While the Irish Literary Revival began around 1885 and ended somewhere between 1925 and 1940, the Irish Renaissance has continued to the present day and shows no sign of abating. The period has produced some of the most important and influential figures in Irish literature, some of whom are counted among the world's greatest authors. The Revival saw a reestablishment of Ireland's literary connections with its Celtic heritage, and writers such as William Butler Yeats and Lady Gregory drew heavily on the myths and legends of the past. James Joyce boldly reshaped the novel and wrote short fiction of enduring value. Contemporary Irish writers continue to be leading figures and include such authors as Brian Frigl, Seamus Heaney, and Eavan Boland. Included in this reference book are alphabetically arranged entries for more than 70 modern Irish writers, including Samuel Beckett, William Trevor, Patrick Kavanagh, Medbh McGuckian, Sean O'Casey, J. M. Synge, and Nuala Ni Dhomhnaill. Entries are written by expert contributors and reflect a broad range of perspectives. Each entry contains a brief biography that summarizes the author's career, a discussion of major works and themes, an overview of the author's critical reception, and a bibliography of primary and secondary works. An introductory essay reviews the large and growing body of scholarship on modern Irish literature, while an extensive bibliography concludes the volume.

"Drawing on sources such as the land, the Church, the past, changing politics, and literary styles, Irish writers ranging from W. B. Yeats, James Joyce, and Augusta Gregory to Roddy Doyle, Kate O'Brien, Colm Toibin, John Banville, and Seamus Heaney explore what it means to be a writer in Ireland"--Provided by publisher.

This original study focusing on four Irish writers – Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers – retrieves a hitherto neglected episode of Thirties literary history which highlights the local and global aspects of Popular Front cultural movements. From interwar London to the Spanish Civil War and the USSR, the book examines the lives and work of Irish writers through their writings, their witness texts and their political activism. The relationships of these writers to George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams and other figures of cultural significance within the interwar period sheds new light on the internationalist aspects of a Leftist cultural history. The book also explores how Irish literary women on the Left defied marginalization. The impetus of the book is not merely to perform an act of literary salvage but to find new ways of re-imagining what might be said to constitute Irish literature mid-twentieth century; and to illustrate how Irish writers played a role in a transforming political moment of the twentieth century. It will be of interest to scholars and students of cultural history and literature, Irish diaspora studies, Jewish studies, and the social and literary history of the Thirties.

Hugh Kenner's theme is the Irish Literary Revival, that seizure of the English language by writers whose relation to it was oddly uncomfortable, even alien -- and their creation of a new idiom that would dominate and define International Modernism. His technique is anecdote and example. In his hands, biography jostles with critical insight, social history erupts into choice quotation, "facts" reveal themselves to be invention.

Best Book of 2020 New York Times |NPR | New York Post "This hushed suspense tale about thwarted dreams of escape may be her best one yet . . . Its own kind of masterpiece." --Maureen Corrigan, The Washington Post "A new Tana French is always cause for celebration . . . Read it once for the plot; read it again for the beauty and subtlety of French's writing." --Sarah Lyall, The New York Times Cal Hooper thought a fixer-upper in a bucolic Irish village would be the perfect escape. After twenty-five years in the Chicago police force and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens. But when a local kid whose brother has gone missing arm-twists him into investigating, Cal uncovers layers of darkness beneath his picturesque retreat, and starts to realize that even small towns shelter dangerous secrets. "One of the greatest crime novelists writing today" (Vox) weaves a masterful, atmospheric tale of suspense, asking how to tell right from wrong in a world where neither is simple, and what we stake on that decision.

This unusually diverse collection of ten essays, devoted to British and Irish writers and poets from 1895 to the present, explores many aspects of the creative process, from inspiration to publication and beyond. The volume shows how writers’ manuscripts and revisions give us a better understanding of their published work by drawing on unpublished archival sources to unveil, across genre and gender, the intricacies of their craft. It examines how the paper medium and writing implements influence the act of composition; reveals the latest developments in such fields as life writing and digital humanities—especially how modern scholars, through the filter of hypertext, revisit modernist texts, or respond to newly-found material; and analyzes the hidden handwork, be it throughout the writer’s exhaustive self-editing process or the writer-editor collaboration. Finally, it captures an award-winning poet and a living novelist reflecting upon their craft and work in progress.

'Can we not build up a national tradition, a national literature, which shall be none the less Irish in spirit from being English in language?' W. B. YeatsThis anthology traces the history of modern Irish literature from the revolutionary era of the late eighteenth century to the early years of political independence. From Charlotte Brooke and Edmund Burke to Elizabeth Bowen and Louis MacNeice, the anthology shows how, in forging a tradition of theirown, Irish writers have continually challenged and renewed the ways in which Ireland is imagined and defined. The anthology includes a wide-ranging and generous selection of fiction, poetry, and drama. Three plays by W. B. Yeats, Augusta Gregory, and J. M. Synge are printed in their entirety, along with the opening episode of James Joyce's Ulysses. The volume also includes letters, speeches, songs,memoirs, essays, and travel writings, many of which are difficult to obtain elsewhere.'Stephen Regan's anthology vividly and valiantly presents a nation, and a national literature, coming into being.' Paul Muldoon

The international sensation that illuminates the experiences women are supposed to hide—from addiction, anger, sexual assault, and infertility to joy, sensuality, and love. WINNER OF THE AN POST IRISH BOOK OF THE YEAR • “Emilie Pine’s voice is razor-sharp and raw; her story is utterly original yet as familiar as my own breath.”—Glennon Doyle, #1 New York Times bestselling author of Love Warrior In this dazzling debut, Emilie Pine speaks to the events that have marked her life—those emotional disruptions for which our society has no adequate language, at once bittersweet, clandestine, and ordinary. She writes with radical honesty on the unspeakable grief of infertility, on caring for an alcoholic parent, on taboos around female bodies and female pain, on sexual violence and violence against the self. This is the story of one woman, and of all women. Devastating, poignant, and wise—and joyful against the odds—Notes to Self is an unforgettable exploration of what it feels like to be alive, and a daring act of rebellion against a society that is more comfortable with women’s silence. Praise for Notes to Self “Notes to Self begins as a deceptively simple catalogue of the injustices of modern female life and slyly emerges as a screaming treatise on just what it means to make your own rules, turning the hand you’ve been dealt into the coolest game in town. Emilie Pine is like your best friend—if your best friend was so sharp she drew blood.”—Lena Dunham, #1 New York Times bestselling author of Not That Kind of Girl “To read these essays is to understand the human condition more clearly, to reassess one’s place in the world, and to reclaim one’s own experiences as real and valid.”—Sunday Independent “Harrowing, clear-eyed . . . Everyone should consider [this] priority reading.”—Sunday Business Post “Incredible and insightful—an absolute must-read.”—The Skinny “Agonizing, uncompromising, starkly brilliant. . . . [A] short, gleamingly instructive book, both memoir and psychological exploration—a platform for that insistent internal voice that almost any woman . . . wishes they had ignored.”—Financial Times “Do not read this book in public. It will make you cry.”—Anne Enright

Winner of the Rooney Prize for Irish Literature • Named a Best Book of 2022 by Kirkus, Booklist, and Shelf Awareness • Named a Best Book of July by Buzzfeed • A Publishers Weekly Best Nonfiction 2022 Summer Read • Observer Book of the Week • Lammy Finalist “The most beautiful prose I’ve read in years.”—Alexander Chee, The Atlantic • "Rapturous...Hewitt beautifully illuminates his own darknesses so that we might also see our own."—Melissa Febos, The New York Times Book Review • “Exquisitely written.”—Claire Messud, Harper’s Magazine When Seán Hewitt meets Elias, the two fall headlong into a love story. But as Elias struggles with severe mental illness, they soon come face-to-face with crisis. All Down Darkness Wide is a perceptive and unflinching meditation on the burden of living in a world that too often sets happiness and queer life at odds, and a tender and honest portrayal of what it’s like to be caught in the undertow of a loved one’s deep depression. As lives are made and unmade, this memoir asks what love can endure and what it cannot. Delving into his own history, enlisting the ghosts of queer figures before him, Hewitt plumbs the darkness in search of answers. From a nineteenth-century cemetery in Liverpool to a sacred grotto in the Pyrenees, it is a journey of lonely discovery followed by the light of community. Haunted by the rites of Catholicism and spectres of shame, it is nevertheless marked by an insistent search for beauty. Hewitt captures transcendent moments in nature with exquisite lyricism, honours the power of reciprocated desire and provides a master class in the incredible force of unsparing specificity. All Down Darkness Wide illuminates a path ahead for queer literature and for the literature of heartbreak, striking a piercing and resonant chord for all who trace Hewitt’s dauntless footsteps.

Olivia Kiernan’s tautly written debut novel immerses readers in a chilling murder case...and the tantalizing, enigmatic victim at the center of it all. In a quiet Dublin suburb, within her pristine home, Eleanor Costello is found hanging from a rope. Detective Chief Superintendent Frankie Sheehan would be more than happy to declare it a suicide. Four months earlier, Frankie’s pursuit of a killer almost ended her life and she isn’t keen on investigating another homicide. But the autopsy reveals poorly healed bones and old stab wounds, absent from medical records. A new cut is carefully, deliberately covered in paint. Eleanor’s husband, Peter, is unreachable, missing. A search of the couple’s home reveals only two signs of personality: a much-loved book on art and a laptop with access to the Dark Web. With the suspect pool growing, the carefully crafted profile of the victim crumbling with each new lead, and mysterious calls to Frankie’s phone implying that the killer is closer than anyone would like, all Frankie knows is that Eleanor guarded her secrets as closely in life as she does in death. As the investigation grows more challenging, Frankie can’t help but feel that something doesn’t fit. And when another woman is found murdered, the same paint on her corpse, Frankie knows that unraveling Eleanor’s life is the only way to find the murderer before he claims another victim...or finishes the fate Frankie only just managed to escape. Engrossing, complex, and atmospheric, Olivia Kiernan’s debut novel will leave you breathless.