“Fascinating....Fast-paced and dynamic.” —Dallas Morning News “Kellerman is taking a big risk here, and I think she pulls it off in fine style.” —Washington Post With Moon Music, New York Times bestseller Faye Kellerman leaves Los Angeles and heads to stranger territories: “Sin City” Las Vegas, Nevada. Taking a brief hiatus from her mystery series featuring LAPD Homicide Detective Peter Decker and his Orthodox Jewish wife, Rina Lazarus, Kellerman delivers a masterful stand-alone crime novel that crackles with suspense and tantalizes with a touch of the paranormal. The horribly savaged body of a once-beautiful Vegas showgirl is discovered in the desert not far from the world-famous Strip, plunging Detective Sergeant Romulus Poe into the heart of a bizarre, full moon-soaked mystery that could cost him everything he holds dear in life, including his sanity.

A shy musician makes an unexpected friend in this beautiful picture book from an award-winning duo. A Great Lakes Great Reads Award Children's Picture Book Winner A girl named Harriet longs to play her cello alone in her room. But when a noisy owl disrupts her solitude, Harriet throws her teacup out the window in frustration, and accidentally knocks the moon out of the sky. Over the course of an evening, Harriet and the moon become fast friends. Worried that he'll catch a chill, Harriet buys the moon a soft woolen hat, then takes him on a boat ride across a glistening lake, something he's only dreamed of. But can she work up the courage to play her music for the moon? In this delicate bedtime story about a shy young cello player who learns to share her music with the moon, the award-winning Philip and Erin Stead deliver another whimsical, visually oriented picture book in their signature style. The duo of Philip and Erin Stead are "one of the most notable names in children's literature" -ABC News A BookPage Best Book of the Year A Bank Street Best Book of the Year - Outstanding Merit

Have you ever seen the rabbit-in-the-moon? Folktales from many cultures explain how the rabbit came to be there. When award-winning novelist Martha Brooks heard one such tale, she was inspired to write her own lovely story about a little rabbit who finds a special way to brighten the darkest month of the year. A little rabbit asks his mother how the shape of a rabbit came to be on the moon. She tells him the story of Great Mother Creator Rabbit, who came down to earth to see how her creatures lived. Finding herself cold and hungry, she built a fire, placing a stewpot on top. Another rabbit, seeing her predicament, took it upon himself to save her and jumped into the pot. But before he could perish, Great Mother Rabbit tossed him up into the moon. The little rabbit’s mother explains that this is why all the rabbits now gather to hear the choir sing “Winter Moon Song,” to bring light and a little magic at the darkest time of the year. The next night all the rabbits gather to hear the ancient song, and the little rabbit takes his place in the choir. But at the end of the performance, he feels a little disappointed. It had been beautiful, but did not seem all that special, and certainly not magic. In the wintry air outside the gathering place, the little rabbit looks up at the rabbit-in-the-moon and is suddenly inspired to sing the song once more, very tentatively at first, and then more courageously. Some of the other rabbits, even the old ones, join in; some are moved to tears. And in singing the song anew, they realize the joy in being one great rabbit family. Leticia Ruifernandez has graced the story with her tender illustrations. Includes an author’s note.

A lullaby in which a moon man fishes the sea for many treasures.

In a book with foldout pages, Monica's father fulfills her request for the moon by taking it down after it is small enough to carry, but it continues to change in size.

Show biz memoir at its name-dropping, bridge-burning, profane best: the music industry’s most outspoken, outrageous, and phenomenally successful executive delivers a rollicking memoir of pop music’s heyday. During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Bob Dylan, Billy Joel, Paul Simon, Barbra Streisand and James Taylor. They were all under contract to CBS Records, making it the most successful label of the era. And, as the company’s president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile and controversial personality to emerge from an industry and era defined by sex, drugs and debauchery. Having risen from working-class Brooklyn and the legal department of CBS, Yetnikoff, who freely admitted to being tone deaf, was an unlikely label head. But he had an uncanny knack for fostering talent and intimidating rivals with his appalling behavior—usually fueled by an explosive combination of cocaine and alcohol. His tantrums, appetite for mind-altering substances and sexual exploits were legendary. In Japan to meet the Sony executives who acquired CBS during his tenure, Walter was assigned a minder who confined him to a hotel room. True to form, Walter raided the minibar, got blasted and, seeing no other means of escape, opened a hotel window and vented his rage by literally howling at the moon. In Howling at the Moon, Yetnikoff traces his journey as he climbed the corporate mountain, danced on its summit and crashed and burned. We see how Walter became the father-confessor to Michael Jackson as the King of Pop reconstructed his face and agonized over his image while constructing Thriller (and how, after it won seven Grammies, Jackson made the preposterous demand that Walter take producer Quincy Jones’s name off the album); we see Walter, in maniacal pursuit of a contract, chase the Rolling Stones around the world and nearly come to blows with Mick Jagger in the process; we get the tale of how Walter and Marvin Gaye—fresh from the success of “Sexual Healing”—share the same woman, and of how Walter bonds with Bob Dylan because of their mutual Jewishness. At the same time we witness Yetnikoff’s clashes with Barry Diller, David Geffen, Tommy Mottola, Allen Grubman and a host of others. Seemingly, the more Yetnikoff feeds his cravings for power, sex, liquor and cocaine, the more profitable CBS becomes—from $485 million to well over $2 billion—until he finally succumbs, ironically, not to substances, but to a corporate coup. Reflecting on the sinister cycle that left his career in tatters and CBS flush with cash, Yetnikoff emerges with a hunger for redemption and a new reverence for his working-class Brooklyn roots. Ruthlessly candid, uproariously hilarious and compulsively readable, Howling at the Moon is a blistering You’ll Never Eat Lunch in this Town Again of the music industry.

When Isoldé hears that her lifelong hero, Celtic folk singer Tristan Talorc, has just committed suicide, it strikes home and makes the oppressive London, where she works just after “nine-eleven”, feel nearly as oppressive as the Belfast of The Troubles where she grew up. Fate intervenes when an ex-boyfriend offers her a job with him down in Exeter in the West Country. And so begins her enchanted journey to find the lost song of Tristan Talorc, the Moon Song...

A teen girl hiding the scars of a past relationship finds home and healing in the words of strong Black writers. A beautiful sophomore novel from a critically acclaimed author and poet that explores how words have the power to shape and uplift our world even in the midst of pain. "A true embodiment of the term Black Girl Magic.” –Booklist When Darius told Angel he loved her, she believed him. But five weeks after the incident, Angel finds herself in Brooklyn, far from her family, from him, and from the California life she has known. Angel feels out of sync with her new neighborhood. At school, she can’t shake the feeling everyone knows what happened—and that it was her fault. The only place that makes sense is Ms. G’s class. There, Angel’s classmates share their own stories of pain, joy, and fortitude. And as Angel becomes immersed in her revolutionary literature course, the words from Black writers like Toni Morrison, James Baldwin, and Zora NEale Hurston speak to her and begin to heal the wounds of her past. This stunning novel weaves together prose, poems, and vignettes to tell the story of Angel, a young woman whose past was shaped by domestic violence but whose love of language and music and the gift of community grant her the chance to find herself again.

A beautiful full-color board-book version of a song that has become a classic since its first airing on Sesame Street more than twenty years ago is an ideal gift for any young fan of the children's show.

From actress, comedian, musician, and writer Charlyne Yi comes this collection of illustrated, interconnected short stories and anecdotes that blends comedy, fantastic adventures, and a storm of feelings that will make you want to laugh and cry at the same time—reminiscent of the works of Demetri Martin, Shel Silverstein and John Cassavetes. Charlyne Yi takes readers from a sky filled with vengeful clouds to the depths of a frog’s stomach, and to Hell and back—literally—in this collection of short stories that showcases her unique style. Equal parts whimsical, hilarious, heartbreaking, and terrifying, these short stories—both written and illustrated by Charlyne—can be read separately, but are connected thematically following the difficulties of love at every age: • Forgive Me: What happens when the tiniest boy of all time is the only thing standing between the world’s largest baby and an angry mob? Who could ever love something so small? Or so big? • She’s All Legs: In this spicy, action-packed romance, Agatha, a woman who is literally just legs and a head, decides to hunt down and kill the Devil himself. Along the way she meets Cassady, an Elvis impersonator with his own, mysterious gripe with the Dark Lord. Short, one-page anecdotes, poems, reflections, and imagery are also included. Strange, heartfelt, and wonderful, Oh the Moon shows you love in the way that only Charlyne Yi’s brilliant, witty mind can.