In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.

In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of “race” and “style” as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists—Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze—to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.

This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O’Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after. The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.

As the modern world changes and evolves, so does the modern lifestyle. Our levels of home comfort, desires, and overall life satisfactions are being defined in new ways, often contrasting with notions of the 'traditional' house design. We now strive to own more things, yet aim to live simpler lives; and we opt to reside in open-plan homes that provide a sense of freedom, too. All too often traditionally designed homes are no longer able to satisfy our contemporary living needs. The restoration of living spaces is usually to restore existing buildings that may have become impractical over time, if not outdated. These days, the challenge is how to adapt and transform these existing buildings to modern standards, all the while maintaining what may still be useful, special features or design characteristics, or what we like most about the space. Today, we prefer to live in quite open and airy spaces. We renovate and upgrade different levels of living spaces by upgrading installations and equipment, dismantling and rebuilding walls, and expanding building volumes, for instance. This book showcases a selection of examples of how people from around the world have refurbished an old house to meet their needs for a modern lifestyle. With vivid descriptions, detailed drawings and rich photography (including befores and afters), this book provides designers and architects, as well as owner-builders of old houses several excellent strategies on how to approach their restoration, and how to convey a modern life concept. AUTHORS: Santoso Budiman is principal and creative director with SWG Studio. Founded in 2009, SWG Studio is an interdisciplinary design-focused practice, providing design services for buildings, interiors, and objects. It works on extensions for private residential projects - dealing with issues of heritage overlay - as well as new builds and multi-residential developments, institutional and commercial projects, and interior design projects for hospitality, retail and office interiors. Budiman is a registered consultant with Heritage Victoria, Australia, with a key focus on heritage-listed public buildings for major institutions, such as Melbourne University and RMIT in Melbourne, Australia, and is a member of the Projects and Buildings Committee for a significant heritage building for the Anglican church in Melbourne's CBD. Caleb Skene is with MC Architecture Studio in New Zealand. Skene graduated with a Bachelor of Architectural Studies in 2018, and in the same year joined the team at MC Architecture Studio. Previous to architecture, Caleb studied Fine Arts at the University of Canterbury for a year in order to gain a better understanding of spatial qualities on a finely detailed scale, before delving into the world of architectural design. Now still holding on to the essence of sculpture and his artistic learnings, Caleb sees architecture as a sculptural form, as well as a place to reside. SELLING POINTS: * Includes a selection of restoration ideas from around the world, including case studies from Europe, Scandinavia, United States, United Kingdom, Canada, China, and Australia * Insightful commentaries by design professionals provide a valuable overview and framework for current trends, particularly in the use of materials, volume disposition and layout, heritage considerations, and much more 400 colour images

Chaucer introduces the characters of the Knight and the Prioress in the General Prologue to The Canterbury Tales. Beginning with these familiar figures, Elizabeth Fowler develops a new method of analyzing literary character. She argues that words generate human figures in our reading minds by reference to paradigmatic cultural models of the person. These models—such as the pilgrim, the conqueror, the maid, the narrator—originate in a variety of cultural spheres. A concept Fowler terms the "social person" is the key to understanding both the literary details of specific characterizations and their indebtedness to history and culture.Drawing on central texts of medieval and early modern England, Fowler demonstrates that literary characters are created by assembling social persons from throughout culture. Her perspective allows her to offer strikingly original readings of works by Chaucer, Langland, Skelton, and Spenser, and to reformulate and resolve several classic interpretive problems. In so doing, she reframes accepted notions of the process and the consequences of reading.Developing insights from law, theology, economic thought, and political philosophy, Fowler's book replaces the traditional view of characters as autonomous individuals with an interpretive approach in which each character is seen as a battle of many archetypes. According to Fowler, the social person provides the template that enables authors to portray, and readers to recognize, the highly complex human figures that literature requires.

Table of Contents Acknowledgments Part One - The Problem of Technology 1. Technology and Theory 2. Theories of Technology 3. The Choice of a Theory 4. Scientific Theory 5. Scientific Explanation 6. The Scope of Scientific Explanation 7. Science and Technology Part Two - The Character of Technology 8. The Promise of Technology 9. The Device Paradigm 10. The Foreground of Technology 11. Devices, Means, and Machines 12. Paradigmatic Explanation 13. Technology and the Social Order 14. Technology and Democracy 15. The Rule of Technology 16. Political Engagement and Social Justice 17. Work and Labor 18. Leisure, Excellence, and Happiness 19. The Stability of Technology Part Three - The Reform of Technology 20. The Possibilities of Reform 21. Deictic Discourse 22. The Challenge of Nature 23. Focal Things and Practices 24. Wealth and the Good Life 25. Political Affirmation 26. The Recovery of the Promise of Technology Notes Index.

What is “character”? Since at least Aristotle’s time, philosophers, theologians, moralists, artists, and scientists have pondered the enigma of human character. In its oldest usage, “character” derives from a word for engraving or stamping, yet over time, it has come to mean a moral idea, a type, a literary persona, and a physical or physiological manifestation observable in works of art and scientific experiments. It is an essential term in drama and the focus of self-help books. In Character: The History of a Cultural Obsession, Marjorie Garber points out that character seems more relevant than ever today, omnipresent in discussions of politics, ethics, gender, morality, and the psyche. References to character flaws, character issues, and character assassination and allegations of “bad” and “good” character are inescapable in the media and in contemporary political debates. What connection does “character” in this moral or ethical sense have with the concept of a character in a novel or a play? Do our notions about fictional characters catalyze our ideas about moral character? Can character be “formed” or taught in schools, in scouting, in the home? From Plutarch to John Stuart Mill, from Shakespeare to Darwin, from Theophrastus to Freud, from nineteenth-century phrenology to twenty-first-century brain scans, the search for the sources and components of human character still preoccupies us. Today, with the meaning and the value of this term in question, no issue is more important, and no topic more vital, surprising, and fascinating. With her distinctive verve, humor, and vast erudition, Marjorie Garber explores the stakes of these conflations, confusions, and heritages, from ancient Greece to the present day.

This anthology features the writings of 17 important analysts of American character and culture. From 1945 to the present, this book includes selections by Charles Reich, Christopher Lasch, Philip Slater and many others. There is a general introduction to the subject and each selection is preceded by an introduction and followed by a critical comme

Much has changed since publication of the first edition of this established text in the sociology of religion. Revised and expanded, this edition emphasizes new patterns of religious change and conflict emerging in the United States in the latter part of the twentieth century. Leading scholars describe and analyze developments in five main areas: The fundamentalist and evangelical revival; challenge and renewal in mainline churches; spiritual innovation and the so-called New Age; women's movements and issues and their impact; and politics and civil religion. Chapters include an examination of religious movements' responses to AIDS; Christian schools; quasi-religions; healing rites and goddess worship; recruitment of women to charismatic and Hassidic groups,; televangelists and the Christian Right; racist rural populism; contemporary Mormonism and its growth; cults and brainwashing; Jonestown; dissidence in the Catholic church; and trance-channeling, among other topics. A new introductory chapter by the editors establishes an integrating framework in terms of three themes: increasing conflict and controversy associated with American religion; increasing focus on various forms of power in American religion; and challenges to models of secularization and modernization inherent in religious revival, innovation, and politicization. A concluding chapter by the editors looks at new trends and assesses their possible impact in coming years. Like its predecessor, this outstanding collection is a significant contribution to the literature as well as a valuable resource for the classroom.