This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.

Impending technological advances will widen an adversary’s attack plane over the next decade. Visualizing what the future will hold, and what new threat vectors could emerge, is a task that traditional planning mechanisms struggle to accomplish given the wide range of potential issues. Understanding and preparing for the future operating environment is the basis of an analytical method known as Threatcasting. It is a method that gives researchers a structured way to envision and plan for risks ten years in the future. Threatcasting uses input from social science, technical research, cultural history, economics, trends, expert interviews, and even a little science fiction to recognize future threats and design potential futures. During this human-centric process, participants brainstorm what actions can be taken to identify, track, disrupt, mitigate, and recover from the possible threats. Specifically, groups explore how to transform the future they desire into reality while avoiding an undesired future. The Threatcasting method also exposes what events could happen that indicate the progression toward an increasingly possible threat landscape. This book begins with an overview of the Threatcasting method with examples and case studies to enhance the academic foundation. Along with end-of-chapter exercises to enhance the reader’s understanding of the concepts, there is also a full project where the reader can conduct a mock Threatcasting on the topic of “the next biological public health crisis.” The second half of the book is designed as a practitioner’s handbook. It has three separate chapters (based on the general size of the Threatcasting group) that walk the reader through how to apply the knowledge from Part I to conduct an actual Threatcasting activity. This book will be useful for a wide audience (from student to practitioner) and will hopefully promote new dialogues across communities and novel developments in the area.

In post-Soviet Russia, there is a persistent trend to repress, control, or even co-opt national history. By reshaping memory to suit a politically convenient narrative, Russia has fashioned a good future out of a "bad past." While Putin's regime has acquired nearly complete control over interpretations of the past, The Future of the Soviet Past reveals that Russia's inability to fully rewrite its Soviet history plays an essential part in its current political agenda. Diverse contributors consider the many ways in which public narrative shapes Russian culture—from cinema, television, and music to museums, legislature, and education—as well as how patriotism reflected in these forms of culture implies a casual acceptance of the valorization of Stalin and his role in World War II. The Future of the Soviet Past provides effective and nuanced examples of how Russia has reimagined its Soviet history as well as how that past still influences Russia's policymaking.

The first book-length survey of cinema's vital role in the Cold War cultural combat between the U.S. and the USSR. Focuses on 10 films--five American and five Soviet, both iconic and lesser-known works--showing that cinema provided a crucial outlet for the global "debate" between democratic and communist ideologies.

Social media has been weaponized, as state hackers and rogue terrorists have seized upon Twitter and Facebook to create chaos and destruction. This urgent report is required reading, from defense experts P.W. Singer and Emerson T. Brooking.

Traditional explorations of war look through the lens of history and military science, focusing on big events, big battles, and big generals. By contrast, The SAGE Encyclopedia of War: Social Science Perspective views war through the lens of the social sciences, looking at the causes, processes and effects of war and drawing from a vast group of fields such as communication and mass media, economics, political science and law, psychology and sociology. Key features include: More than 650 entries organized in an A-to-Z format, authored and signed by key academics in the field Entries conclude with cross-references and further readings, aiding the researcher further in their research journeys An alternative Reader’s Guide table of contents groups articles by disciplinary areas and by broad themes A helpful Resource Guide directing researchers to classic books, journals and electronic resources for more in-depth study This important and distinctive work will be a key reference for all researchers in the fields of political science, international relations and sociology.

Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.

Through the centuries, Russia has swung sharply between successful expansionism, catastrophic collapse, and spectacular recovery. This illuminating history traces these dramatic cycles of boom and bust from the late Neolithic age to Ivan the Terrible, and from the height of Communism to the truncated Russia of today. Philip Longworth explores the dynamics of Russia's past through time and space, from the nameless adventurers who first penetrated this vast, inhospitable terrain to a cast of dynamic characters that includes Ivan the Terrible, Catherine the Great, and Stalin. His narrative takes in the magnificent, historic cities of Kiev, Moscow, and St. Petersburg; it stretches to Alaska in the east, to the Black Sea and the Ottoman Empire to the south, to the Baltic in the west and to Archangel and the Artic Ocean to the north. Who are the Russians and what is the source of their imperialistic culture? Why was Russia so driven to colonize and conquer? From Kievan Rus'---the first-ever Russian state, which collapsed with the invasion of the Mongols in the thirteenth century---to ruthless Muscovy, the Russian Empire of the eighteenth century and finally the Soviet period, this groundbreaking study analyses the growth and dissolution of each vast empire as it gives way to the next. Refreshing in its insight and drawing on a vast range of scholarship, this book also explicitly addresses the question of what the future holds for Russia and her neighbors, and asks whether her sphere of influence is growing.

When guns began firing again in Europe, why was it Ukraine that became the battlefield? Conventional wisdom dictates that Ukraine's current crisis can be traced to the linguistic differences and divided political loyalties that have long fractured the country. However this theory only obscures the true significance of Ukraine's recent civic revolution and the conflict's crucial international dimension. The 2013-14 Ukrainian revolution presented authoritarian powers in Russia with both a democratic and a geopolitical challenge. President Vladimir Putin reacted aggressively by annexing the Crimea and sponsoring the war in eastern Ukraine; and Russia's actions subsequently prompted Western sanctions and growing international tensions reminiscent of the Cold War. Though the media portrays the situation as an ethnic conflict, an internal Ukrainian affair, it is in reality reflective of a global discord, stemming from differing views on state power, civil society, and democracy. The Conflict in Ukraine: What Everyone Needs to Know explores Ukraine's contemporary conflict and complicated history of ethnic identity, and it does do so by weaving questions of the country's fraught relations with its former imperial master, Russia, throughout the narrative. In denying Ukraine's existence as a separate nation, Putin has adopted a stance similar to that of the last Russian tsars, who banned the Ukrainian language in print and on stage. Ukraine emerged as a nation-state as a result of the imperial collapse in 1917, but it was subsequently absorbed into the USSR. When the former Soviet republics became independent states in 1991, the Ukrainian authorities sought to assert their country's national distinctiveness, but they failed to reform the economy or eradicate corruption. As Serhy Yekelchyk explains, for the last 150 years recognition of Ukraine as a separate nation has been a litmus test of Russian democracy, and the Russian threat to Ukraine will remain in place for as long as the Putinist regime is in power. In this concise and penetrating book, Yekelchyk describes the current crisis in Ukraine, the country's ethnic composition, and the Ukrainian national identity. He takes readers through the history of Ukraine's emergence as a sovereign nation, the after-effects of communism, the Orange Revolution, the EuroMaidan, the annexation of the Crimean Peninsula, the war in the Donbas, and the West's attempts at peace making. The Conflict in Ukraine is essential reading for anyone who wants to understand the forces that have shaped contemporary politics in this increasingly important part of Europe. What Everyone Needs to Know® is a registered trademark of Oxford University Press.

An engrossing history of the last year of the Second World War, charting the battles fought between the Soviet Red Army and the Nazis across German soil. The terrible months between the arrival of the Red Army on German soil and the final collapse of Hitler's regime were like no other in the Second World War. The Soviet Army's intent to take revenge for the horror that the Nazis had wreaked on their people produced a conflict of implacable brutality in which millions perished. From the great battles that marked the Soviet conquest of East and West Prussia to the final surrender in the Vistula estuary, this book recounts in chilling detail the desperate struggle of soldiers and civilians alike. These brutal campaigns are brought vividly to life by a combination of previously untold testimony and astute strategic analysis recognising a conflict of unprecedented horror and suffering.