The United States not only plays a large role in shaping international entertainment and tastes, it is also a consumer of foreign intellectual and artistic influences. This book reveals how the American artists, novelists, composers, and filmmakers who were part of the Modernist movement were greatly influenced by outside ideas and techniques.

This engaging, illustrated guide to the modernist movement in American literature provides a wealth of information on American modernism, the Lost Generation, modernism in the American novel, the Harlem Renaissance, modernism i.

The modernist period was crucial for American literature as it gave writers the chance to be truly innovative and create their own distinct identity. Starting slightly earlier than many guides to modernism this lucid and comprehensive guide introduces the reader to the essential history of the period including technology, religion, economy, class, gender and immigration. These contexts are woven of into discussions of many significant authors and texts from the period. Wagner-Martin brings her years of writing about American modernism to explicate poetry and drama as well as fiction and life-writing. Among the authors emphasized are Ernest Hemingway, William Faulkner, Zora Neale Hurston, Langston Hughes, F. Scott Fitzgerald, Gertrude Stein, Willa Cather, John Dos Passos, William Carlos Williams, Mike Gold, James T. Farrell, Clifford Odets, John Steinbeck and countless others. A clear and engaging introduction to an exciting period of literature, this is the ultimate guide for those seeking an overview of American Modernism.

Provides a look at the origins of the culture wars of modern America and the political and economic transformation of the U.S. republic This book tells, in clear and lively prose, how Americans struggled with modernity in both its cultural and economic forms between the start of World War I and the end of World War II, focusing on the 1920s through 1930s. This edition includes revisions that expand the scope and features increased coverage of topics that will be of great interest to new readers as well as those familiar with the subject. The Birth of Modern America, 1914-1945, Second Edition begins with a discussion of the promises and perils of the progressive era. The book goes on to look at the Great War and life on the home front and explores many paradoxes that marked the birth of Modern America. Topics covered include: the pervasive racism and nativism during and after WWI; the disillusionment with Woodrow Wilson's rhetorical idealism; the emergence of national media; the Great Depression; FDR and the New Deal; the attack on Pearl Harbor; Hollywood’s part during World War II; the United States' decision to drop "the bomb" on Japan; and more. Makes a strong contribution to understanding American society in the interwar years (1920s and 1930s) Disputes that American entry into WWII brought the New Deal to an end and argues that wartime measures foreshadowed postwar American practice Features more coverage of politics in the 1920s and 1930s Includes an Afterword covering the G.I. bill, postwar prosperity, Americans' move to the suburbs, the challenges to peace in Europe and Asia, and the Cold War The Birth of Modern America, 1914-1945 is an excellent book for undergraduate courses on the 20th Century and advanced placement courses. It will benefit all students and scholars of the Progressive Era, the Depression, 1920s and 1930s America, and America between the Wars.

Seminar paper from the year 2017 in the subject American Studies - Literature, grade: 1,7, University of Duisburg-Essen, language: English, abstract: This paper examines selected literature of the Modernist Era and the search for identity in and outside of the United States during this time. One of the characteristics of Modernism in America is the development of changing attitudes towards religion, and in particular Christianity, which was seen as the traditional religion that had, up until then, been a pillar of American beliefs. These changed attitudes ranged anywhere from questioning one’s religion or faith to having flat out aversions to even the idea of (any) God. (my emphasis) In the late 1800’s, under the influence of the idea of successful Manifest Destiny, and major advances in sciences and technology, people were generally high-spirited, grounded in their beliefs. They minded their own business, followed their goals and dreams. They witnessed, or even experienced abundance, and paid little attention to things that they felt did not concern them, including foreign affairs.

Original essays by twelve distinguished international scholars offer critical overviews of the major genres, literary culture, and social contexts that define the current state of scholarship. This Companion also features a chronology of key events and publication dates covering the first half of the twentieth century in the United States. The introductory reference guide concludes with a current bibliography of further reading organized by chapter topics.

The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar America In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers. Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.

Examines the impact of the modernist art movement on American popular culture in a collection of critical essays.

A fresh look at American literary modernism.

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,0, University of Bayreuth, course: American Modernism, language: English, abstract: Wallace Stevens’ "The Man With The Blue Guitar" is one of his most famous long poems. For a better understanding of the poem, it is necessary to examine the art forms of Modernism that influenced him while composing this poem and to have a look at his poetic development. Only then, it becomes clear that this poem is typically modern and that at the same time Stevens’ own way of poetic composition cannot be compared to any other poet of Modernism. This is the aim of this essay. Wallace Stevens already published his first poetic work during his College years at Harvard University (1897-1900). However, it took him many years until he could contribute himself fully to poetry. The first major collections of poetry, Harmonium, came out in 1923 when Stevens was 44 years old. Only in times of financial security, Stevens had a leading position in an insurance company did he reach his highest poetic creativity.