In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.

In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of “race” and “style” as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists—Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze—to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.

An analysis of acting and characterization on stage, covering theories of character from Aristotle to Brecht and approaches from formalism to post structuralism. The Early Theatre Group have, over the last 5 years, used an experimental approach to performing some of the plays written about here.

This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O’Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after. The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.

How do genres develop? In what ways do they reflect changing political and cultural trends? What do they tell us about the motivations of publishers and readers? Combining close readings and formal analysis with a sociology of literary institutions and markets, Minor Characters Have Their Day offers a compelling new approach to genre study and contemporary fiction. Focusing on the booming genre of books that transform minor characters from canonical literary texts into the protagonists of new works, Jeremy Rosen makes broader claims about the state of contemporary fiction, the strategies of the publishing industry over recent decades, and the function of literary characters. Rosen traces the recent surge in "minor-character elaboration" to the late 1960s and works such as Jean Rhys's Wide Sargasso Sea and Tom Stoppard's Rosencrantz and Guildenstern Are Dead. These early examples often recover the voices of marginalized individuals and groups. As the genre has exploded between the 1980s and the present, with novels about Ahab's wife, Huck Finn's father, and Mr. Dalloway, it has begun to embody the neoliberal commitments of subjective experience, individual expression, and agency. Eventually, large-scale publishers capitalized on the genre as a way to appeal to educated audiences aware of the prestige of the classics and to draw in identity-based niche markets. Rosen's conclusion ties the understudied evolution of minor-character elaboration to the theory of literary character.

Why is anxiety so rampant among kids today? What’s the magic age for giving my child his first cell phone? Her first social media account? How do I teach my teenager things like gratitude and respect in such an entitled and disrespectful world? Melissa Trevathan and Sissy Goff hear these types of questions on a daily basis in their counseling offices and at parenting events across the country. Today, more than ever before, we live in a culture that is at war against our parenting. And today, more than ever before, we’re meeting parents who feel lost as to how to help. This book does just that. It addresses the issues we hear parents struggling with the most when it comes to raising their children (technology, disrespect, entitlement, substance abuse, anxiety, depression, etc.), but it doesn’t stop there. Melissa and Sissy move through those modern-day troubles to get back to the vintage values we all deeply value in the lives of kids. They help you discover—whether your child is a toddler or a teenager—what it looks like to cultivate kindness, gratitude, integrity, responsibility and more in the lives of the kids you love. Modern Parents, Vintage Values offers you a roadmap—a way through the hurdles you are facing today in your parenting—helping you discover more of how to instill those true, foundational, vintage values that will make a lasting difference in the lives of your kids…values that are built upon an unshakeable foundation of faith and hope. And that’s ultimately where this map will lead—to Christ—and to what it looks like for both you and your kids to have hope in Him in these changing times.

As the modern world changes and evolves, so does the modern lifestyle. Our levels of home comfort, desires, and overall life satisfactions are being defined in new ways, often contrasting with notions of the 'traditional' house design. We now strive to own more things, yet aim to live simpler lives; and we opt to reside in open-plan homes that provide a sense of freedom, too. All too often traditionally designed homes are no longer able to satisfy our contemporary living needs. The restoration of living spaces is usually to restore existing buildings that may have become impractical over time, if not outdated. These days, the challenge is how to adapt and transform these existing buildings to modern standards, all the while maintaining what may still be useful, special features or design characteristics, or what we like most about the space. Today, we prefer to live in quite open and airy spaces. We renovate and upgrade different levels of living spaces by upgrading installations and equipment, dismantling and rebuilding walls, and expanding building volumes, for instance. This book showcases a selection of examples of how people from around the world have refurbished an old house to meet their needs for a modern lifestyle. With vivid descriptions, detailed drawings and rich photography (including befores and afters), this book provides designers and architects, as well as owner-builders of old houses several excellent strategies on how to approach their restoration, and how to convey a modern life concept. AUTHORS: Santoso Budiman is principal and creative director with SWG Studio. Founded in 2009, SWG Studio is an interdisciplinary design-focused practice, providing design services for buildings, interiors, and objects. It works on extensions for private residential projects - dealing with issues of heritage overlay - as well as new builds and multi-residential developments, institutional and commercial projects, and interior design projects for hospitality, retail and office interiors. Budiman is a registered consultant with Heritage Victoria, Australia, with a key focus on heritage-listed public buildings for major institutions, such as Melbourne University and RMIT in Melbourne, Australia, and is a member of the Projects and Buildings Committee for a significant heritage building for the Anglican church in Melbourne's CBD. Caleb Skene is with MC Architecture Studio in New Zealand. Skene graduated with a Bachelor of Architectural Studies in 2018, and in the same year joined the team at MC Architecture Studio. Previous to architecture, Caleb studied Fine Arts at the University of Canterbury for a year in order to gain a better understanding of spatial qualities on a finely detailed scale, before delving into the world of architectural design. Now still holding on to the essence of sculpture and his artistic learnings, Caleb sees architecture as a sculptural form, as well as a place to reside. SELLING POINTS: * Includes a selection of restoration ideas from around the world, including case studies from Europe, Scandinavia, United States, United Kingdom, Canada, China, and Australia * Insightful commentaries by design professionals provide a valuable overview and framework for current trends, particularly in the use of materials, volume disposition and layout, heritage considerations, and much more 400 colour images

Revision of the original modern reader's Japanese-English character dictionary.

Blending social analysis and philosophy, Albert Borgmann maintains that technology creates a controlling pattern in our lives. This pattern, discernible even in such an inconspicuous action as switching on a stereo, has global effects: it sharply divides life into labor and leisure, it sustains the industrial democracies, and it fosters the view that the earth itself is a technological device. He argues that technology has served us as well in conquering hunger and disease, but that when we turn to it for richer experiences, it leads instead to a life dominated by effortless and thoughtless consumption. Borgmann does not reject technology but calls for public conversation about the nature of the good life. He counsels us to make room in a technological age for matters of ultimate concern—things and practices that engage us in their own right.