Expands on the original work that first introduced artists and artisans to the materials, tools and techniques used to create original wax models for jewelry - both fine pieces and costume jewelry. The ancient method of lost-wax casting and traditional casting techniques of modeling in wax free that artist from many of the restrictions of traditional wax modeling, to provide greater freedom and spontaneity in creation, along with a newly achieved speed in execution. &break;&break;The author combines this understanding of the methods with his own practical experience to present the techniques in a concise, step-by-step format. He details the necessary materials and tools, and introduces the reader to their various characteristics and their roles in the jewelry-making process. He guides the artist through the various processes of wax modeling in several projects.

This book introduces the craftsman and the artist to an exciting new method for producing their work. Traditionally, the jeweler has been bound to making original models for lost-wax casting in metal, while the artist who works in wax has been limited to melting the material over an armature. Modeling directly in wax frees both artist and craftsman from these cumbersome and restrictive methods. A highly spontaneous approach, wax modeling combines speed with ease of execution to produce pieces whose grace and beauty can be attained in no other way.

Mr. Hiroshi Tsuyuki, the Japanese authority on Jewelry Wax Modeling, uses an innovative approach to teaching the technique of wax modeling. Often a process is easier shown than described in so many words. This book was conceived through the author's teaching experience -- more photos and sketches and less text resulting in less over-the-shoulder supervision. By introducing new techniques in each project, his students were able to progress more rapidly towards independence in design concepts. While preparing a model for casting and the actual casting process are adequately explained in most casting books, very little space is devoted to the design and creation of wax models. Mr. Tsuyuki presents 11 basic projects in this book, each one designed to teach the use of certain tools and types of waxes in a progressive manner as one's skills improve. Each step of every project is accompanied by a photo and text and in some cases supplementary sketches and notes are provided to clarify those particular processes. Paying careful attention to the photos, noting the demonstrator's hand position and the type of tool being used, eliminates any confusion which may result from the text. After each basic model is completed the author offers a number of sketches suggesting design possibilities using the techniques learned in the construction of the basic model. Mr. Tsyuki states that by conscientiously completing each project, the student should be well on the way to becoming a designer/modeler. This book is 112 pages and has 283 photos and illustrations.

Wax carving is like sculpture for jewellery and allows enormous creativity, as so many different forms can be made. This practical guide introduces the techniques to this age-old method through a series of guided exercises and projects, and demonstrates how exciting it can be. Drawing on the experience of two master wax-carvers, it also gives invaluable advice on the finish of your cast pieces and how to reproduce them. With over 400 colour photos, it give advice on setting up for wax carving, tools, tool-making and materials. There are exercises that introduce the beginner to using wax and then build ideas and confidence to try more complex designs. Included are advanced techniques that show how to use stones in a carving and how to add texture and surface detail. Finally, finished examples demonstrate the potential, excitement and versality of the method.

This book is a basic introduction to lost-wax casting with emphasis on jewelry making. It is designed to be used both as a textbook and a reference book and is directed primarily at beginners. Experienced casters, however, will probably find some useful ideas; they may even find some new techniques. Heavy emphasis is placed upon understanding why things are done in a particular way, rather than simply presenting a set of cookbook rules that will always work. The book is also available in a 8.5x11 inch comb-bound version for use in the shop or classroom. See ISBN 0-9679600-1-0.

"I highly recommend this book of technical information and procedures for anyone wanting to learn wax modeling techniques? this book is clear and well organized. Good large step-by-step explanatory black and white photos illustrate the points made in the concise, strictly informational text. This is the second in a series of books on professional wax working for lost wax casting. It might be useful to have read the first volume - 'Basic Wax Modeling' before this volume but it is still a good stand-alone text". - Charles Lewton-Brain (internationally known lecturer, author, designer, inventor of Fold-Forming) from his review on Ganoksin. DESCRIPTIONIn this book jewelry wax modeling techniques are introduced and explained in detail, illustrated with step-by-step photographs.Some special features of Practical Wax Modeling include:a) Practical applications when using a variety of waxesb) Mitsuro and its usesc) Demonstrations of a variety of texturesd) Methodology of finishing castings.Practical Wax Modeling was written as an applied compilation of projects for the authors' introductory book Basic Wax Modeling.

"Promises to become a standard reference book." — The Art Digest. Exhaustive, profusely illustrated guide to all of the technical aspects of sculpting in stone, metal, wood, and other materials. The author expertly covers casting, surface treatment, exotic materials such as amber, coal, and even butter! Much more. 281 illustrations.

The Language of Mixed-Media Sculpture is both a survey and a celebration of contemporary approaches to sculptures that are formed from more than one material. It profiles the discipline in all its expanded forms and recognizes sculpture in the twenty-first century not as something solid and static, but rather as a fluid interface in material, time and space. It gives insightful revelations of the creative journeys of ten renowned sculptors and showcases twenty-eight international sculptors. With over two hundred colour photographs, this sumptuously illustrated volume will inspire those intrigued by and interested in contemporary sculpture. Lavishly illustrated with 223 colour illustrations.

Sculpt toys and collectibles with modern-day tools, techniques and applications used by today’s top industry professionals Ever since a 12-inch G.I. Joe took toy soldiers to a whole new level by giving them the ability to pose via moveable parts, as well as interchangeable clothing and accessories, the business of creating pop sculpture icons for the mass market was off and running. Superheroes came next, followed by TV show and movie characters, most notably those from Star Wars. Today, action figures exist for sports stars, rock stars, even presidents. With today’s blockbuster success of animated films, action figures and collectibles have become a behemoth industry—with a growing need for skilled artists who can bring these characters to life. So how do you get started? The trio of veteran industry insiders who authored this book take you on an incredibly thorough journey that begins with drawing conceptual drafts and continues through rough sculpting and honing the final product. Along the way, you’ll learn how to research your character, shape casts from a variety of materials including wax and resin, make accessories, articulate characters so that they are poseable, paint them, and ultimately convince an art director to buy and manufacture them. Whether you want to make small PVC toys, collectible statues, or larger high-end collectibles, Pop Sculpture offers step-by-step demos and words of wisdom from the pros.