Inclusing a new introduction and conclusion, this revised second edition deals with a vital yet neglected ingredient in modern Arab culture. It is the only scholarly study of Arab historiography. It covers the periods 1820-1920 (Pioneers and Amateurs) and 1920 to today (Professional Historians: Managers of Legitimation). This work is a major contribution not only to the study of Arab historiography but to our understanding of modern Arab thought.

A COMPANION TO GLOBAL HISTORICAL THOUGHT A Companion to Global Historical Thought provides an overview of the development of historical thinking from the earliest times to the present, directly addressing issues of historiography in a globalized context. Questions concerning the global dissemination of historical writing and the relationship between historiography and other ways of representing the past have become important not only in the academic study of history, but also in public arenas in many countries. With contributions from leading international scholars, the book considers the problem of “the global” – in the multiplicity of traditions of narrating the past; in the global dissemination of modern historical writing; and of “the global” as a concept animating historical imaginations. It explores the different intellectual approaches that have shaped the discipline of history, and the challenges posed by modernity and globalization, while illustrating the shifts in thinking about time and the emergence of historical thought. Complementing A Companion to Western Historical Thought, this book places non-Western perspectives on historiography at the center of discussion, helping scholars and students alike make sense of the discipline at the start of the twenty-first century.

Chapter 1 INTRODUCTION -- chapter 2 HISTORICAL AND HISTORIOGRAPHICAL BACKGROUND -- chapter 3 SOCIAL CONTEXTS -- chapter 4 INTELLECTUAL CONTEXTS -- chapter 5 TEXTUAL AGENCY I: Titles, final sections and historicization -- chapter 6 TEXTUAL AGENCY II: Micro-arrangement, motifs and political thought -- chapter 7 RECEPTION AFTER THE SEVENTH/THIRTEENTH CENTURY -- chapter 8 CONCLUSION.

Inclusing a new introduction and conclusion, this revised second edition deals with a vital yet neglected ingredient in modern Arab culture. It is the only scholarly study of Arab historiography. It covers the periods 1820-1920 (Pioneers and Amateurs) and 1920 to today (Professional Historians: Managers of Legitimation). This work is a major contribution not only to the study of Arab historiography but to our understanding of modern Arab thought.

An Introduction to Modern Arab Culture exposes readers to fundamental characteristics of the Arab people, their culture, and their society. Over the course of 13 chapters, readers learn about the emergence and influence of Islam in Arab culture, religious and ethnic minorities within the Arab world, the critical role of family in Arab life, and the origin and evolution of the Arabic language. Dedicated chapters provide an introduction to the religion of Islam and the Qur'an, and an exploration of Islamic communities throughout the ages. Additional chapters explore Arab poetry, literature, music, values, and thought, revealing the impact of major artworks and their creators on Arab life and tradition. The final chapters address the Arab Spring, the ongoing Syrian refugee crisis, and contemporary challenges and opportunities. An Introduction to Modern Arab Culture introduces readers to aspects of Arab culture while demonstrating how these facets intertwine to create a unique tapestry of identity, experience, and history. The book is well suited to courses in Middle East culture and history, politics, thought, literature, religion, and language, and courses in sociology, anthropology, and cultural studies.

In this study of the rise of modern Arabic, Ayalon examines 19th-century linguistic change in the Eastern Arab world, describing how the language responded to the infiltration of Western politics, technology, and culture. Focusing on the realm of political discourse, Ayalon looks at a wide array of evidence--local chronicles, travel accounts, translations of European writings, Arab political treatises, newspapers and periodicals, and dictionaries--to show how shifts in the color, tone, and meaning of the Arab vocabulary reflected a new socio-political and cultural reality.

"An enormous contribution to the study of Egyptian history writing and historiography. Sure to become the basic manual for understanding the trajectory of modern Egyptian thinking."—Roger Owen, author of State, Power and Politics in the Making of the Modern Middle East

An accessible and wide-ranging survey of modern Arab culture covering political, intellectual and social aspects.

The first-ever book-length history of Arab graphic design PROSE AWARD WINNER, ART HISTORY & CRITICISM Arab graphic design emerged in the early twentieth century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design as a formally recognized genre of visual art only came into its own in the region in the twenty-first century and, to date, there has been no published study on the subject to speak of. A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Bahia Shehab and Haytham Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet. They look at how cinema, economic prosperity, and political and cultural events gave birth to and shaped the founders of Arab graphic design. Highlighting the work of key designers and stunningly illustrated with over 600 color images, A History of Arab Graphic Design is an invaluable resource tool for graphic designers, one which, it is hoped, will place Arab visual culture and design on the map of a thriving international design discourse.

Leading scholars discuss ideology and hotly contested post-structuralist theory.