His analysis is complemented by several interviews with practicing witches and by a detailed, firsthand account of a coven meeting.".

In Freud’s Early Psychoanalysis, Witch Trials and the Inquisitorial Method: The Harsh Therapy, author Kathleen Duffy asks why Freud compared his ‘hysterical’ patients to the accused women in the witch trials, and his ‘psychoanalytical’ treatment to the inquisitorial method of their judges. He wrote in 1897 to Wilhelm Fliess: ‘I ... understand the harsh therapy of the witches’ judges’. This book proves that Freud’s view of his method as inquisitorial was both serious and accurate. In this multidisciplinary and in-depth examination, Duffy demonstrates that Freud carefully studied the witch trial literature to develop the supposed parallels between his patients and the witches and between his own psychoanalytic method and the judges’ inquisitorial extraction of ‘confessions’, by torture if necessary. She examines in meticulous detail both the witch trial literature that Freud studied and his own case studies, papers, letters and other writings. She shows that the various stages of his developing early psychoanalytic method, from the 'Katharina' case of 1893, through the so-called seduction theory of 1896 and its retraction, to the 'Dora' case of 1900, were indeed in many respects inquisitorial and invalidated his patients’ experience. This book demonstrates with devastating effect the destructive consequences of Freud’s nineteenth-century inquisitorial practice. This raises the question about the extent to which his mature practice and psychoanalysis and psychotherapy today, despite great achievements, remain at times inquisitorial and consequently untrustworthy. This book will therefore be invaluable not only to academics, practitioners and students of psychoanalysis, psychotherapy, literature, history and cultural studies, but also to those seeking professional psychoanalytic or psychotherapeutic help.

First published in 2000. Did people in early modern Europe have a concept of an inner self? Carla Mazzio and Douglas Trevor have brought together an outstanding group of literary, cultural, and history scholars to answer this intriguing question. Through a synthesis of historicism and psychoanalytic criticism, the contributors explore the complicated, nuanced, and often surprising union of history and subjectivity in Europe centuries before psychoanalytic theory. Addressing such topics as "fetishes and Renaissances," "the cartographic unconscious," and "the topographic imaginary," these essays move beyond the strict boundaries of historicism and psychoanalysis to carve out new histories of interiority in early modern Europe.

In an exciting new approach to witchcraft studies, The Witch in the Western Imagination examines the visual representation of witches in early modern Europe. With vibrant and lucid prose, Lyndal Roper moves away from the typical witchcraft studies on trials, beliefs, and communal dynamics and instead considers the witch as a symbolic and malleable figure through a broad sweep of topics and time periods. Employing a wide selection of archival, literary, and visual materials, Roper presents a series of thematic studies that range from the role of emotions in Renaissance culture to demonology as entertainment, and from witchcraft as female embodiment to the clash of cultures on the brink of the Enlightenment. Rather than providing a vast synthesis or survey, this book is questioning and exploratory in nature and illuminates our understanding of the mental and psychic worlds of people in premodern Europe. Roper’s spectrum of theoretical interests will engage readers interested in cultural history, psychoanalytic theory, feminist theory, art history, and early modern European studies. These essays, three of which appear here for the first time in print, are complemented by more than forty images, from iconic paintings to marginal drawings on murals or picture frames. In her unique focus on the imagery of witchcraft, Lyndal Roper has succeeded in adding a compelling new dimension to the study of witchcraft in early modern Europe.

H.C. Erik Midelfort has carved out a reputation for innovative work on early modern German history, with a particular focus on the social history of ideas and religion. This collection pulls together some of his best work on the related subjects of witchcraft, the history of madness and psychology, demonology, exorcism, and the social history of religious change in early modern Europe. Several of the pieces reprinted here constitute reviews of recent scholarly literature on their topics, while others offer sharp departures from conventional wisdom. A critique of Michel Foucault’s view of the history of madness proved both stimulating but irritating to Foucault’s most faithful readers, so it is reprinted here along with a short retrospective comment by the author. Another focus of this collection is the social history of the Holy Roman Empire, where towns, peasants, and noble families developed different perceptions of the Protestant and Catholic Reformations and of the options the religious revolutions of the sixteenth century offered. Finally, this collection also brings together articles which show how Freudian psychoanalysis and academic sociology have filtered and interpreted the history of early modern Germany.

This comprehensive anthology examines contemporary neo-paganism ranging from goddess theology to historical-critical essays. Many of the contributors are academically trained neo-pagans, and the resulting volume is a benchmark study of a significant movement that promises to reshape the religious landscape of the next century.

This book argues that psychoanalysis has a unique role to play in the climate change debate through its placing emphasis on the unconscious dimensions of our mental and social lives. Exploring contributions from Freudian, Kleinian, Object Relations, Self Psychology, Jungian, and Lacanian traditions, the book discusses how psychoanalysis can help to unmask the anxieties, deficits, conflicts, phantasies and defences crucial in understanding the human dimension of the ecological crisis. Yet despite being essential to studying environmentalism and its discontents, psychoanalysis still remains largely a 'psychology without ecology.' The philosophy of Deleuze and Guattari, combined with new developments in the sciences of complexity, help us to build upon the best of these perspectives, providing a framework able to integrate Guattari's 'three ecologies' of mind, nature and society. This book thus constitutes a timely attempt to contribute towards a critical dialogue between psychoanalysis and ecology. Further topics of discussion include: ecopsychology and the greening of psychotherapy our ambivalent relationship to nature and the non-human complexity theory in psychoanalysis and ecology defence mechanisms against eco-anxiety and eco-grief Deleuze|Guattari and the three ecologies becoming-animal in horror and eco-apocalypse in science fiction films nonlinear ecopsychoanalysis. In our era of anxiety, denial, paranoia, apathy, guilt, hope, and despair in the face of climate change, this book offers a fresh and insightful psychoanalytic perspective on the ecological crisis. As such this book will be of great interest to all those in the fields of psychoanalysis, psychology, philosophy, and ecology, as well as all who are concerned with the global environmental challenges affecting our planet's future.

This bold and imaginative book marks out a different route towards understanding the body, and its relationship to culture and subjectivity. Amongst other subjects, Lyndal Roper deals with the nature of masculinity and feminity.

Although psychoanalytic criticism of Shakespeare is a prominent and prolific field of scholarship, the analytic methods and tools, theories, and critics who apply the theories have not been adequately assessed. This book fills that gap. It surveys the psychoanalytic theorists who have had the most impact on studies of Shakespeare, clearly explaining the fundamental developments and concepts of their theories, providing concise definitions of key terminology, describing the inception and evolution of different schools of psychoanalysis, and discussing the relationship of psychoanalytic theory (especially in Shakespeare) to other critical theories. It chronologically surveys the major critics who have applied psychoanalysis to their readings of Shakespeare, clarifying the theories they are enlisting; charting the inception, evolution, and interaction of their approaches; and highlighting new meanings that have resulted from such readings. It assesses the applicability of psychoanalytic theory to Shakespeare studies and the significance and value of the resulting readings.

Many students don't want to be tied to a particular group or spiritual tradition, but prefer to search, experiment, and grow on their own; this book is perfect for these people. Watson discusses the principles that underlie magical practice in a veryeasy-to-understand manner. She includes information on affirmations, visualization, spiritual practices, folk magic, and ritual. Safety measures and ethical considerations are stressed throughout.