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As a follow-up to their first true feature film, Monty Python and the Holy Grail, the comic troupe next decided to tackle a “shadow” version of the Christ story. Shot in the Middle East and produced during Margaret Thatcher’s ascendant years, the film satirized—among other matters—authoritarianism and religious zealotry. Upon its release, Monty Python’s Life of Brian was both a critical and commercial success, and has been since hailed as one of the greatest comedies of all time. But the film also faced backlash from religious groups for its blasphemy, perceived or otherwise. In A Book about the Film Monty Python's Life of Brian: All of the References from Assyrians to Zeffirelli, Darl Larsen identifies and examines the plethora of cultural, historical, and topical allusions in the film. In this resource, Larsen delineates virtually every allusion and reference that appears in the film—from first-century Jerusalem through 1970s Great Britain. Organized chronologically by scene, the entries in this cultural history cover literary and metaphoric allusions, symbolisms, names, peoples, and places, as well as the many social, cultural, and historical elements that populate this film. By closely examining each scene, this book explores the Pythons’ comparisons of the Roman and British Empires and of Pilate and Margaret Thatcher. In addition, Larsen helps to situate Life of Brian in the “Jesus” re-examination of the postwar period, while also taking a close look at the terror groups of first-century Judea and the modern world. A Book about the Film Monty Python's Life of Brian will appeal to scholars of history, film, British culture, and pop culture, as well as to the many fans of this iconic group.

Made from the paper of the mightiest tree in a forest and cut to size with a herring, this Little Guide to Monty Python may be only-ever-so slightly bigger than one of Mr Creosote's wafer-sized mints, but it's packed with enough preposterous comedy power to keep Pythonites stuffed with laughter until breakfast. Monty Python, of course, do not require an introduction. Python are the UK's original legends of comedy; as influential as they are innovative, as incomparable as they are intelligent. For sixty years, their unique brand of ensemble silliness has travelled the world as much as Michael Palin's toothbrush, their legacy growing with each generation. This tiny time can barely contain the 185 or so classic quotes, one liners, character flaws and jokes that made the troupe so famous, all revealed in the profoundly preposterous wit, wisdom and words of the Pythons themselves. All together now... "Always look on the bright side of life..." 'I always wanted to be an explorer, but it seemed I was doomed to be nothing more than a very silly person.' Michael Palin

The Monty Python team's first feature film is a mock-heroic tale set in Medieval Britain.

A comprehensive and hilarious guide to understanding the many Monty Python jokes and allusions Throughout their five seasons on British television (and well into the troop's movie sequels and assorted solo projects), Monty Python became a worldwide symbol not only for taking serious subjects and making them silly, but also for treating silly subjects seriously. Monty Python provided a treasure trove of erudite "in" jokes, offering sly allusions to subjects as diverse as T.S. Elliot's "Murder in the Cathedral" (as part of a commercial for a weight loss product) and how to conjugate Latin properly (as explained by a Roman centurion to a Jewish zealot painting anti-Roman graffiti on a wall). It was this combination of the uniquely highbrow but silly humor that inspired countless followers (Saturday Night Live, to name one). This hilarious and helpful guide puts Python's myriad references into context for the legion of fans, scholars, and pop culture aficionados that still strive to "get" Monty Python.

Monty Python’s Flying Circus aired from 1969 until 1974, but the conclusion of the series did not mark the end of the troupe’s creative output. Even before the final original episodes were recorded and broadcast, the six members began work on their first feature-length enterprise of new material. Rather than string together a series of silly skits, they conceived a full-length story line with references to the real and imagined worlds of the mythical King Arthur, the lives of medieval peasants, and the gloomy climate of 1970s Britain. Released in 1975, Monty Python and the Holy Grail was a modest success but has since been hailed as a modern classic. In A Book about the Film Monty Python and the Holy Grail:All the References from African Swallows to Zoot, Darl Larsen identifies and examines the cultural, historical, and topical allusions in the movie. In this entertaining resource, virtually every reference that appears in a scene—whether stated by a character, depicted in the mise-en-scène, or mentioned in the print companion—is identified and explained. Beyond the Arthurian legend, entries cover literary metaphors, symbols, names, peoples, and places—as well as the myriad social, cultural, and historical elements that populate the film. This book employs the film as a window to both reveal and examine “Arthurian” life and literature, the historical Middle Ages, and a Great Britain of labor unrest, power shortages, and the common man. Introducing the reader to dozens of medievalist histories and authors and connecting the film concretely to the “modern” British Empire, A Book about the Film Monty Python and the Holy Grail will appeal to fans of the troupe as well as medieval scholars and academics who can laugh at themselves and their work.

A comprehensive study examining the history, content, and context of the legendary comedy series Monty Python’s Flying Circus. One of the most innovative comedic programs to air on television, Monty Python’s Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation. Its curious transatlantic popularity defied the assumption that comedy is regional and exclusive, and the show’s cult status still lives on in the United States and United Kingdom through reruns, videos, DVDs, and continual reappearances by the show’s now iconic stars. Most written accounts of Monty Python’s Flying Circus focus solely on members of the Pythons, histories of the sketches, or the development of other Monty Python projects, leaving a dearth of scholarly and contextual analysis on the television show itself. Marcia Landy’s book is one of the rare studies available examining the Flying Circus within the context of its time, analyzing the show’s influence on 1960s and 1970s British television as well as British cultural influence on the show’s legendary material. Landy explores not only why the series’ complex form of comedy was important but also why it was so well received, citing the Pythons’ amalgam of comedic material: the unruly treatment of sexuality, the mockery of religion and class, and the critique of the medium of television. The Flying Circus parodied both the lowbrow and the highbrow, throwing many previously untouchable topics into the ring, and here Landy deconstructs the impact of the show’s risks and reception. As informative as it is engaging and entertaining, this book will appeal to film and media scholars, popular culture enthusiasts, and Monty Python fans alike.

“This amusing, sad, and heartfelt look at [Adams’s] lifeis a true gift.”—New York Post It all started when Douglas Adams demolished planet Earth in order to make way for an intergalactic expressway—and then invited everyone to thumb a ride on a comical cosmic road trip in The Hitchhiker’s Guide to the Galaxy. Adams made the universe a much funnier place to inhabit and forever changed the way we think about towels, extraterrestrial poetry, and especially the number 42. And then, too soon, he was gone. In Wish You Were Here, Nick Webb, a longtime friend of the author, reveals the many sides, quirks, and contradictions of Douglas Adams. A summation as celebration, it is a look back at a life well worth the vicarious reliving, as studded with anecdote, droll comic incident, and heartfelt insight as its subject’s own unforgettable tales of cosmic wanderlust. Praise for Wish You Were Here “Webb’s tale brims with affection and humour; every page is a delight.”—The Daily Mail “It’s perhaps the ultimate credit to Webb that he can be just as funny as Adams in his writing. With many of the same veins of humour that Adams had running throughout this biography, it’s as if the great hitchhiker has never really left.”—The Leeds Guide

Examining Monty Python's enduring status as an unconventional, anti-authoritarian comedy touchstone, this book reappraises Python's comedy output from the perspective of its 50 years of cultural circulation. Reconsidering the group's originality, impact and durability, a range of international scholars explores Python's influences, production contexts, frequently controversial themes, and the cult status and forms of fandom associated with Python in the present day. From television sketches, including The Funniest Joke in the World, Hell's Grannies, Dead Parrot and Confuse-a-Cat, to the films Monty Python and the Holy Grail, Life of Brian and The Meaning of Life, to songs from the albums and live shows, this book is a ground-breaking critical analysis of the Monty Python phenomenon.