Reveals a distinct trajectory of Islamic history that developed among Muslim merchant communities across the medieval Indian Ocean.

- Monsoon Mosques presents a finely curated selection of beautiful mosques from South and Southeast Asia - One of the first such books, it traces the spread of Islam through the Indian Ocean littoral and the ways in which local communities responded by building their own local centers of worship - A unique style vernacular ensued, which is explored in detail in this volume for the first time - Featuring many previously unseen pictures For centuries, monsoon winds brought traders from the Middle East to India, and onward to Malaysia and the Indonesian archipelago. Once the new religion of Islam had been established in the land of Arabia, merchants carried their faith to the many ports of call around the Indian Ocean. As Islam peacefully spread through the Indian Ocean littoral, the coastal trading cities responded in extraordinary ways. Modifying the form of the local tropical buildings of timber and stone, communities created a stylistic hybrid for their houses of prayer, the ubiquitous village mosque. An exceptional vernacular ensued, reflecting the unique combination of environment, local materials and building skills, trade and the traders. This volume celebrates a finely curated selection of centuries-old mosques in Kerala, Sumatra, Java and Malaysia. Raised up high by the communities, the mosques are a marvel of timber, soaring spaces and traditional crafts. Since their creation, these local mosques have been kept alive and well as dynamic expressions of place. But the 20th and 21st centuries have brought numerous threats to their continued existence and vitality. Monsoon Mosques explores the fate of these vibrant symbols of the integration of Islam into local culture.

Between the twelfth and sixteenth centuries, a distinct form of Islamic thought and practice developed among Muslim trading communities of the Indian Ocean. Sebastian R. Prange argues that this 'Monsoon Islam' was shaped by merchants not sultans, forged by commercial imperatives rather than in battle, and defined by the reality of Muslims living within non-Muslim societies. Focusing on India's Malabar Coast, the much-fabled 'land of pepper', Prange provides a case study of how Monsoon Islam developed in response to concrete economic, socio-religious, and political challenges. Because communities of Muslim merchants across the Indian Ocean were part of shared commercial, scholarly, and political networks, developments on the Malabar Coast illustrate a broader, trans-oceanic history of the evolution of Islam across monsoon Asia. This history is told through four spaces that are examined in their physical manifestations as well as symbolic meanings: the Port, the Mosque, the Palace, and the Sea.

On the world maps common in America, the Western Hemisphere lies front and center, while the Indian Ocean region all but disappears. This convention reveals the geopolitical focus of the now-departed twentieth century, but in the twenty-first century that focus will fundamentally change. In this pivotal examination of the countries known as “Monsoon Asia”—which include India, Pakistan, China, Indonesia, Burma, Oman, Sri Lanka, Bangladesh, and Tanzania—bestselling author Robert D. Kaplan shows how crucial this dynamic area has become to American power. It is here that the fight for democracy, energy independence, and religious freedom will be lost or won, and it is here that American foreign policy must concentrate if the United States is to remain relevant in an ever-changing world. From the Horn of Africa to the Indonesian archipelago and beyond, Kaplan exposes the effects of population growth, climate change, and extremist politics on this unstable region, demonstrating why Americans can no longer afford to ignore this important area of the world.

This volume explores the historical trajectory of the spread of Islam in South Asia and how the engagements of the past have played a crucial role in the making of the present outfits of South Asian Islam. Islam in South Asia has maintained a distinct role while imbibing cultural, social, ethnic, folk, and artistic networks of the subcontinent in diverse echelons. In an unequivocal analysis, this volume showcases the visible varieties of Islam from an array of regional cultural, ethnic, and vernacular groups. While many characteristics remain distinct in different provinces or regions of South Asia, similarities are palpable in etiquettes, customary laws, art, and architecture. More than regional differences, various ethnic groups from all poles of the Indian subcontinent have paved the way for the dissimilar landscapes of Islam, in tandem with differences in language, culture, and festivals. The case studies in this book exhibit forms of cultural pluralism in the communities, which have helped in building a cohesive community. Part of the ‘Global Islamic Cultures’ series that looks at integrated and indigenized Islam, this book will be of interest to students and researchers of religion, religious history, theology, study of Islamic law and politics, cultural studies, and South Asian Studies. It will also be useful to general readers who are interested in world religions and cultures.

"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--

An unprecedented undertaking by academics reflecting an extraordinary vision of world history, this landmark multivolume encyclopedia focuses on specific themes of human development across cultures era by era, providing the most in-depth, expansive presentation available of the development of humanity from a global perspective. Well-known and widely respected historians worked together to create and guide the project in order to offer the most up-to-date visions available. A monumental undertaking. A stunning academic achievement. ABC-CLIO's World History Encyclopedia is the first comprehensive work to take a large-scale thematic look at the human species worldwide. Comprised of 21 volumes covering 9 eras, an introductory volume, and an index, it charts the extraordinary journey of humankind, revealing crucial connections among civilizations in different regions through the ages. Within each era, the encyclopedia highlights pivotal interactions and exchanges among cultures within eight broad thematic categories: population and environment, society and culture, migration and travel, politics and statecraft, economics and trade, conflict and cooperation, thought and religion, science and technology. Aligned to national history standards and packed with images, primary resources, current citations, and extensive teaching and learning support, the World History Encyclopedia gives students, educators, researchers, and interested general readers a means of navigating the broad sweep of history unlike any ever published.

An enquiry into the causes of the Bangladesh War

Java’s pilgrimage culture is a dense, batik-like pattern of contradictions: seriousness collides with laughter; curiosity with bewilderment; piety with scepticism; intense spirituality with, in some places, the joy of shopping. The pilgrimage culture on the island of Java in Indonesia – the world’s largest Muslim country – is a rebuke to the conservative orthodoxy that has been gaining ground in Indonesia’s religious landscape since the 1980s. In the rhetoric of this orthodoxy the “real” Islam is pure and exclusive. Piety comes from obedience to religious authority and its rules. Local pilgrimage is anything but pure and exclusive or rigidly authoritarian. It is powerfully Islamic but it fuses Islam with local history, the ancient power of place and a pastiche of devotional practices with roots deep in the pre-Islamic past. Quietly but tenaciously – just outside the great echo chamber of public space – it is growing as fast as the higher profile neo-orthodoxy. Bandit Saints of Java delves deep under the surface of modern Indonesia, exploring personalities and stories in the weird world of local pilgrimage, where Middle Eastern Islam wrestles with the ancient power of Javanese civilisation. It paints an astonishing portrait of Islam as it is practised today – largely invisible to journalists, scholars and tourists – by many of Java’s 130 million people.