charge politically disruptive poor women with witchcraft. Silverblatt shows that these very accusations provided women with an ideology of rebellion and a method for defending their culture.

Ann Moura, the author of the popular Green Witchcraft series, is back with a new, one-of-a-kind spellbook on lunar magic. This is the only guidebook available that uses Mansions of the Moon correspondences to empower Esbat rituals and spellwork. The moon goes through twenty-eight distinct "mansions," or sections of the sky, as it travels through the twelve signs of the zodiac. Each mansion is appropriate for certain types of magic, as described in ceremonial magic books, such as Agrippa's Three Books of Occult Philosophy or Barrett's The Magus. Now this esoteric information is available to Witches, complete with suggested workings for both the waxing and the waning lunar phase in each mansion. Moura provides the tools, the instruction, and examples of how to utilize the Mansions of the Moon to add depth and potency to your spells and rituals. More than one hundred workings are presented, including candle spells, charm bags, meditations, magical oils, talismans, amulets, incense, teas, and much more.

When Sophie Fyne meets the green-eyed soldier of her dreams and discovers her abundant fertility, they must both call on all of their strengths, both earthly and supernatural, to fight the curse that makes true love unattainable for all Fyne women. Original.

“Redolent of folklore . . . A sweet morality tale of cosmic misadventures and sibling rivalry” by the author of The Cloud Princess (Kirkus Reviews). The Sun and the Moon are sisters, and they rule and sky together peacefully. One day, however, each begins to wonder: who is more important? This friction leads them to make a powerful decision to switch roles, hoping that it will lead to a greater understanding of their powers. Soon, the Sun begins shining all through the night, and the Moon brings night to the day. In the end, the two sisters will learn an important lesson about the importance of harmony and the balance of their relationship. “This wonderful picture book evokes a sense of harmony through pictures and words inspired by a blend of modern and traditional Asian artwork and folklore. Earth tones juxtaposed with bursts of color in mixed media and watercolor create vibrant imagery that thoughtfully reflects nature and honors the spirit of multiculturalism . . . Audiences young and old will admire this wise and magical tale, whether it’s read aloud in a group or shared one-on-one at bedtime.” —School Library Journal “It is the illustrations that stand out, their jewel tones, elegant lines, and complex textures managing to look simultaneously contemporary and timeless.” —Kirkus Reviews

Gifted with the ability to see the past and future of anyone she touches, Juliet, who longs to free herself from the nightmares that plague her, is rescued from the Emperor's men by a valiant wolf-beast named Ryn who believes her to be his destiny. Original.

A guide to conscious living through the moon and her phases, incorporating wellness rituals, spellwork, and witchcraft for the modern seeker. We all know the moon. We all have a relationship with it. The earliest people obeyed her orbit, timed their months and holidays and celebrations and agriculture to the moon; the echoes of that system are still visible today, though the connection to the moon is often forgotten. Sarah Faith Gottesdiener is the leader of a movement to remind us of that lineage, guiding our rhythms and our sleep, our energy and our emotions, reminding us of our humanity and our magic. In her self-published Many Moons Workbooks and Lunar Journals, as well as her sold-out classes, she has guided over 50,000 readers to a deeper relationship with the moon, and through it, with themselves. This evergreen book will be an informative and comprehensive guide to lunar living, incorporating radical, self-empowering, and magical tools and resources for the beginner and experienced lunar-follower alike. Depending on where we are in our lives, depending on what we are feeling or what is happening around us, the moon allows us a space to invite ritual into our daily lives. The Moon Book will provide a framework on how to utilize the entire lunar cycle holistically, while offering ways for the reader to develop a personal relationship with their own cycles—energetic, personal, and emotional—through the lens of the moon’s phases.

Searching for the elusive Star of Baewyr, Captain Lucan Hern, a virile warrior, is distracted from his mission by an encounter with Isadora, the young, widowed attendant to the Empress, who holds the key to what he is looking for, yet captivates him with her innocence. Original.

"The myths and cosmologies of non-Western peoples are not just histories, relating the world as it once was, nor are they pseudo-histories, justifying the world as it has come to be. Instead, they are tools of struggle: ideologies both producing and produced by the effort to create society in someone's image. On them are written the memories and hopes of forgotten people, yearning for power over their - and others' - lives. Such is Irene Silverblatt's argument as she documents religious/ideological struggle in pre- and post-conquest Peru. Heavily influenced by Marxist anthropology and by debates about the social construction of gender, she examines religious and gender ideologies in the Andes prior to the Inca conquest, during their short reign (1450-1532), and after the coming of the Spanish. Though the pre-Inca period is relatively opaque Silverblatt argues that the sexes were relatively equal. Men's and women's work, men's and women's religion each upheld a portion of the universe. Women inherited from women, worshipped female gods and directed their cults; men inherited from men, and ruled cults whose gods were male. Gender was the dominant screen through which these people viewed life - and both sides could play. The Incas shared this gender-defined worldview, but used it to justify their conquest and control. They worshipped Viracocha, whom they claimed as the an-drogynous pro-genitor of Sun and Moon, respectively the ancestors of men and women." -- from www.jstor.org (Nov. 9, 2010).

The earth, the moon, and the magical path to enlightenment. Written by a practicing witch who conducts classes and seminars on witchcraft—the oldest Western religion, a means of power and enlightenment, and a healing art. “Laurie Cabot has written a fascinating account of a beautiful and sadly misunderstood religion, witchcraft. She has with her life and work done a great deal to legitimize this ancient pagan form of worship. I am among the ecumenical Christians who have discovered the truth about witchcraft, that it is neither demonic nor evil. Power of the Witch is a marvelous introduction to the magical and highly ethical world of wicca.”—Whitley Strieber

Perhaps you know them for their deer dances or for their rich Easter ceremonies, or perhaps only from the writings of anthropologists or of Carlos Castaneda. But now you can come to know the Yaqui Indians in a whole new way. Anita Endrezze, born in California of a Yaqui father and a European mother, has written a multilayered work that interweaves personal, mythical, and historical views of the Yaqui people. Throwing Fire at the Sun, Water at the Moon is a blend of ancient myths, poetry, journal extracts, short stories, and essays that tell her people's story from the early 1500s to the present, and her family's story over the past five generations. Reproductions of Endrezze's paintings add an additional dimension to her story and illuminate it with striking visual imagery. Endrezze has combed history and legend to gather stories of her immediate family and her mythical ancient family, the two converging in the spirit of storytelling. She tells Aztec and Yaqui creation stories, tales of witches and seductresses, with recurring motifs from both Yaqui and Chicano culture. She shows how Christianity has deeply infused Yaqui beliefs, sharing poems about the Flood and stories of a Yaqui Jesus. She re-creates the coming of the Spaniards through the works of such historical personages as AndrŽs PŽrez de Ribas. And finally she tells of those individuals who carry the Yaqui spirit into the present day. People like the Esperanza sisters, her grandmothers, and others balance characters like Coyote Woman and the Virgin of Guadalupe to show that Yaqui women are especially important as carriers of their culture. Greater than the sum of its parts, Endrezze's work is a new kind of family history that features a startling use of language to invoke a people and their past--a time capsule with a female soul. Written to enable her to understand more about her ancestors and to pass this understanding on to her own children, Throwing Fire at the Sun, Water at the Moon helps us gain insight not only into Yaqui culture but into ourselves as well.