Twenty years ago plagues swept humanity to the brink of extinction. The very few that survived were left in a world of plenty, but resources start to become scarce with the passage of time, and people have lost most of their abilities to do anything but forage. Two orphans, born after the apocalypse, flee a once safe and nurturing community grown from gathered wanderers now controlled by evil men. There are no laws to be enforced, there is no social conscience to be adhered to, and there is nothing politically correct. The civilized hysteria of the past has given way to hiding when you can, running when you must, and fighting when you are cornered. A dark stranger, immersed in regret and dangerous to himself and everyone he meets, confides the secret of why the world is as it is. Two orphans must survive, and find someone to trust.

When a worldwide monster invasion brings civilization to a crashing, blood-soaked halt and puts humanity on the Endangered Species list in the space of a single afternoon, 23-year-old misanthrope Fay Tucker must set out across the ruins of northeast Ohio in search of her little sister Daisy. To see her mission through, the embittered wannabe hermit is forced to associate with “those treacherous simians” (a.k.a. human beings) and soon becomes the nucleus of a small group of equally dysfunctional young women. As their quest takes them from the corpse-strewn streets of suburbia to the red-litten alleys of a city ablaze with unholy fire, from a harpy-besieged National Guard base to an amusement park turned ogre-run death camp, the women are forced to contend with both demons within and monsters without, and Fay finds herself forming bonds with her allies that may prove too strong for even her prickly soul to resist. If, that is, she—and they—can stay alive that long.

In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.

Most people don't believe in monsters, but you know the truth. They're real, and it's your task to bring them down. This revised edition of Monster of the Week brings that adventure to life.Monster of the Week is a standalone action-horror RPG for 3-5 people. Hunt high school beasties a la Buffy the Vampire Slayer, travel the country to bring down unnatural creatures like the Winchester brothers of Supernatural, or head up the government investigation like Mulder and Scully.This book contains everything you need to tackle Bigfoot, collar a chupacabra, and drive away demons. In this revised edition, you'll find:

A man must survive the zombie apocalypse armed with only a shotgun, a Samurai bat, and the will to live among the unliving in this horror series debut. It's been two years since civilization ended in an unstoppable wave of chaos and blood. Now, former house painter Augustus "Gus" Berry lives a day-to-day existence of waking up, getting drunk, and preparing for the inevitable moment when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of Annapolis, Gus goes scavenging for whatever supplies remain in the undead suburbia below. Every time he descends the mountain could be his last. But when Gus encounters another survivor, he soon realizes the zombie horde may not be the greatest threat he faces . . . Combining heart-pounding action in a frozen dystopia with complex characters and dark humor, Mountain Man kicks off Keith C. Blackmore's thrilling survival series-perfect for fans of HBO's The Last of Us.

Surviving the end of the world was the easy part? It's twelve years since the dead came back. Ravening, mindless zombies have devoured almost every living thing on the planet. The few, scattered survivors are surviving on canned goods and a refusal to give in and die. They are lead by Ayaan, a former child soldier turned brilliant strategist. She's twenty-eight years old, in a world where the average life expectancy is twenty-five. Together with her adopted ward Sarah, who has the psychic ability to see the life-force of the undead, she's gathered a few hundred survivors in Africa and given them safety, something to eat, and the possibility of a future. It would be a lot easier if the zombies weren't so well organized. Out of the east a dead prince has risen. The Tsarevich, the most powerful lich the world has yet seen, is able to command his fellow zombies and has crafted them into an unstoppable army. He has swept across Russia and eastern Europe, hunting down every survivor he can find. He's about to come down on Ayaan and her desert oasis like a tidal wave of death and horror. Yet quickly enough Ayaan realizes he's not just out for her destruction. He has something else in mind, a goal that will take him--and her--across oceans, all the way back to Colorado where the first zombies rose from the grave. He's going back to the Source and when he reaches it, no one will ever be safe again. The fate of all life on the planet is up for grabs, and if Ayaan and Sarah can't stop him there will be no more second chances?

A Netflix Original Series! See if you have what it takes to survive the monster-zombie apocalypse in this interactive guided journal from the New York Times, USA Today, and Wall Street Journal bestselling Last Kids on Earth series, now with over 7 million copies in print. You've read all about the Last Kids on Earth's adventures in the post-zombie-monster-apocalypse, and now it's time to get in on the action! In this interactive journal, readers will feel like they're part of the Last Kids world by taking part in creative exercises that are based on the characters and settings that they've come to know so well. They'll draw their own inventions in Quint's workshop, design their perfect kids-only hangout that will rival Jack's treehouse, put together their dream post-apocalyptic warrior outfits and weapons that will give the Louisville Slicer a run for its money, imagine themselves and their friends as zombies, and so much more. The perfect creative outlet for every Last Kids fan.

Trapped in darkness and stripped of her identity, Twelve is a prisoner of a man who calls himself "Lord." As she clings to the name Mandy, she battles to retain her humanity against a sadistic captor who seeks to break her spirit. Alternating between Mandy's harrowing captivity and her captor's twisted mind, Monster unravels a tale of survival and psychological terror. Will Mandy escape the clutches of this monster, or will she succumb to the nightmare that has consumed her life? "Monster" is a chilling exploration of power, control, and the enduring strength of the human spirit.

Jeremy Robinson returns to the Kaiju Thriller genre he popularized with the largest Kaiju to ever appear in fiction: the Apocalypse Machine. Bursting with all the epic action, desperate struggle and complex characters that readers have come to expect, Robinson takes the world to the brink once more.

Monsters aren’t real. Everyone knows that. Full of creepy-cool atmosphere and monstrous magic, this gripping middle grade debut will sink its claws into fans of supernatural adventures like Holly Black’s Doll Bones and Ellen Oh’s Spirit Hunters. When a sudden earthquake strands Celia’s parents out of town, she finds herself on her own in a shaken city. She tries to reach out to other kids around her apartment building. Some of them, like the sad boy named Demetri, seem wary of letting her too close. The others call themselves Hunters. They claim the earthquake was caused by monsters only kids can see. And they think Celia is destined to save the city. Celia doesn’t feel destined to save anything—but for the first time, she feels like maybe she’s seeing things as they really are….