Looking at the relationship between modernity and the rise of charismatic leaders, Agnes Horvath uses 'threshold' situations to trace the conditions out of which political regimes developed. The focus on rationalism and structure has led to a systematic neglect of uncertain liminal moments, which gave new direction to societies and cultures.

Looking at the relationship between modernity and the rise of charismatic leaders, Agnes Horvath uses 'threshold' situations to trace the conditions out of which political regimes developed. The focus on rationalism and structure has led to a systematic neglect of uncertain liminal moments, which gave new direction to societies and cultures.

This book considers the current striking rise of ‘outsider’ political leaders, catapulted, apparently, from nowhere, to take charge of a nation. Arguing that such leaders can be better understood with the help of the anthropologically based concept of ‘the trickster’, it offers studies of contemporary political figures from the world stage – including Presidents Macron, Tsipras, Orbán and Bolsonaro, among others – to examine the ways in which charismatic and trickster modalities can become intertwined, especially under the impact of theatrical public media. Looking beyond the commonly invoked notion of ‘charisma’ to revisit the question of political leadership in light of the recent rise of new type of ‘outsider’ leaders, Modern Leaders: Between Charisma and Trickery offers an account of leadership informed by social and anthropological theory. As such, it will appeal to scholars across the social sciences with interests in political thought and the problem of political leadership.

This study of modernism's high imperial, occult-exotic affiliations presents many well-known figures from the period 1880-1960 in a new light. Modernism and the Occult traces the history of modernist engagement with 'irregular', heterodox and imported knowledge.

Explores the interplay between modernist experiment and occult discourses in the early twentieth century

Cobley's close readings of modernist British fiction by writers as diverse as Aldous Huxley, Joseph Conrad, and E.M. Forster identify characters whose attitudes and behaviour patterns indirectly manifest cultural anxieties that can be traced to the conflicted logic of efficiency.

The early twentieth century notoriously saw an unprecedented wave of experiment in the arts. So intense was this activity that one can without exaggeration speak of a will to experiment (to 'make it new'). Where did that will to experiment come from? Why did it so insistently take the forms ittook? Looking specifically at Modernism in England, David Trotter seeks answers in the careers of three novelists writing in the first decades of the century: Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis. The context he proposes for their work is that of contemporary understandings of thefunction and value of expertise, and of the dilemmas peculiar to those possessing it. There is a certain madness about the expert's pursuit of expertise, and about his or her disappointment if expertise fails to yield adequate social recognition. The early psychiatric literature identified thismadness as paranoia, and the textbooks and case-histories find an uncanny echo in Modernist fiction. In the obstinacy of their will to experiment, Ford, Lawrence, and Lewis wrote about, and lived, paranoia. To understand that obstinacy in its professional and psychiatric contexts is to approach froma new and unexpected angle the preoccupations with gender and with the politics of culture which currently characterize the study of Modernism. The energies it shook loose in their writing are energies which, evading absorption into the 'postmodern', continue to shape Western society and culture tothis day.

The Routledge International Handbook of Charisma provides an unprecedented multidimensional and multidisciplinary comparative analysis of the phenomenon of charisma – first defined by Max Weber as the irrational bond between deified leader and submissive follower. It includes broad overviews of foundational theories and experiences of charisma and of associated key issues and themes. Contributors include 45 influential international scholars who approach the topic from different disciplinary perspectives and utilize examples from an array of historical and cultural settings. The Handbook presents up-to-date, concise, thought-provoking, innovative, and informative perspectives on charisma as it has been expressed in the past and as it continues to be manifested in the contemporary world by leaders ranging from shamans to presidents. It is designed to be essential reading for all students, researchers, and general readers interested in achieving a comprehensive understanding of the power and potential of charismatic authority in all its varieties, subtleties, dynamics, and current and potential directions.

This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind.

Are the arguments of the Frankfurt School still relevant? Modern Culture and Critical Theory investigates this question in the context of important issues in contemporary cultural politics: neoconservatism and new social movements, discontents with modernity and debates on postmodernism, the political hegemony of Ronald Reagan, and the cultural hegemony of structuralism and poststructuralism. Russell Berman thoughtfully explores the theories of Horkheimer, Adorno, Benjamin, Lyotard, and Foucault and their relevance to both historical and contemporary issues in literature, politics, and the arts.