This book presents an in-depth critical analysis of the internationally recognized, place-specific works of three Iranian architects (Nader Ardalan, Kamran Diba and Hossein Amanat) during the 60s and 70s, and their significant contribution to the emerging anti-modernist discourse.It argues that from the mid-19th century onwards architecture and urban design in Iran has been oscillated between two extremes of modernity and tradition. Drawing on the theory of ‘critical regionalism’ (Kenneth Frampton), the book critically analyses writings and works of the above-mentioned architects and contends that they created a ‘space-in-between’ which unified two extremes of tradition and modernity in a creative way (Khalq-i Jadid: New Creation). The book also contains three in-depth interviews with architects to discuss their singular narrative of the creation of ‘in-between’. A concluding chapter addresses the promises of critical regionalist architecture and urban design in post-Revolutionary Iran as well as the Middle East, where the dichotomy of tradition and modernity is yet a valid account.

This book studies the principles of urban spatial organization of historic cities. It can be considered a guide to design, presenting qualitative criteria to satisfy practical needs. The subject is explored through interconnected chapters, each addressing an important aspect of form-space and design values, knowledge and our present problems. In this book the interpretation is artistic and socio-cultural. Discussion is not concentrated on singular urban space but on interrelated spaces and elements across the city, and complexes. Considering the comparative aspects of study, the reader will notice that despite cultural differences, there is a common understanding in artistic creativity and sensibility in the presented examples.

What is the relationship between development as a globalizing project and the production of cultural specificities in developmental contexts? Utilising an architectural lens, this book illustrates how development instigates interest in the past and in the process, creates heritage. It show multiple uses of the past and their contestation in highly fluid social contexts.

This book, based on conference excerpts, investigates various aspects of contemporary Iranian urbanism. The topics covered range from the impacts of political developments on the cities’ rapid socio-economic developments, to the cities’ troubled relationship with the country’s built-environment history and their frequently ill-managed exposure to Western notions of development and globalisation. Last but not least, the country’s vulnerability to natural disasters in an age of increasing urban-population densification is also considered. Alongside more theoretically and artistically oriented debates, the book’s individual contributions turn their attention to the now much higher proportion of urban dwellers in the country’s rising population. It also discusses the policies designed in response to these demographic moves, including those to develop new towns, find housing for the excess population in existing cities, renovate historic buildings and create new public spaces. The practice-policy oriented contributions also include those concerning the country’s responses to natural disasters.

This book takes a bold epistemological approach to address the fundamental questions that urban design has faced since its inception – questions concerning its legitimacy, definition, nature, content, purpose, theory, methods, jurisdiction and above all its knowledge base. The appropriate level of urban design – global or local – is another critical and emerging question discussed. At the end, an integrative theory of urban design is introduced, on the basis of which a set of principles is developed for application by practicing urban designers. These principles are presented at three essential levels: general, global and local-Iranian. Toward an Integrative Theory of Urban Design is intended to dispel many of the ambiguities still troubling urban design as a discipline and profession.

In Modern Middle-Class Housing in Tehran – Reproduction of an Archetype, Rana Habibi offers an engaging analysis of the modern urban history of Tehran during the Cold War period: 1945–1979. The book, while arguing about the institutionalism of modernity in the form of modern middle-class housing in Tehran, shows how vernacular archetypes found their way into the construction of new neighborhoods. The trajectory of ideal modernism towards popular modernism, the introduction of modern taste to traditional society through architects, while tracing the path of transnational models in local projects, are all subjects extensively expounded by Rana Habibi through engaging graphical analyses and appealing theoretical interpretations involving five modern Tehran neighborhoods.