This classic textbook covers the social, economic and political history of Italy from unification in 1870 to the present time. This new edition brings students right up to date, with increased coverage of the the 1980's and 90's and a new section on the turbulent reign of Silvio Berlusconi. Other changes include updating the coverage of Liberal Italy and Fascism in the light of recent scholarship and changes in historiographical approach, additional material on Italian popular culture and a new chronology.

How do the places where people live help structure and restructure their sociopolitical identities and interests? In this book, renowned political geographer John A. Agnew presents a theoretical model that addresses the relation of place to politics and applies it to a series of historicogeographical case studies set in modern Italy. For Agnew, place is not just a static backdrop against which events occur, but a dynamic component of social, economic, and political processes. He shows, for instance, how the lack of a common "landscape ideal" or physical image of Italy delayed the development of a sense of nationhood among Italians after unification. And Agnew uses the post-1992 victory of the Northern League over the Christian Democrats in many parts of northern Italy to explore how parties are replaced geographically during periods of intense political change. Providing a fresh new approach to studying the role of space and place in social change, Place and Politics in Modern Italy will interest geographers, political scientists, and social theorists.

Documents include extracts from diaries, speeches, treaties, poetry, radio broadcasts, photographs, cartoons, political posters and propaganda. These are organised by topic, with chronological charts providing historical context for each section.

Covering the entire period of modern German history - from nineteenth-century imperial Germany right through the present - this well-established text presents a balanced, general survey of the country's political division in 1945 and runs through its reunification in the present. Detailing foreign policy as well as political, economic and social developments, A History of Modern Germany presents a central theme of the problem of asymmetrical modernization in the country's history as it fully explores the complicated path of Germany's troubled past and stable present.

A History of Modern Italy addresses the question of how Italy's modern history, from its prolonged process of nation-building in the nineteenth century to the crises of the last two decades, has produced a paradoxical blend of hyper-modernity and traditionalism and thus made the country"different" in the broader context of Western Europe.The text explores how Italians have experienced seismic shifts in their social and economic landscape over the past two centuries, while simultaneously maintaining older cultural norms, social practices, and political methods. As a second objective, the book showcases a narrative of modern Italythat incorporates and blends the research findings and methodological insights of the new quantitative and cultural historical scholarship of the past two and a half decades. In doing so, it chronicles the regime changes that have taken the country from a Liberal monarchy through the Fascistdictatorship to a Democratic Republic while also delving into the simultaneous economic and social history of the nation through these periods.

This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.

This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian Giuliana Muscio investigates the significant influence of Italian immigrant actors, musicians, and directors on Hollywood cinema. Using a provocative interdisciplinary approach, Muscio demonstrates how these artists and workers preserved their cultural and performance traditions, which led to innovations in the mode of production and in the use of media technologies. In doing so, she sheds light on the work of generations of artists, as well as the cultural evolution of “Italian-ness” in America over the past century. Muscio examines the careers of Italian performers steeped in an Italian theatrical culture that embraced high and low, tragedy and comedy, music, dance, acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.

"Benedetto Croce and Italian Fascism provides a unique analysis of the political life of the major Italian philosopher and literary figure Benedetto Croce (1866-1932). Drawing on a variety of resources rarely used before in Croce studies - including police documents, archival materials, and the private edition of Croce's diaries, the Taccuini, published in recent years - Fabio Rizi sheds new light on Croce and his influence throughout the Fascist era." "Tracing important events and influences in Croce's life, this biography clarifies misconceptions about his political contributions and his role in the resistance movement. Well-documented and insightful, Benedetto Croce and Italian Fascism offers a valuable contribution to Croce studies." --Book Jacket.

First study of the fascinating parallelism that characterizes developments in Japan and Germany by one of Germany's leading Japan specialists. With the founding of their respective national states, the Meiji Empire in 1869 and the German Reich in 1871, Japan and Germany entered world politics. Since then both countries have developed in strikingly similar ways, and it is not surprising that these two became close allies during the Second World War, although in the end this proved a "fatal attraction."

Mussolini, in the thousand guises he projected and the press picked up, fascinated Americans in the 1920s and the early '30s. John Diggins' analysis of America's reaction to an ideological phenomenon abroad reveals, he proposes, the darker side of American political values and assumptions. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.