The second entry in this “inventive and exciting” zombie series that began with Monster Island (Publishers Weekly). This is where it begins. This is where the end of the world begins? She wakes up alone and feeling like she's half-dead. She can't remember her name. She staggers outside, looking for help—and that's when she sees that the dead have returned to life, that zombies are running in the streets and devouring the living. And she's one of them. She isn't breathing. The zombies leave her alone. Because they know she's one of their kind. And yet she differs from the brainless ghouls around her in some crucial ways. Somehow she's kept her intelligence intact, if not her memory. And being dead has certain compensations. She has developed strange powers. She calls herself Nilla, and all she knows is that staying alive only gets harder after you die? Meanwhile the National Guard has its hands full with the worst epidemic ever to strike the American west. From California to Colorado every town, every city is being overrun. Captain Bannerman Clark isn't prepared for this. He's semi-retired and he hasn't fired a gun in years, not since the Vietnam war. Yet it seems there's no one else around to take charge. As the world we know collapses he must find in himself the brains, the guts, and the moral courage to lead the survivors to safety, if there's any to be had. Meanwhile, behind the scenes, shadowy players are just beginning to show their hands. There's more going on here than meets the eye, and Clark and Nilla both have parts to play in a game they can't comprehend?

A dedicated deer hunter “writes with humor and insight” about his adventures—and misadventures—in the wild (Orlando Sentinel). Every autumn, millions of men and women across the country don their camo, stock up on doe urine, and undertake a quintessential American tradition—deer hunting. The pinnacle of a hunter’s quest is killing a buck with antlers that “score” highly enough to qualify for the Boone and Crockett record book. But in all his seasons on the trail, Pete Bodo, an avid outdoorsman and student of the hunt, had never reached that milestone. Sadly, he had to admit it: He was a nimrod. Whitetail Nation is the uproarious story of the season Pete Bodo set out to kill the big buck. From the rolling hills of upstate New York to the vast and unforgiving land of the Big Sky to the Texas ranches that feature high fences, deer feeders, and money-back guarantees, Bodo traverses deep into the heart of a lively, growing subculture that draws powerfully on durable American values: the love of the frontier, the importance of self-reliance, the camaraderie of men in adventure, the quest for sustained youth, and yes, the capitalist’s right to amass every high tech hunting gadget this industry’s exploding commerce has to offer. Gradually, Bodo closes in on his target—that elusive monster buck—and with each day spent perched in a deer stand or crawling stealthily in high grass (praying the rattlesnakes are gone), or shivering through the night in a drafty cabin (flannel, polar fleece, and whiskey be damned), readers are treated to an unforgettable tour through a landscape that ranges from the exalted to the absurd. Along the way Bodo deftly captures the spirit and passion of this rich American pursuit, tracing its history back to the days of Lewis and Clark and examining that age old question: “Why do men hunt?”

Surviving the end of the world was the easy part? It's twelve years since the dead came back. Ravening, mindless zombies have devoured almost every living thing on the planet. The few, scattered survivors are surviving on canned goods and a refusal to give in and die. They are lead by Ayaan, a former child soldier turned brilliant strategist. She's twenty-eight years old, in a world where the average life expectancy is twenty-five. Together with her adopted ward Sarah, who has the psychic ability to see the life-force of the undead, she's gathered a few hundred survivors in Africa and given them safety, something to eat, and the possibility of a future. It would be a lot easier if the zombies weren't so well organized. Out of the east a dead prince has risen. The Tsarevich, the most powerful lich the world has yet seen, is able to command his fellow zombies and has crafted them into an unstoppable army. He has swept across Russia and eastern Europe, hunting down every survivor he can find. He's about to come down on Ayaan and her desert oasis like a tidal wave of death and horror. Yet quickly enough Ayaan realizes he's not just out for her destruction. He has something else in mind, a goal that will take him--and her--across oceans, all the way back to Colorado where the first zombies rose from the grave. He's going back to the Source and when he reaches it, no one will ever be safe again. The fate of all life on the planet is up for grabs, and if Ayaan and Sarah can't stop him there will be no more second chances?

First in the cult classic trilogy: “A fantastic zombie novel . . . There are many layers to this zombie apocalypse, and this book just gets things rolling” (Booklist). Welcome to New York City, Population Zero? The power grid has collapsed. There is no running water, no light, no heat. The massive neon signs of Times Square are dark now, and the subway trains crouch silent in their tunnels, waiting for commuters who will never return. An epidemic of staggering lethality has passed over the city and left nothing living in its wake. And yet the city is not deserted. The dead have returned to life, and they're hungry. The millions of people who once worked and lived in New York have been turned into cannibalistic monsters whose only function is to consume. No living person would dare enter the city--it would be suicide. Dekalb doesn't have a choice. He must protect his daughter's future, and that means retrieving vital medical supplies from the UN building in Midtown. A cadre of teenage girl soldiers have been recruited to help him find what he needs, and get back alive. They're well armed. They're devoted to their mission and willing to sacrifice anything to pull it off. But the odds against them are staggering. Especially when it turns out that not all zombies are created equal. Deep inside the city a medical student named Gary comes back from the dead different--his mind is intact. He can still think and feel. He's hungry, just like the rest, but unlike them he can plan, plot, and scheme. He can even lead the others, bending them to his will. Soon he has a small army at his command, a growing mob of rotting corpses all devoted to one cause: to find meat for their master. When Dekalb and Gary cross paths sparks will fly, destinies will clash--and the future of humanity will be decided, one head shot at a time.

Features an overview of car, truck, and motorcycle customizers, modifiers, tuners, and detailers who have been inspired by Jesse James and the Monster Garage team.

A hot rod school bus, a pickup on tank treads, a tire-smoking drifting competition - check out all of these outrageous vehicles in this colorful and fact-filled look at the fantastic world of radical rides.

“Amanda Marcotte drains the swamp and reveals a Republican Party hijacked by grifters and frauds.” ?David Daley The election of Donald Trump in 2016, like most of his campaign, came as a shock to many Americans. How could a man so lacking in capacity, so void of any intellectual heft, become the president of the United States? How did Trump, a man with no detectable personal qualities outside of resentment and the will to dominate, appeal to millions of Americans and win the highest office in the land? The American right has spent decades turning away from reasoned discourse toward a rhetoric of pure resentment—it’s this shift that laid the groundwork for Trump’s ascendency. In Troll Nation, journalist Amanda Marcotte outlines how Trump was the inevitable result of American conservatism’s degradation into an ideology of blind resentment. For years now, the purpose of right wing media, particularly Fox News, has not been to argue for traditional conservative ideals, such as small government or even family values, so much as to stoke bitterness and paranoia in its audience. Traditionalist white people have lost control over the culture, and they know it, and the only option they feel they have left is to rage at a broad swath of supposed enemies ? journalists, activists, feminists, city dwellers, college professors ? that they blame for stealing “their” country from them. Conservative pundits, politicians, and activists have abandoned any hope of winning the argument through reasoned discourse, and instead have adopted a series of bad faith claims, conspiracy theories, and culture war hysterics. Decades of these antics created a conservative voting base that was ready to elect a mindless bully like Donald Trump.

The controversial English-language debut of celebrated Israeli novelist Yishai Sarid is a harrowing, ironic parable of how we reckon with human horror, in which a young, present-day historian becomes consumed by the memory of the Holocaust. Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Praise for The Memory Monster: “Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan…. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity…. it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes. A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.” —Kirkus Reviews, Starred Review “[A] record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity…. Sarid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.” —Publishers Weekly “Reading The Memory Monster, which is written as a report to the director of Yad Vashem, felt like both an extremely intimate experience and an eerily clinical Holocaust history lesson. Perfectly treading the fine line between these two approaches, Sarid creates a haunting exploration of collective memory and an important commentary on humanity. How do we remember the Holocaust? What tolls do we pay to carry on memory? This book hit me viscerally, emotionally, and personally. The Memory Monster is brief, but in its short account Sarid manages to lay bare the tensions between memory and morals, history and nationalism, humanity and victimhood. An absolute must-read.” —Julia DeVarti, Literati Bookstore (Ann Arbor, MI) “In Yishai Sarid’s dark, thoughtful novel The Memory Monster, a Holocaust historian struggles with the weight of his profession…. The Memory Monster is a novel that pulls no punches in its exploration of the responsibility—and the cost—of holding vigil over the past.” —Eileen Gonzalez, Foreword Reviews

It was huge, a ferocious carnivore capable of catching deer and elk with its long trunk and crushing them in its giant grinders. It lived right there in the Hudson River Valley. And no place else in the world had anything to match it. Such were the thoughts about the first complete mastodon skeleton excavated in 1801, before dinosaurs were discovered and the notion of geologic time acquired currency. Oregon- based natural historian Semonin traces the evangelical beliefs, Englightenment thought, and Indian myths about the extinct creatures from 1705 through US independence. Annotation copyrighted by Book News, Inc., Portland, OR