When Montana became the 41st state in 1889, an old pinoeer lamented, “Now she's gone to hell,” but most Montanans embraced statehood as the inevitable culmination of one of the most rapid and dramatic transformations in United States history. Only twenty-five years after becoming a territory, Montana was profoundly different: the buffalo slaughtered and gone, the Indian wars fought and ended, the tribal nations confined to reservations, cattle and sheep raised by the tens of thousands, Butte exploded into a rich, wide-open town, and railroads built to link the once remote land with the world. Montana 1889 tells the many stories of this overwhelming transformation by entering into the lives, emotions, and decisions of diverse peoples cooperating and competing on this contested ground. As in Ken Egan’s highly acclaimed Montana 1864, these stories are told month by month, deftly showing the flow and friction of events and the unfolding destinies of individuals and nations.

Creative nonfiction history about the year Montana became a state.

This is the first book devoted to Montana's long history of industrial newspaper ownership and the consequences for democracy. The work also reveals the costs paid by owners and their journalists, whose credibility eroded as their increasingly constricted newspapers lapsed into ambivalence and indifference. The story offers a timeless study of the conflict between commerce and the notion of a free and independent press.

Since the days of the wild West, Montanans have struggled to be "tough on crime" with limited resources. During Montana’s early territorial years, "criminal justice" was almost nonexistent: a few towns had inadequate and chronically overcrowded jails; occasional prisoners were sent east to the federal penitentiary in Detroit; and vigilantes summarily dealt with others suspected of crimes. In 1871, the federal government funded a penitentiary in Deer Lodge that was turned over to Montana when it achieved statehood in 1889. In this absorbing book, Keith Edgerton provides a social history of the Montana Penitentiary, with a primary focus on its early, formative years. After statehood, Montana leased its penitentiary to contractors, who utilized cheap inmate labor to turn a profit for themselves and for the state. Warden Frank Conley became a regional political boss and amassed a personal fortune, using inmates for road construction and a variety of public and private projects. Eventually, charges of corruption led to his ouster by Governor Joseph M. Dixon and sparked a trial and heated controversy that resulted in Dixon’s political downfall. After 1921 the prison system came under full control of the state government. Although there were changes at the penitentiary during the rest of the twentieth century--and two full-scale riots in the 1950s--there was also a depressing repetition of corruption, neglect, and underfunding.

Montana: A History of Two Centuries first appeared in 1976 and immediately became the standard work in its field. In this thoroughgoing revision, William L. Lang has joined Michael P. Malone and Richard B. Roeder in carrying forward the narrative to the 1990s. Fully twenty percent of the text is new or revised, incorporating the results of new research and new interpretations dealing with pre-history, Native American studies, ethnic history, women's studies, oral history, and recent political history. In addition, the bibliography has been updated and greatly expanded, new maps have been drawn, and new photographs have been selected.

More than 12,000 years of Montana history come to life in Montana: Stories of the Land. This new book, created for use in teaching Montana history, offers a panorama of the past beginning with Montana's first people and ending with life in the twenty-first century. Incorporating Indian perspectives, Montana: Stories of the Land is the first truly multicultural history of the state. It features hundreds of historical photographs, unique artifacts, maps, and paintings largely drawn from the Society's extensive collections. Sidebar quotations bring the stories of ordinary people to life while providing diverse perspectives on important historical events. Published by the Montana Historical Society Press with production management by Farcountry Press. Features 463 photos, maps, and artifacts primarily drawn from the Montana Historical Society's collections Fully integrates the history of Montana's Indians into the state's story Uses quotations from everyday people to bring Montana's past to life

In 1864, vast herds of buffalo roamed the northern short-grass prairie and numerous Native American nations lived on both sides of the adjacent Continental Divide. Lewis and Clark had come and gone, and so had most of the fur trappers and mountain men. The land that would become Montana was mostly still the wild and untrammeled landscape it had been for millennia. That all changed in a single year—1864—because of gold, the Civil War, and the relentless push of white Americans into Indian lands. By the end of that pivotal year in the history of Montana—and in the history of the American West—Montana was the newest United States territory. In Montana 1864, writer and scholar Ken Egan Jr. captures this momentous year with a tapestry of riveting stories about Indians, traders, gold miners, trail blazers, fortune-seekers, settlers, Vigilantes, and outlaws—the characters who changed Montana, and those who resisted the change with words and war. Egan’s vivid narrative style immerses readers in the conflicting currents of western expansionism as it actually happened, providing a unique and thought-provoking examination of Montana’s beginnings.

The Encyclopedia of Montana contains detailed information on States: Symbols and Designations, Geography, Archaeology, State History, Local History on individual cities, towns and counties, Chronology of Historic Events in the State, Profiles of Governors, Political Directory, State Constitution, Bibliography of books about the state and an Index.

Photographing Montana showcases more than 150 photographs of life in Montana from the 1890s through the 1920s. Evelyn Cameron's work portrays vast landscapes, range horses, cattle roundups, wheat harvests, community celebrations, and wildlife of the high plains. Her vivid images convey the lonely strength of sheepherders and homesteaders and track the growth of Terry, a small town on the Yellowstone River.