Despite the centrality of ceramics to Mojave culture, Mojave pottery is virtually unknown today. Museums have mostly small, unrepresentative, and largely undocumented collections, and the works have received little attention from scholars and collectors.This comprehensive volume brings to light the wondrously inventive clay people, mythological creatures, and effigy vessels of the Mojave people, recording this Southwest Indian ceramic art in more than 50 full-color plates, 25 color and black-and-white illustrations, and a complete catalog of the Dillingham Collection of Mojave Ceramics, one of the largest and most complete Mojave assemblages in the world, at the Indian Arts Research Center of the School of American Research. Jill Leslie Furst takes an ethnohistorical approach here, drawing on written literature about the tribe that ranges from seventeenth-century Spanish documents to ethnographic accounts from the 1970s.The stories of the Mojaves-along with descriptions of family life, gender roles, subsistence activities, clothing and personal adornment, shamanism, and the afterlife-form the context for Furst's exploration of the Mojave ceramic tradition.

Despite the centrality of ceramics to Mojave culture, Mojave pottery is virtually unknown today. Museums have mostly small, unrepresentative, and largely undocumented collections, and the works have received little attention from scholars and collectors.This comprehensive volume brings to light the wondrously inventive clay people, mythological creatures, and effigy vessels of the Mojave people, recording this Southwest Indian ceramic art in more than 50 full-color plates, 25 color and black-and-white illustrations, and a complete catalog of the Dillingham Collection of Mojave Ceramics, one of the largest and most complete Mojave assemblages in the world, at the Indian Arts Research Center of the School of American Research. Jill Leslie Furst takes an ethnohistorical approach here, drawing on written literature about the tribe that ranges from seventeenth-century Spanish documents to ethnographic accounts from the 1970s. The stories of the Mojaves-along with descriptions of family life, gender roles, subsistence activities, clothing and personal adornment, shamanism, and the afterlife-form the context for Furst's exploration of the Mojave ceramic tradition.

Describes the origins, history, politics, and culture of the Mojave people of the desert southwest, from prehistory to the present.

Seven Mohave Myths, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of History America America

In 1974 Seven Families in Pueblo Pottery was published to accompany an exhibit at the Maxwell Museum of Anthropology: twenty years later there are some 80,000 copies in print. Like Seven Families, this updated and greatly enlarged version by Rick Dillingham, who curated the original exhibition, includes portraits of the potters, color photographs of their work, and a statement by each potter about the work of his or her family. In addition to the original seven--the Chino and Lewis families (Acoma Pueblo), the Nampeyos (Hopi), the Guteirrez and Tafoya families (Santa Clara), and the Gonzales and Martinez families (San Ildefonso)--the author had added the Chapellas and the Navasies (Hopi-Tewa), the Chavarrias (Santa Clara), the Herrera family (Choti), the Medina family (Zia), and the Tenorio-Pacheco and the Melchor families (Santo Domingo). Because the craft of pottery is handed down from generation to generation among the Pueblo Indians, this extended look at multiple generations provides a fascinating and personal glimpse into how the craft has developed. Also evident are the differences of opinion among the artists about the future of Pueblo pottery and the importance of following tradition. A new generation of potters has come of age since the publication of Seven Families. The addition of their talents, along with an ever-growing interest in Native American pottery, make this book a welcome addition to the literature on the Southwest.

In Southern California, settlers have long ventured into the Mojave Desert, seduced by its capacious horizons and fragile beauty, only to be abased by the intense heat, bone-dry terrain and maddening isolation. Industry, intent on extracting the land of its essence, set up operations, then walked away when there was nothing left worth taking. Civilization has always pushed into the frontier, and quite often the frontier pushes back. Areas like the forsaken homesteads of Wonder Valley and the abandoned mining operations of Joshua Tree seem simultaneously depleted yet majestically audacious in their quiet desolation, juxtaposed against the breathtaking landscapes of the desert. Abandoned California: The Mojave Desert is a collection of photographs and writings by Andy Willinger that capture the majesty of these forsaken buildings, vehicles and artifacts of the Mojave's once vibrant past. These sites have become meaningful, unintended statements - not only as vibrant, ephemeral artworks of minimal beauty, but as testament to the impact on nature by humanity. Undaunted, the Mojave Desert continues to brashly flaunt its skill in overcoming man's attempts to conquer it.