Following on from Rodney Castleden's best-selling study Minoans, this major contribution to our understanding of the crucial Mycenaean period clearly and effectively brings together research and knowledge we have accumulated since the discovery of the remains of the civilization of Mycenae in the 1870s. In lively prose, informed by the latest research and using a full bibliography and over 100 illustrations, this vivid study delivers the fundamentals of the Mycenaean civilization including its culture, hierarchy, economy and religion. Castleden introduces controversial views of the Mycenaean palaces as temples, and studies their impressive sea empire and their crucial interaction with the outside Bronze Age world before discussing the causes of the end of their civilization. Providing clear, easy information and understanding, this is a perfect starting point for the study of the Greek Bronze Age.

Foreword ; Monuments of Minos: Rethinking the Minoan Palaces ; Introduction ; List of abbreviations ; Jan DRIESSEN, 'The King Must Die.' Some Observations on the Use of Minoan Court Compounds ; Ilse SCHOEP, The State of the Minoan Palaces or the Minoan Palace-State? ; Colin F. MACDONALD, The Neopalatial Palaces of Knossos ; Giorgos RETHEMIOTAKIS, Evidence on Social and Economic Changes at Galatas and Pediada in the New-Palace Period ; Vincenzo LA ROSA, Pour une revision preliminaire du second palais de Phaistos ; Joseph SHAW, The Minoan Palatial Establishment at Kommos. An Anatomy of its History, Function, and Interconnections ; Olivier PELON, Contribution du palais de Malia a l'etude et a l'interpretation des "palais" minoens ; Jeffrey S. SOLES, A Central Court at Gournia ; Metaxia TSIPOPOULOU, Petras, Siteia: The Palace, the Town, the Hinterland and the Protopalatial Background ; Lefteris PLATON, The Political and Cultural Influence of the Zakros Palace on Nearby Sites and in a Wider Context ; Maria ANDREADAKI-VLASAKI, Are We Approaching the Minoan Palace of Khania? ; Clairy PALYVOU, Central Courts: The Supremacy of the Void ; Yannis HAMILAKIS, Too Many Chiefs?: Factional Competition in Neopalatial Crete ; Peter M. WARREN, Political Structure in Neopalatial Crete ; Philip P. BETANCOURT, Who was in charge of the Palaces? ; J. Alexander MACGILLIVRAY, Memories of a Minotaur ; Peter M. DAY and Maria RELAKI, Past Factions and Present Fictions: Palaces in the Study of Minoan Crete ; Klaas VANSTEENHUYSE, Minoan Courts and Ritual Competition.

A comprehensive, scholarly, engaging look at the meanings behind key architectural designs of ancient Minoan culture. Ever since Sir Arthur Evans first excavated at the site of the Palace at Knossos in the early twentieth century, scholars and visitors have been drawn to the architecture of Bronze Age Crete. Much of the attraction comes from the geographical and historical uniqueness of the island. Equidistant from Europe, the Middle East, and Africa, Minoan Crete is on the shifting conceptual border between East and West, and chronologically suspended between history and prehistory. In this culturally dynamic context, architecture provided more than physical shelter; it embodied meaning. Architecture was a medium through which Minoans constructed their notions of social, ethnic, and historical identity: the buildings tell us about how the Minoans saw themselves, and how they wanted to be seen by others. Architecture of Minoan Crete is the first comprehensive study of the entire range of Minoan architecture—including houses, palaces, tombs, and cities—from 7000 BC to 1100 BC. John C. McEnroe synthesizes the vast literature on Minoan Crete, with particular emphasis on the important discoveries of the past twenty years, to provide an up-to-date account of Minoan architecture. His accessible writing style, skillful architectural drawings of houses and palaces, site maps, and color photographs make this book inviting for general readers and visitors to Crete, as well as scholars.

As researchers bring their analytic skills to bear on contemporary archaeological tourism, they find that it is as much about the present as the past. Philip Duke’s study of tourists gazing at the remains of Bronze Age Crete highlights this nexus between past and present, between exotic and mundane. Using personal diaries, ethnographic interviews, site guidebooks, and tourist brochures, Duke helps us understand the impact that archaeological sites, museums and the constructed past have on tourists’ view of their own culture, how it legitimizes class inequality at home as well as on the island of Crete, both Minoan and modern.

The publication of the papers presented in this volume marks an important step in the study of ancient cities. Despite having long been a focus of archaeological investigation and analysis, until relatively recently they have tended to be described rather than analysed. These eleven papers concentrate on analysing ancient urban centres from within, exploring some of the ways in which people lived in, perceived and modified their built environments. The papers span several time periods, from the Bronze Age to the Hellenistic era as well as geographic locations from Italy to Beirut. The title of this volume thus incorporates two meanings of Greek: the territory of the modern nation-state and areas of the ancient world with cultural influences from the Aegean. The diversity of ancient urban forms is therefore fully recognised and celebrated.

Shortlisted for the European Association of Archaeologies 2023 book prize In Search of the Labyrinth explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts – from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, André Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Léon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.

The Cambridge World Prehistory provides a systematic and authoritative examination of the prehistory of every region around the world from the early days of human origins in Africa two million years ago to the beginnings of written history, which in some areas started only two centuries ago. Written by a team of leading international scholars, the volumes include both traditional topics and cutting-edge approaches, such as archaeolinguistics and molecular genetics, and examine the essential questions of human development around the world. The volumes are organised geographically, exploring the evolution of hominins and their expansion from Africa, as well as the formation of states and development in each region of different technologies such as seafaring, metallurgy and food production. The Cambridge World Prehistory reveals a rich and complex history of the world. It will be an invaluable resource for any student or scholar of archaeology and related disciplines looking to research a particular topic, tradition, region or period within prehistory.

What is the social role of images and architecture in a pre-modern society? How were they used to create adequate environments for specific profane and ritual activities? In which ways did they interact with each other? These and other crucial issues on the social significance of imagery and built structures in Neopalatial Crete were the subject of a workshop which took place on November 16th, 2009 at the University of Heidelberg. The papers presented in the workshop are collected in the present volume. They provide different approaches to this complex topic and are aimed at a better understanding of the formation, role, and perception of images and architecture in a very dynamic social landscape. The Cretan Neopalatial period saw a rapid increase in the number of palaces and 'villas', characterized by elaborate designs and idiosyncratic architectural patterns which were themselves in turn generated by a pressing desire for a distinctive social and performative environment.

Twenty years ago, John Cherry looked forward to the day when archaeological survey projects working around the Mediterranean region (the 'Frogs round the pond') would begin to compare and synthesize the information they had collected. He anticipated researchers tackling big questions of interregional scope in new and interesting ways, working at a geographical scale considerably larger than that of the individual survey. Was his optimism misplaced? Despite the extraordinary growth of interest in field survey projects and regional analysis, and despite the developments in survey methodology that have been discussed and implemented in the past two decades, few scholars have attempted to use survey data in a comparative mode and to answer the broad-scale questions confronting social historians. In this volume, which is the outcome of an advanced Workshop held at the University of Michigan in 2002, a number of prominent archaeologists return to the question of comparability. They discuss the potential benefits of working in a comparative format, with evidence from many different Mediterranean survey projects, and consider the practical problems that present roadblocks to achieving that objective. From mapping and manuring to human settlement and demography, environment and culture, each addresses different questions, often with quite different approaches; together they offer a range of perspectives on how to put surveys "side-by-side". Contributors include Susan E Alcock, John Cherry, Jack L Davis, Peter Attema, Martijn van Leusen, James C Wright, Robin Osborne, David Mattingly, T J Wilkinson, and Richard E Blanton.