Modern Slovak Prose is a collection of essays based on papers delivered at a symposium at the School of Slavonic and East European Studies. Although few major Slovak writers published during the 1970s 'normalisation' period after the Warsaw Pact intervention, Slovak literature did not stagnate like Czech literature. The essays in this volume cover the whole period from the death throes of socialist realism to the lively, sophisticated, cosmopolitan fiction of the late 1970s and 1980s. The cut-off date is 1988. All the prose writers considered important by the Slovaks themselves and by non-slovak scholars are covered: Tatarka, Jaros, Johan Ides, Ballek, Bednr, Dusek and so forth. The volume contains a survey introduction to Slovak fiction from the 1950s to the present. This book is the first to assess an area of east central European culture which has been virtually ignored in the West.

‘Why do you whimper and wail, O Tatra streams and rivers, who carry your plaintive lament resounding to the sea?’ asks the narrator toward the end of The Slovaks, in Ancient Days, and Now. They respond: ‘Because our human compatriots do not join together in memory, as we our waters mix with our origin, and because their lives do not resound booming, but roll on unconsciously, like hidden streams, silently to the sea of the life of the nations, young man!’ This quotation from the most famous prose work of Ľudovít Štúr (1815 – 1856) might be set as a motto to the literary career of Slovakia’s greatest Romantic poet, publicist, and political activist. For all of Štúr’s writings aim at one goal: the propagation of the national traditions of the Slovaks in an age when their nation was threatened with such repression from the Magyar majority in Hungary, that the complete extinction of the Slovak language and culture was a real possibility. Slavdom: A Selection of his Writings in Prose and Verse presents the reader with a wide selection of the creative output of a great Slovak writer, and an important Pan-Slav thinker. Divided in three parts: ‘Slovakia,’ ‘Pan-Slavism’ and ‘Russia,’ it reflects the development of Štúr’s thought, from his insistence on the importance of the Slovak past and the quality of Slovak culture, through his attempts to find a modus vivendi within the Austro-Hungarian Empire by uniting all of the Slavic nations of Austria together in a federation under the Habsburg crown (Austro-Slavism) to his arguments for all Slavs to unite under the hegemony of Russia, when the events following the Spring of the Peoples in 1848 proved Austro-Slavism a dead alley. Slavdom offers a generous selection of Štúr’s writings, from Slavic apologetics such as The Contribution of the Slavs to European Civilisation though selections of his poetry, chiefly, the two great chansons de geste centring on the ancient Great Moravian Empire: Svatoboj and Matúš of Trenčín. A must read for anyone interested in Slovak literature, Pan-Slavism, and European Romanticism in general. This book was published with a financial support from SLOLIA, Centre for Information on Literature in Bratislava.

The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.

*Winner of the European Union Prize for Literature. There is a liveliness and effervescence to Jana Benová’s prose that is magnetic. Whether addressing the loneliness of relationships or the effectiveness of rat poison, her voice and observations call to mind the verve and sophistication of Renata Adler or Jenny Offill, while remaining utterly singular. Seeing People Off follows Elza and Ian, a young couple living in a humongous apartment complex outside Bratislava where the walls play music and talk, and time is immaterial. Drawing on her memories, everyday interactions, observations of post-socialist realities, and Elza’s attraction to actor, Kalisto Tanzi, Seeing People Off is a kaleidoscopic, poetic, and deeply funny portrait of a relationship.

Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle of postcolonial national allegories, Majumdar foregrounds the banal as a key instinct of modern and contemporary fiction—one that nevertheless remains submerged because of its antithetical relation to literature's intuitive function to engage or excite. Majumdar asks us to rethink the assumption that banality merely indicates an aesthetic failure. If narrative is traditionally enabled by the tremor, velocity, and excitement of the event, the historical and affective lack implied by the banal produces a narrative force that is radically new precisely because it suspends the conventional impulses of narration.

Impressively situated on the Danube, Bratislava boasts stunningly-restored Baroque, Rococo and art-nouveau buildings. Beyond the capital visitors will find a country packed with architectural gems, the renowned wooden churches of the Presov region, imposing fortresses, romantic castles and medieval ruins - all within easy reach thanks to an excellent transport system.

This book is the first study in English to examine some of the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period. It examines links between theme, genre, and visual style, and looks at the ways in which a range of styles and traditions has extended across different historical periods and political regimes. Czech and Slovak Cinema provides a unique study of areas of Central European film history that have not previously been examined in English.

The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.

With more than 1800 critical entries on the writers and literatures of 33 languages, this work presents the entire range of modern European writing -- from the symbolist and modernist works rooted in the last decades of the nineteenth century; through the avant-garde and existentialist movement to Barthes, Blanchot, Breton, and continental thought pertinent today.