Addresses the early twentieth-century intersection of scientific and religious discourse exploring literary modernism through the lens of cultural history, focusing on the works of H.D., Mina Loy, and Jean Toomer. It covers a range of topics such as electromagnetism and sexuality, dance, and theories of spiritual evolution.

Scientific Discourse in John Donne’s Eschatological Poetry offers a compelling critique of John Donne’s religious and erotic poetry, focusing on the intersection of two seemingly antithetical discourses: the language of the scientific revolution and of Christian eschatology. Throughout its three chapters, which correspond to three scientific disciplines – cartography, physics and alchemy – the volume examines the ways in which the references to early modern and medieval science in Donne’s poetry contribute to conceptualizing the Christian mystery of death.

Exploring the intersection of religious sensibility and creativity in the poetry and prose of the American modernist writer, H.D., this volume explores the nexus of the religious, the visionary, the creative and the material. Drawing on original archival research and analyses of newly published and currently unpublished writings by H.D., Elizabeth Anderson shows how the poet's work is informed by a range of religious traditions, from the complexities and contradictions of Moravian Christianity to a wide range of esoteric beliefs and practices. H.D and Modernist Religious Imagination brings H.D.'s texts into dialogue with the French theorist Hélène Cixous, whose attention to writing, imagination and the sacred has been a neglected, but rich, critical and theological resource. In analysing the connection both writers craft between the sacred, the material and the creative, this study makes a thoroughly original contribution to the emerging scholarly conversation on modernism and religion, and the debate on the inter-relation of the spiritual and the material within the interdisciplinary field of literature and religion.

This book addresses an under-researched area of modernist studies, reconsidering modernist attitudes towards feeling in the light of the humanities' turn to affect.

A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.

Religion is central to any religious discourse, but religion as an analytical category that facilitates the reexamination and reinvention of a particular religious tradition is more difficult to locate. This task is made particularly difficult in Islam, where the lines demarcating religion, culture, civilization and politics are deliberately ambiguous and fuzzy. The objective of this book is to identify and examine the place of religion as such an abstract category in modern Islamic discussions from the nineteenth century to the present. It shows how ideas of religion facilitated the transformation of religious discourses, both when accepting and resisting modernity. The central focus is on intellectuals who grappled with reconciling Islam with successive waves of modernization. Religion in Modern Islamic Discourse begins with early discussions in Egypt and colonial India on the essence of religion and its social value in the light of modern challenges in science and politics. It then moves from these discussions, and explores key contributions by twentieth century Muslim intellectuals on the meaning of identity, state, law, and gender. Above all, Abdulkader Tayob offers the reader a creative way of understanding modern Islamic discourse, uncovering the deep structural foundations of its approach to religion, religious values and spirituality.

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets- Front Cover -- Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets -- Title Page -- Copyright Page -- Dedication -- Contents -- List of figures -- Acknowledgements -- Permissions -- Introduction -- Notes -- Chapter 1: Loy among the photographers: poetry, perception, and the camera -- Portraits and photographers -- Julien Levy and the modern photograph -- Islands in the Air and the figure of the photographer -- Vision and poetry -- Notes -- Chapter 2: Surrealism and the female body: economies of violence -- Surrealist contexts and contextualized Surrealism -- Surrealist cameras -- Loy and the female body of Surrealism -- The Surrealist mannequin -- Hans Bellmer, bodies, and war -- Notes -- Chapter 3: Portraits of the poor: the Bowery poems and the rise of documentary photography -- The 1930s and the rise of documentary -- Urban documentary and the visual rhetoric of poverty -- Portraits of the poor -- "Hot Cross Bum" and the tabloids: Sequence as portrait -- Notes -- Chapter 4: From patriotism to atrocity: the war poems and photojournalism -- Patriotism and the poetics of the mural photo-exhibit -- The rise of photojournalism -- The female gaze and the gendered body -- Atrocity and the female body -- Photographing the bomb -- Notes -- Chapter 5: Gendering the camera: Kathleen Fraser and Caroline Bergvall -- Kathleen Fraser and visual reassembly: "[T]he screen was carried inside her"--Caroline Bergvall's rearticulated bodies: Photography and the graphic page -- Coda: Looking back to Loy -- Notes -- Bibliography -- Index

The first collection of essays dedicated to experimental practice in contemporary British poetry, Modernist Legacies provides an overview of the most notable trends in the past 50 years. Contributors discuss a wide range of poets including Caroline Bergvall and Barry MacSweeney, showing these poets' connections with their Modernist predecessors.

Why is the idea of conflict between science and religion so popular in the public imagination? The “conflict thesis”—the idea that an inevitable and irreconcilable conflict exists between science and religion—has long been part of the popular imagination. In The Warfare between Science and Religion, Jeff Hardin, Ronald L. Numbers, and Ronald A. Binzley have assembled a group of distinguished historians who explore the origin of the thesis, its reception, the responses it drew from various faith traditions, and its continued prominence in public discourse. Several essays in the book examine the personal circumstances and theological idiosyncrasies of important intellectuals, including John William Draper and Andrew Dickson White, who through their polemical writings championed the conflict thesis relentlessly. Other essays consider what the thesis meant to different religious communities, including evangelicals, liberal Protestants, Roman Catholics, Eastern Orthodox Christians, Jews, and Muslims. Finally, essays both historical and sociological explore the place of the conflict thesis in popular culture and intellectual discourse today. Based on original research and written in an accessible style, the essays in The Warfare between Science and Religion take an interdisciplinary approach to question the historical relationship between science and religion. This volume, which brings much-needed perspective to an often bitter controversy, will appeal to scholars and students of the histories of science and religion, sociology, and philosophy. Contributors: Thomas H. Aechtner, Ronald A. Binzley, John Hedley Brooke, Elaine Howard Ecklund, Noah Efron, John H. Evans, Maurice A. Finocchiaro, Frederick Gregory, Bradley J. Gundlach, Monte Harrell Hampton, Jeff Hardin, Peter Harrison, Bernard Lightman, David N. Livingstone, David Mislin, Efthymios Nicolaidis, Mark A. Noll, Ronald L. Numbers, Lawrence M. Principe, Jon H. Roberts, Christopher P. Scheitle, M. Alper Yalçinkaya

There has been a significant but little-noticed aspect of the interface between science and religion, namely the widespread tendency of religions to appeal to science in support of their truth claims. Though the appeal to science is most evident in more recent religions like Christian Science and Scientology, no major faith tradition is exempt from this pattern. Members of almost every religion desire to see their ‘truths’ supported by the authority of science – especially in the midst of the present historical period, when all of the comforting old certainties seem problematic and threatened. The present collection examines this pattern in a wide variety of different religions and spiritual movements, and demonstrates the many different ways in which religions appeal to the authority of science. The result is a wide-ranging and uniquely compelling study of how religions adapt their message to one of the major challenges presented by the contemporary world.