Is there really a monster in Milly's house or is it all in her imagination? You can find out by lifting the flaps in this charmingly illustrated book. Simple rhythmic text makes this book a pleasure to read aloud, and children will also enjoy finding a little mouse, a spider and a yellow duck on every double page.

As much a testament to the art of the book as the art of animation,The Art and Making of Monster Houseis presented in lavish four-color throughout, with highlights of some of the film's most astonishing features including 3-D art, gatefolds and die-cut overlays of the five stages of computer generated "motion capture" technology. It also includes envelopes, cards, and a movie poster. Monster Houseis the first film from director Gil Kenan, who is living every young director's dream, hand-picked by the film's executive producer, Steven Spielberg, to create this groundbreaking film. This latest release from Sony Pictures Imageworks and ImageMovers, features the innovative, cutting-edge technology of " performance capture" animation, first introduced inThe Polar Express. Monster Housetells the story of a trio of friends who discover the secret that a scary, creepy house in their neighborhood is actually a living, breathing monster and it's up to the kids to stop the evil house before it's too late. Standouts in the cast include animation veterans Steve Buscemi, Kathleen Turner, Catherine O'Hara and Jason Lee, as well as Fred Willard, Kevin James, Maggie Gyllenhaal, and Jon Heder.

There's a Monster in my Bedroom. Keep very, very still. Tell me you can see it. It's giving me a chill . . . A funny, charming rhyming picture book about a house full of monsters with an unexpected twist from internationally acclaimed comedy duo The Umbilical Brothers. With gorgeous, rich illustrations by Berlin artist, Johan Potma.

Discover a world of monstery surprises in this fabulous pop-up Monster House! Mich and Mulch, the monster twins, can hear strange noises in their home. Mummy and Daddy monster say it's nothing - old houses creak and groan. But Milch and Mulch are determined to investigate. Will they be brave enough to get to the bottom of the mystery and find out what is lurking in the depths of the Monster House? A fabulous spooky adventure with pop-up house, press-out pieces, moving parts and hidden surprises.

This novelization tells the story of the new CGI animated film from Imagemovers, Sony Pictures Animation, and Columbia Pictures, slated for release in theaters on July 21. Includes an 8-page photo insert.

Meet Brother Pea. Hes your average fictional vegetable. Almost all his characteristics, except his triangular eyes, are the same as any ordinary veggie you can find in Veggie Town. That is, until you find out he has powers. Now hes out to save his world. Will he stop his world from being conquered by an evil invertebrate alchemist?

Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes. Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?