Hardcover reprint of the original 1879 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Frossard, Ed. (Edouard). Monograph Of United States Cents And Half Cents Issued Between The Years 1793 And 1857: To Which Is Added A Table Of The Principal Coins, Tokens, Jetons, Medalets, Patterns Of Coinage And Washington Pieces, Generally Classified Under The Head Of Colonial Coins. A Contribution To The Numismatic History Of The United States. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Frossard, Ed. (Edouard). Monograph Of United States Cents And Half Cents Issued Between The Years 1793 And 1857: To Which Is Added A Table Of The Principal Coins, Tokens, Jetons, Medalets, Patterns Of Coinage And Washington Pieces, Generally Classified Under The Head Of Colonial Coins. A Contribution To The Numismatic History Of The United States, . Irvington, N.Y.: The Author, 1879. Subject: Cent

A contribution to the numismatic history of the United States, Illustrated with nine heliotype plates, from originals, Published by the Author, Irvington, New York, 1879. Edition of 300 this is # 113. 9 Heliotype (collotype) plates of coins. Frossard traveled to Boston to have the coins photographed and printed to the highest standards of the time by the Heliotype Printing Co. The nine plates were originally sold as a pamphlet in 1878 and then subsequently issued in an edition of 300 with text in 1879. Each of the plates is printed with a copyright of 1878. Also the first seven plates have the addition of hand inked numbers and lines to indicate which of the coins matched front and back (obverse and reverse). At this date very few numismatic publications had attempted this lavish a presentation. -- David Hanson documentation.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is about the folklore surrounding many aspects of jewelry. The author says that in it will be found "an interesting galaxy of anecdote, research, and information upon a fascinating subject." The book is divided into ten chapters each dealing with a particular type of gem, or, its supposed powers and so on.

This illustrated biography of Chester Harding, a prolific and sought-after portraitist of early national America, includes discussion of fifty-five selected paintings and a checklist of all of his known works.

This bibliography is an introductory guide to the literature of African art and is intended to be a critical ""best books"" list. It is addressed both to the newcomer as a beginning reading list, and to the specialist as a bibliographic aide-memoire to some of the standard books in the field. As such, it is highly selective, and the very inclusion of a title in this guide constitutes a recommendation, even though particular titles may have limitations. Annotations serve as a guide to the contents.

Shilappadikaram or the Ankle Bracelet is one of the five major epics of Tamil literature. It was composed as a verse romance in Tamil by Ilango Adigal, a Jain prince who lived in the second century ad and was one of the most renowned classical poets of ancient India. Shilappadikaram is a tale of wonders and misfortunes, of hapless mortals and capricious deities, of magic and heroism in a bright but also cruel world in which the law of karma rules and where 'actions committed in past lives must always bear fruit'. Thus the peerless young Kovalan will leave his loyal wife Kannaki for the courtesan Madhavi and though he returns to her, still meets his death because of her ill-omened ankle bracelet. It has been called an epic and even a novel, but it is also a book of general education. Ilango packed his story with information: history merging into myth, religious rites, caste customs, military lore, descriptions of city or country life. And four cantos are little anthologies of the poetry of the period (seashore and mountain songs, hunters' and milkmaids' songs), thereby giving us a vivid picture of early Indian life in all its aspects.