Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.

Although ancestral voices have inspired many Armenian American writers of poetry and fiction in the twentieth century, their expression through drama has been limited. The first of its kind, this anthology is a collection of plays by notable Armenian Americans. Written in English largely by artists of Armenian extraction during the latter part of the twentieth century, the plays reflect the outrage of the Armenian Genocide, the forced transplantation that created the Armenian Diaspora, and the desire to maintain the newly established democratic homeland. Including a range of authors from William Saroyan to more contemporary voices, this anthology represents the writers that have stimulated cutting-edge contemporary drama from the mid-twentieth century to the present. The collection includes farce, comedy, tragicomedy, and tragedy (and sometimes blends of all of these). The plays reflect the shared experiences of Armenian family life in Armenia, Turkey, and America. The themes include the joy of freedom to practice their faith and ethnic customs, the turmoil of acculturation, and the feared loss of identity through assimilation. The editor has provided headnotes for each play and an extensive introduction tracing the history of Armenian American drama in the United States.

"Passed down by word of mouth through the magic of live performance art for a millennium and a half till its scholarly transcription in the late 19th century, the Armenian epic Daredevils of Sasun presents a rich legacy of accumulated folk wisdom. This monograph is an introduction to the epic, maintaining a balance between the needs of a scholarly and more popular readership. Contextualizing his subject within the epic production of Western Europe, the Slavic lands, Anatolia and the Caucasus, and Central Asia, the author not only provides a summation of research on the epic, but is cogent in defining his own positions, probing new areas, and approaching some old from a new perspective."--BOOK JACKET.

"This book intends to discuss the old and the new constituents of Armenian identity, such as language, religion or shared history in broader Transcaucasian and former Soviet Union context. It focuses on the shaping of the paradigms of Armenian identity and the transformation of its key symbols in the late 1980s and post-communist period. The 16 chapters and 67 subchapters of the book are composed to present respectively the main and the forking paths of different ages and of different lengths that eventually form the park/garden of the Armenian identity."--BOOK JACKET.

A masterful account of the assassins who hunted down the perpetrators of the Armenian Genocide. In 1921, a tightly knit band of killers set out to avenge the deaths of almost one million victims of the Armenian Genocide. They were a humble bunch: an accountant, a life insurance salesman, a newspaper editor, an engineering student, and a diplomat. Together they formed one of the most effective assassination squads in history. They named their operation Nemesis, after the Greek goddess of retribution. The assassins were survivors, men defined by the massive tragedy that had devastated their people. With operatives on three continents, the Nemesis team killed six major Turkish leaders in Berlin, Constantinople, Tiflis, and Rome, only to disband and suddenly disappear. The story of this secret operation has never been fully told, until now. Eric Bogosian goes beyond simply telling the story of this cadre of Armenian assassins by setting the killings in the context of Ottoman and Armenian history, as well as showing in vivid color the era's history, rife with political fighting and massacres. Casting fresh light on one of the great crimes of the twentieth century and one of history's most remarkable acts of vengeance, Bogosian draws upon years of research and newly uncovered evidence. Operation Nemesis is the result -- both a riveting read and a profound examination of evil, revenge, and the costs of violence.

This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected histories, frontier studies, comparative literature, and discussions of trauma, memory, diaspora, and visual culture. Contributors dismantle narrow, national ways of understanding Armenian literature; propose new frameworks for mapping the post-Ottoman Mediterranean world; and navigate the challenges of writing national history in a globalized age. A century after the Armenian genocide, this book reimagines the borders of the “Armenian,” pointing to a fresh vision for the field of Armenian studies that is omnivorously comparative, deeply interconnected, and rich with possibility.

The Armenian-Azerbaijani conflict for control of the mountainous territory of Nagorny Karabakh is the longest-running dispute in post-Soviet Eurasia. Laurence Broers shows how more than 20 years of dynamic territorial politics, shifting power relations, international diffusion and unsuccessful mediation efforts have contributed to the resilience of this stubbornly unresolved dispute. Looking beyond tabloid tropes of 'frozen conflict' or 'Russian land-grab', Broers unpacks the unresolved territorial issues of the 1990s and the strategic rivalry that has built up around them since.

The Ottoman revolution of 1908 is a study in contradictions—a positive manifestation of modernity intended to reinstate constitutional rule, yet ultimately a negative event that shook the fundamental structures of the empire, opening up ethnic, religious, and political conflicts. Shattered Dreams of Revolution considers this revolutionary event to tell the stories of three important groups: Arabs, Armenians, and Jews. The revolution raised these groups' expectations for new opportunities of inclusion and citizenship. But as post-revolutionary festivities ended, these euphoric feelings soon turned to pessimism and a dramatic rise in ethnic tensions. The undoing of the revolutionary dreams could be found in the very foundations of the revolution itself. Inherent ambiguities and contradictions in the revolution's goals and the reluctance of both the authors of the revolution and the empire's ethnic groups to come to a compromise regarding the new political framework of the empire ultimately proved untenable. The revolutionaries had never been wholeheartedly committed to constitutionalism, thus constitutionalism failed to create a new understanding of Ottoman citizenship, grant equal rights to all citizens, and bring them under one roof in a legislative assembly. Today as the Middle East experiences another set of revolutions, these early lessons of the Ottoman Empire, of unfulfilled expectations and ensuing discontent, still provide important insights into the contradictions of hope and disillusion seemingly inherent in revolution.