"MODERN REGIONALISM: The architecture of Sarbjit Bahga" is a monograph on the selected works of Indian architect Sarbjit Bahga. He has more than three-and-a-half decades of practical experience in designing of various types of buildings, complexes and large campuses. His completed works include an eclectic and impressive range of administrative, recreational, educational, medical, residential, commercial and agricultural buildings. His building designs are innovative and responsive to function, climate and materials. He is a staunch modernist and an ardent, yet not blind, admirer of Le Corbusier, Pierre Jeanneret and Louis Kahn. He is three-time recipient of the World Architecture Community Awards. His name has been featured in the Guinness Book of World Records for designing the "longest covered concrete corridor" in Vidya Sagar Institute of Mental Health, Amritsar. The main focus of this book is to present a few selected works of the architect which portray his prolific approach to the designs of the diverse range of building types. Of more than 200 projects he has designed, only 54 have been included in this treatise. These projects have been subdivided into seven categories i.e., Office Buildings, Recreational Buildings, Educational Buildings, Healthcare Buildings, Residential Buildings, Public Infrastructure, and Agricultural Buildings. These projects cover a vast range of scale from a tiny house and office building to sprawling campuses. Irrespective of their scale, these projects portray the accumulated design philosophy of the architect which has been elaborated in detail in the second chapter, "About the Architect." The first chapter of the book titled, "Metamorphosis of Architecture in Post-Independent India" dwells on the transition, development and transformation of modern Indian architecture since 1947. The projects included in the next seven chapters have been explained both objectively and subjectively, and well-illustrated with photographs and drawings which are uniformly drawn in a minimalist manner. The last chapter titled "Biography," is a brief description of the architect's life, works, achievements, awards, honours, and publications. The book is authored by Supreet Singh Bahga, a Doctorate from Stanford University, USA, and Assistant Professor at Indian Institute of Technology (IIT) Delhi. Christopher Charles Benninger, a renowned American-Indian architect/planner, and allumnus of MIT, and Harvard University, USA, has written the foreword essay, "In Search of an Indian Architecture: Modern Regionalism." The book will be of immense value to the architects, urban designers, planners, engineers and the students of these disciplines. Apart from this, it will act as an important link between the past and future developments in the profession of architecture in the Indian context. Future historians will find a lot of valuable content in this compilation. It is an earnest attempt to keep the beacon of architecture glowing in the minds of the generations to come.

In this rapidly globalizing world, any investigation of architecture inevitably leads to considerations of regionalism. But despite its omnipresence in contemporary practice and theory, architectural regionalism remains a fluid concept, its historical development and current influence largely undocumented. This comprehensive reader brings together over 40 key essays illustrating the full range of ideas embodied by the term. Authored by important critics, historians, and architects such as Kenneth Frampton, Lewis Mumford, Sigfried Giedion, and Alan Colquhoun, Architectural Regionalism represents the history of regionalist thinking in architecture from the early twentieth century to today.

Providing a valuable overview of regionalism throughout the entire continent, Regionalism in Modern Europe combines both geographical and thematic approaches to examine the origins and development of regional movements and identities in Europe from 1890 to the present. A wide range of internationally renowned scholars from the USA, the UK and mainland Europe are brought together here in one volume to examine the historical roots of the current regional movements, and to explain why some of them - Scotland, Catalonia and Flanders, among others – evolve into nationalist movements and even strive for independence, while others – Brittany, Bavaria – do not. They look at how regional identities - through regional folklore, language, crafts, dishes, beverages and tourist attractions - were constructed during the 20th century and explore the relationship between national and subnational identities, as well as regional and local identities. The book also includes 7 images, 7 maps and useful end-of-chapter further reading lists. This is a crucial text for anyone keen to know more about the history of the topical – and at times controversial – subject of regionalism in modern Europe.

Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, Resisting Postmodern Architecture resituates critical regionalism within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three areas of growing historical and theoretical interest: postmodernism, critical regionalism and globalisation. Based on more than 50 interviews and previously unpublished archival material from six countries, the book transgresses existing barriers to integrate sources in other languages into anglophone architectural scholarship. In so doing, it shows how the ‘periphery’ was not just a passive recipient, but also an active generator of architectural theory and practice. Stylianos Giamarelos challenges long-held ‘central’ notions of supposedly ‘international’ discourses of the recent past, and outlines critical regionalism as an unfinished project apposite for the 21st century on the fronts of architectural theory, history and historiography.

This lavishly illustrated book traces the life and work of Hart Wood (1880–1957), from his beginnings in architectural offices in Denver and San Francisco to his arrival in Hawaii in 1919 as a partner of C. W. Dickey and eventual solo career in the Islands. An outspoken leader in the development of a Hawaiian style of architecture, Wood incorporated local building traditions and materials in many of his projects and was the first in Hawaii to blend Eastern and Western architectural forms in a conscious manner. Enchanted by Hawaii’s vivid beauty and its benevolent climate, exotic flora, and cosmopolitan culture, Wood sought to capture the aura of the Islands in his architectural designs. Hart Wood’s magnificent and graceful buildings remain critical to Hawaii’s architectural legacy more than fifty years after his death: the First Church of Christ Scientist on Punahou Street, the First Chinese Church on King Street, the S & G Gump Building on Kalakaua Avenue, the Honolulu Board of Water Supply Administration Building on Beretania Street, and the Alexander & Baldwin Building on Bishop Street, as well as numerous Wood residences throughout the city.

The complex and shifting relation between regionalism and modernity With its search for purity, honesty, modesty, and ‘fitness of purpose', the late 19th and early 20th century concept of architectural regionalism is seminal to the modern movement. In later historiography, however, regionalism in Europe was neglected and even labeled ‘backward'. The origins of this drastic change of perception can be traced to the 1930s, when regionalism as a positive form gradually turned into a ‘closed' form of regionalism, a folding back on one's own region as a defence mechanism in an economically and politically turbulent decade.

Providing a valuable overview of regionalism throughout the entire continent, Regionalism in Modern Europe combines both geographical and thematic approaches to examine the origins and development of regional movements and identities in Europe from 1890 to the present. A wide range of internationally renowned scholars from the USA, the UK and mainland Europe are brought together here in one volume to examine the historical roots of the current regional movements, and to explain why some of them - Scotland, Catalonia and Flanders, among others – evolve into nationalist movements and even strive for independence, while others – Brittany, Bavaria – do not. They look at how regional identities - through regional folklore, language, crafts, dishes, beverages and tourist attractions - were constructed during the 20th century and explore the relationship between national and subnational identities, as well as regional and local identities. The book also includes 7 images, 7 maps and useful end-of-chapter further reading lists. This is a crucial text for anyone keen to know more about the history of the topical – and at times controversial – subject of regionalism in modern Europe.

"This richly illustrated and designed book in the "Architecture in Focus" series reconsiders critical regionalism and demonstrates the global viability of one of the most visible trends in contemporary architecture. As globalization increasingly enters every facet of our lives, its homogenizing effects on architecture, urban spaces and the landscape have compelled architects to embrace the principles of critical regionalism, an alternative theory that respects local culture, geography and climate. In this reexamination of critical regionalism, two prominent architectural critics argue for a truce between the seemingly antithetical philosophies of critical regionalism and globalization. The authors trace the genesis of critical regionalism to its ancient historical and political roots, and focus on its modern expression in the works of Alvar Aalto, Richard Neutra, Oscar Niemeyer and others. They point to the increasing use of the theory in the recent works of a truly global selection of visionary architects - including Santiago Calatrava in Spain, Renzo Piano in the South Pacific and Berger and Parkkinen in Germany. Discussions of Tropical Architecture and contemporary work in Asia round out this important contribution to a topical debate about architecture's role in the world."--Amazon.

The American West has taken on a rich and evocative array of regional identities since the late nineteenth century. Wilderness wonderland, Hispanic borderland, homesteader’s frontier, cattle kingdom, urban dynamo, Native American homeland. Hell of a Vision explores the evolution of these diverse identities during the twentieth century, revealing how Western regionalism has been defined by generations of people seeking to understand the West’s vast landscapes and varied cultures. Focusing on the American West from the 1890s up to the present, Dorman provides us with a wide-ranging view of the impact of regionalist ideas in pop culture and diverse fields such as geography, land-use planning, anthropology, journalism, and environmental policy-making. Going well beyond the realm of literature, Dorman broadens the discussion by examining a unique mix of texts. He looks at major novelists such as Cather, Steinbeck, and Stegner, as well as leading Native American writers. But he also analyzes a variety of nonliterary sources in his book, such as government reports, planning documents, and environmental impact studies. Hell of a Vision is a compelling journey through the modern history of the American West—a key region in the nation of regions known as the United States.

Foreword by Adrian Forty. The Algarve is not only Portugal’s foremost tourism region. Uniquely Mediterranean in an Atlantic country, its building customs have long been markers of historical and cultural specificity, attracting both picturesque driven conservatives and modernists seeking their lineage. Modernism, regionalism and the ‘vernacular’ – three essential tropes of twentieth-century architecture culture – converged in the region’s building identity construct and, often the subject of strictly metropolitan elaborations, they are examined here from a peripheral standpoint instead. Drawing on work that won the Royal Institute of British Architects President’s Award for Outstanding PhD Thesis in 2013, Algarve Building challenges the conventional inclusion of Portuguese modern architecture in ‘Critical Regionalism’ narratives. A fine-grain reconstruction of the debates and cultures at play locally exposes the extra-architectural and widely participated antecedents of the much-celebrated mid-century shift towards the regional. Uncelebrated architects and a cast of other players (clients, officials, engineers and builders) contributed to maturing a regional strand of modern architecture that, more than being the heroic outcome of a hard-fought ‘battle’ by engaged designers against a conservative establishment, became truly popular in the Algarve. Algarve Building shows, more broadly, what the processes that have been appropriated by the canon of architectural history and theory – such as the presence of folk traditions and regional variation in learned architecture – stand to gain when observed in local everyday practices. The grand narratives and petites histoires of architecture can be enriched, questioned, revised and confirmed by an unprejudiced return to its facts and sources – the buildings, the documents, the discourses, the agents and the archives.