Featuring over 100 unique prints, Modern Japanese Prints is a testament to the continuity of Japanese art and creativity. By far the most vitally creative group of artists working in Japan today, modern print-makers are truly international in appeal. Although they owe much of their heritage to the famous ukiyoe techniques of the past, they depart from their forebears in at least two important respects. In the first place, whereas in the ancient ukiyoe tradition a print was the joint production of three men— the artist-designer, the artisan who carved the blocks, and the printer—these modern artists perform all these functions themselves, thus satisfying their demands for individual artistic expression at every step of the creative process. Another distinguishing feature of this artistic school is that its inspiration is derived neither solely from its own Japanese past nor solely from the West. This book carefully traces the history of the modern print movement through detailed discussions of the life and work of twenty-nine of its most noteworthy and representative artists. It describes vicissitudes which the movement has undergone and the high artistic ideals which have motivated its members in spite of public apathy and the hostility of the traditionalists.

The beguiling story of the Minaguchi-ya, an ancient inn on the Tokaido Road, founded on the eve of the establishment of the Tokugawa shogunate. Travellers and guests flow into and past the inn — warriors on the march, lovers fleeing to a new life, pilgrims on their merry expeditions, great men going to and from the capital. The story of the Minaguchi-ya is a social history of Japan through 400 years, a ringside seat to some of the most stirring events of a stirring period. ‘Statler has created a strangely beautiful book that succeeds in conveying intact not only a great deal of its history but the mood of that land. The result is sheer delight. Japanese Inn is the work of a master craftsman; it is so well conceived that the narrative moves from past to present in the same paragraph without the slightest confusion to the reader; it is so well written that only in retrospect is one aware of its remarkable flawless style. Through the author’s particular magic, the stories unfold as one narrative, as beautifully and memorably as the unrolling of a long Japanese scroll.’—CURT GENTRY ‘The reader learns much of Japan’s past — and, as is inevitable in a study of that country, of present-day Japanese as well. Mr Statler’s prose succeeds in evoking the pageantry of the past in the brilliant color of the kabuki stage. Nothing seems to have been overlooked by the author. Mr Statler’s book is Japanese history made easy, and grand entertainment.’— NEW YORK TIMES BOOK REVIEW ‘Much of it is told in fictional form. Some of the episodes have come out of family annals and memories, some from the records of the temple; some are imagined; but all could have happened ... Mr Statler has told the story vividly and with sympathy. It moves. It has the authentic feel of Japan.’—INTERNATIONAL HERALD TRIBUNE

From general theories and concepts exploring the meaning and causes of crisis to practical strategies and techniques relevant to crises of specific types, crisis management is thoroughly explored. Features & Benefits: @* A collection of 385 signed entries are organized in A-to-Z fashion in 2 volumes available in both print and electronic formats.@* Entries conclude with Cross-References and Further Readings to guide students to in-depth resources.@* Selected entries feature boxed case studies, providing students with "lessons learned" in how various crises were successfully or unsuccessfully managed and why.@* Although organized A-to-Z, a thematic "Reader's Guide" in the front matter groups related entries by broad areas (e.g., Agencies & Organizations, Theories & Techniques, Economic Crises, etc.).@* Also in the front matter, a Chronology provides students with historical perspective on the development of crisis management as a discrete field of study.@* The work concludes with a comprehensive Index, which-in the electronic version-combines with the Reader's Guide and Cross-References to provide thorough search-and-browse capabilities.@* A template for an "All-Hazards Preparedness Plan" is provided the backmatter; the electronic version of this allows students to explore customized response plans for crises of various sorts.@* Appendices also include a Resource Guide to classic books, journals, and internet resources in the field, a Glossary, and a vetted list of crisis management-related degree programs, crisis management conferences, etc.

This major new volume presents innovative recent scholarship on Japan's modern history, including its imperial past and transregional entanglements. An international team of leading scholars offer accessible and thought-provoking essays that present an expansive global vision of the archipelago's history from c. 1868 to the twenty-first century. Japan was the first non-Western society to become a modern nation and empire, to industrialize, and to deliver a high standard of living to virtually all its citizens, capturing international attention ever since. These Japanese efforts to reshape global hierarchies powered a variety of debates and conflicts, both at home and with people and places beyond Japan's shores. Drawing on the latest Japanese and English-language scholarship, this volume highlights Japan's distinctive and fast-changing history.

Made in Japan examines the artistic dialogue between East and West as it played out between 1945 and 1970. During this post-World War II period, Japanese printmakers effectively acted as ambassadors, bringing their aesthetic traditions into fruitful interaction with contemporary American trends and forging ties with artists, scholars, museums, and collectors. This volume presents for the first time an integrated history of innovative visual experimentation and pioneering cultural patronage. The creative print (sosaku hanga) movement originated in the early twentieth century, when Japanese artists sought to modernize their practice by embracing Euro-American concepts of originality and autonomy. The movement matured in the decades following World War II, when second- and third-generation sosaku hanga printmakers continued to experiment in stylistic, technical, and thematic terms. From the early 1950s, Japanese printmakers participated in a newly global art scene, achieving great success at international art exhibitions sponsored by the American and Japanese governments. The prints in this book range widely in treatment and medium, embracing woodcut, stencil, lithography, etching, mezzotint, aquatint, and screenprint. Made in Japan includes essays by Alicia Volk and Helen Nagata and biographies of the artists.

This is an ebook version of a very rare Japanese woodblock print collection. Originally published in 1962 in a limited edition of 475 copies, The Modern Japanese Print soon became a collector's item. Included in the folio-sized volume were ten original woodblock prints by contemporary Japanese artists. The idea for this unique presentation had originated with author, James Michener who hoped to assist this little known group of dedicated men achieve wider recognition. The original works of art in The Modern Japanese Print were selected in a contest judged by art experts in the United States and Japan who sought to find the best examples representing " the richness and power of the modern Japanese print movement ." The ten original woodblock prints are reproduced in full color; Mr. Michener's text is retained completely. Aside from the artists whose works are shown, the author discusses many others who are contributing to the continuing development of this art form. James Michener's perceptive, informative introduction to modern Japanese printmaking, with commentary on each of the works, including full technical details, is written with critical acumen and notable prose.

"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.