Black-and-white designs based on reverse appliqué mola patterns worked by Cuna Indian women in Panama.

The Cuna Indians live off the coast of Panama and make beautiful Molas.

Black-and-white designs based on reverse appliquâe mola patterns worked by Cuna Indian women in Panama.

Molas are brilliantly colored panels of appliqued fabric. Here is the only how-to book on this famous and widely collected folk art. Readers explore the rich tradition started by Panama's Kuna Indians and learn step-by-step how to create their own original molas. More than 25 projects with a contemporary slant. 90 color photos.

Indiansk applikationssyning fra Panama

The mola is a multilayered textile art form and metaphor for the story of the Kuna, indigenous people of Panama. With over 890 images covering more than a century of molas, this book provides insights into design sources and influences for molas, perspectives on the aesthetic practices of women creating them, and hints for collecting and preserving this colorful textile art form. The hand-appliqud art panels tell the tale of the Kuna women and are symbolic of their artistry, observation, and beliefs. Their lush tropical paradise, cultural cosmology, sense of humor, and exposure to foreign elements are represented in these fascinating fabric designs. A brief history of Panama and its rich tradition of indigenous arts place the mola in context.

Molas, the distinctive blouses made and worn by Kuna women in Panama, are collected by thousands of enthusiasts as well as by anthropological museums all over the world. They are recognized everywhere as an identifier of the Kuna people and also of Panama. This book, based on original research, explores the origin of the mola in the early twentieth century, how it became part of the everyday dress of Kuna women, and its role in creating Kuna identity. Images drawn from more than twenty museums as well as private collections show the development of designs and techniques and highlight changes in the garment as an item of indigenous fashion. Applying an interdisciplinary approach—fusing historical, ethnographic, and material culture studies—author Diana Marks contributes to ongoing debates on cultural authenticity, the invention of traditions, and issues of gender and politics.

Given the increasing sophistication of architectural projects designed to showcase products at trade shows or to endow cultural exhibitions with a high level of visual appeal, this volume boasts imaginative, practical and low-cost designs in the field of ephemeral architecture. Featured inside Affordable Exhibition Design are exhibitions from around the world; each specifically selected for its aesthetic appeal, strength in attracting the attention of viewers, affordable construction costs, use of reusable resources and ease of implementation. Sketches, models and photographs are featured to reveal the process behind each project’s development and construction, along with its spacial area, the design team who created it, its materials (both new and recycled) and cost. This comprehensive volume is an inspirational resource, and confirmation that an eye-catching exhibition can be constructed without breaking the bank.

Royal Mint site excavation report published as 3 separate volumes, the other 2 being: The abbey of St. Mary Graces, East Smithfield, London; The Royal Navy victualling yard, East Smithfield, London.

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