Hugh Kenner's theme is the Irish Literary Revival, that seizure of the English language by writers whose relation to it was oddly uncomfortable, even alien -- and their creation of a new idiom that would dominate and define International Modernism. His technique is anecdote and example. In his hands, biography jostles with critical insight, social history erupts into choice quotation, "facts" reveal themselves to be invention.

Jack Quinlan, an American writer, travels to a small village in the remote western part of Ireland to research a book on the Irish Famine. The quiet, picturesque village seems just the place to spend a few months writing, but beneath its placid exterior lurk dark secrets. Why do the locals behave so strangely? What is Father Henning, the enigmatic parish priest, hiding? And what is the meaning of the strange ritual Jack observes in the cemetery? The search for answers will lead him to the terrifying discovery that the ghosts of the past linger on in the present, and they cry out for blood ... An atmospheric, haunting ghost story, Cast a Cold Eye (1984) is a slow burn horror novel that will keep readers in suspense until its chilling conclusion. ​

Seven “remarkable” stories from the bestselling author of The Group (The New York Times). Two American tourists find themselves seriously befuddled by their unorthodox Italian guide. A hospitalized graduate student turns the sounds of pain and despair into music. A family is tragically taken apart, and then reformed, by a deadly outbreak of influenza. The short fiction in this collection, some of it autobiographical in inspiration, reflects both the adept, witty storytelling and the insightful social commentary of New York Times–bestselling author Mary McCarthy. A National Book Award finalist known for such novels as Birds in America and The Groves of Academe—as well as memoir (Memories of a Catholic Girlhood) and travel writing (Venice Observed)—McCarthy shows in Cast a Cold Eye why she has been called “a brilliant writer with a rare talent for corrosive satire” (The Atlantic Monthly). This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate.

In the anticipated sequel to Silver on the Road, which Kirkus Reviews calls a “slam-bang Weird Western,” Isobel is riding circuit through the Territory as the Devil's Left Hand. But when she responds to a natural disaster, she learns the limits of her power and the growing danger of something mysterious that is threatening not just her life, but the whole Territory. Isobel is the left hand of the old man of the Territory, the Boss—better known as the Devil. Along with her mentor, Gabriel, she is traveling circuit through Flood to represent the power of the Devil and uphold the agreement he made with the people to protect them. Here in the Territory, magic exists—sometimes wild and perilous. But there is a growing danger in the bones of the land that is killing livestock, threatening souls, and weakening the power of magic. In this second installment of the Devil’s West series, Isobel and Gabriel are in over their heads as they find what’s happening and try to stop the people behind it before it unravels the Territory.

Dino A. Brugioni, author of the best-selling account of the Cuban Missile crisis, Eyeball to Eyeball, draws on his long CIA career as one of the world's premier experts on aerial reconnaissance to provide the inside story of President Dwight D. Eisenhower's efforts to use spy planes and satellites to gather intelligence. He reveals Eisenhower to be a hands-on president who, contrary to popular belief, took an active role in assuring that the latest technology was used to gather aerial intelligence. This previously untold story of the secret Cold War program makes full use of the author's firsthand knowledge of the program and of information he gained from interviews with important participants. As a founder and senior officer of the CIA's National Photographic Interpretation Center, Brugioni was a key player in keeping Eisenhower informed of developments, and he sheds new light on the president's contributions toward building an effective and technologically advanced intelligence organization. The book provides details of the president's backing of the U-2's development and its use to dispel the bomber gap and to provide data on Soviet missile and nuclear efforts and to deal with crises in the Suez, Lebanon, Chinese Off Shore Islands, Tibet, Indonesia, East Germany, and elsewhere. Brugioni offers new information about Eisenhower's order of U-2 flights over Malta, Cyprus, Toulon, and Israel and subsequent warnings to the British, French, and Israelis that the U.S. would not support an invasion of Egypt. He notes that the president also backed the development of the CORONA photographic satellite, which eventually proved the missile gap with the Soviet Union didn't exist, and a variety of other satellite systems that detected and monitored problems around the world. The unsung reconnaissance roles played by Jimmy Doolittle and Edwin Land are also highlighted in this revealing study of Cold War espionage.

Cold Eyes is a First Contact novel, written as a tribute to the 1974 science fiction classic, The Mote in God's Eye, by Larry Niven and Jerry Pournelle. The UN warship Magellan is twelve light-years from Earth, exploring a cold eye, a tidally-locked super-earth called Bee. At least two advanced, intelligent species evolved on the planet, but the crew's attempts at radio communication result in garbled replies. No one is waiting for them in orbit. The crew has to figure out why. Any misunderstandings could lead to war. FIRST CONTACT is similar to BLACK MIRROR or THE TWILIGHT ZONE in that the series is based on a common theme rather than common characters. This allows these books to be read in any order. Technically, they're all first as they all deal with how we might initially respond to contact with aliens, exploring the social, political, religious, and scientific aspects of First Contact. Some of the other highly acclaimed novels in this series include Jury Duty, Anomaly, 3zekiel, Losing Mars, Xenophobia, Wherever Seeds May Fall, and Welcome to the Occupied States of America.

“A genuinely spooky story that lies somewhere near the place where fantasy, horror, and science fiction meet.” —Harry Turtledove From Aurora and Sunburst Award nominee Derryl Murphy and Hugo and Nebula Award nominee William Shunn comes a chilling ghost story set in the aftermath of the worst pandemic the world has ever known. 1921. Rural Nebraska. In a region devastated by Spanish flu, where not a single life has gone unscathed by tragedy, 15-year-old Luke Bryant has lost more than most. Orphaned, Luke toils as a farmhand for his strict uncle and aunt, barely recalling a world not gray, deadening, and oppressive. Worse, he can’t so much as visit the graves of his parents without the statues in the cemetery opening their stony eyes and watching his every move. Enter Annabelle Tupper, itinerant spirit photographer. Half-blinded by the chemicals of her trade, she travels the countryside in pursuit of the ghost of her dead husband. When a local pastor arranges for Annabelle to take on the boy as an apprentice, both find their every belief turned upside-down. For Annabelle, eking out a bare living while trying not to be run out of town as a charlatan, Luke represents a power she can only dream of. But for Luke—reluctant, resentful, and increasingly violent—the older woman stands for every nightmare that haunts his waking hours. As more and more restless spirits converge on the unblinking eye of Annabelle’s camera, Luke’s only hope for peace will be to confront the most terrifying specters of all—the ones he carries inside. “An archetypal American myth. . . . Any fantasy of a certain ambition set in the American Midwest in the late 19th through early 20th centuries must reckon with The Wonderful Wizard of Oz, book and movie both, and Shunn & Murphy do so squarely. . . . Their depiction of 1921 Nebraska is vivid . . . but the real heart of the novella lies in the relationship between Luke and Annabelle, two strong but damaged characters who share an eerie bond.” —Paul Witcover, Locus Magazine “Characterization is spot on, with no one who can be considered either evil or a criminal, just ordinary men and woman with all the flaws and virtues that implies. . . . I thoroughly enjoyed this book and recommend it without reservation.” —Peter Tennant, Black Static “The authors know how to tell a story. They have good narrative drive, they deliver strong characterization without a lot of exposition, and the supernatural elements of the story are inventive, building one upon the other. . . . Cast a Cold Eye is one of those stories that work on many levels. I've reread the manuscript a few times since I first received it, and every time I do, I find another layer waiting for me. It's past time for you to discover its treasures for yourself.” —Charles de Lint “After reading Derryl Murphy and William Shunn’s Cast a Cold Eye, I felt as if I had just awakened from a lucid dream . . . as if I had just experienced their protagonist’s psychic adventure into deepening horror as my own. This is a book constructed with craft, sensitivity, and resounding talent. I have but one caveat: don’t start reading this book if you have other things to do. Murphy and Shunn are plotmeisters. Once you start reading, you won’t stop until you’ve finished the book. And then you’ll need to think about what the hell just happened!” —Jack Dann “Cast a Cold Eye . . . creates a fantasticated interplay between the growth throes of a young man in [1921] Nebraska and L. Frank Baum’s Dorothy.” —John Clute, The Encyclopedia of Science Fiction

Critic Jerome Klinkowitz writes, "This is the best (memoir) about the American cultural transformation of the last half of the 20th century that has ever been written."

Internationally acclaimed as "a premier writer of espionage thrillers" (USA Today), Charles Cumming is "among the most skillful spy novelists" (Washington Post) and "a worthy successor to the masters...like John le Carré and Len Deighton" (Chicago Sun-Times). Now, with A Colder War, Cumming returns with MI6 agent Tom Kell, in a tour de force that will dazzle readers and critics alike. A top-ranking Iranian military official is blown up while trying to defect to the West. An investigative journalist is arrested and imprisoned for writing an article critical of the Turkish government. An Iranian nuclear scientist is assassinated on the streets of Tehran. These three incidents, seemingly unrelated, have one crucial link. Each of the three had been recently recruited by Western intelligence, before being removed or killed. Then Paul Wallinger, MI6's most senior agent in Turkey, dies in a puzzling plane crash. Fearing the worst, MI6 bypasses the usual protocol and brings disgraced agent Tom Kell in from the cold to investigate. Kell soon discovers what Wallinger had already begun to suspect—that there's a mole somewhere in the Western intelligence, a traitor who has been systematically sabotaging scores of joint intelligence operations in the Middle East.

Farley, a seventy-five year old man, lies on his bathroom floor, having just suffered a stroke. As his mind sifts through his past, we are introduced to the loyal friend he once was, his loving wife, the city of Dublin, and the question of how this very ordinary man has become so lonely at the end of his life. Told in reverse, from Farley's penultimate day to decades before, Christine Dwyer Hickey's bestseller is a jarring look at a life up close. First published in 2011, The Cold Eye of Heaven shows Dwyer Hickey's lyrical prose at its best: rendering sorrow, joy, wisdom, and humor in equal measure. Acutely insightful, this is an eerily accurate portrait of what it's like to grow old.