Chinese citizens are becoming increasingly mobile, both inside China and abroad, as migrant workers, tourists, and students. China is caught between perceived benefits and dangers posed by mobility, complicated by the government’s own conflicting impulses to support and discourage it. Mobility and Cultural Authority in Contemporary China demonstrates this intricate balance through an in-depth look at patterns of migration and state response. Pál Nyíri argues that the loosening of China’s restrictions on internal and international migration, its promotion of domestic tourism, and its increasingly positive portrayal of migrants all follow a similar logic in which mobility comes to epitomize a new and modern China. Yet the loosening of administrative control is compensated by the imposition of cultural control over how mobility is represented and how mobile citizens make sense of their new experiences, as well as by continued restrictions on types of movement that are seen as undesirable. With ever-growing popular and academic scrutiny of the topic of national and international migration, this compact, engrossing, and timely study is well poised to be read widely by scholars interested in globalization, nationalization, modernization, tourism, and modern China.

Cultural Mobility offers a model for understanding the patterns of meaning that human societies create. It has emerged under the very distinguished editorial guidance of Stephen Greenblatt and represents a new way of thinking about culture and cultures with which scholars in many disciplines will need to engage.

This path-breaking book argues that printing—both with woodblocks and with movable type—exerted a profound influence on Chinese society in the sixteenth and seventeenth centuries.

Twenty years ago, commercial tourism in the People’s Republic of China hardly existed. Today, China has a burgeoning tourist industry, characterized by a unique style with deep roots in traditional Chinese culture. Scenic Spots is an engaging exploration of why Chinese tourists pursue certain kinds of experiences, what they make of them, and how their experiences and interpretations are shaped by the state. Working from within a Chinese cultural framework, Pál Nyíri argues that China’s brand of tourism is distinct from the traditions of both Western bourgeois tourism, which values authenticity, and Soviet tourism, with its emphasis on rugged and selfless experience. In China, tourism development is guided by the state, and “scenic spots” (jingdian) and theme parks are used to demonstrate China’s heroic past and as tools of patriotic education and modernization – or as forms of “indoctritainment.” The tourist site is perceived as a product, and, as such, it is bounded, approved, rated, and consumed. In a style both straightforward and provocative, Nyíri argues that the uniformity and undisguised commercialism of Chinese tourist sites are a direct result of the state’s ultimate authority to determine the meaning of landscape and to control culture. Scenic Spots serves as a lens through which to explore mechanisms of cultural control and resistance in a highly commercialized sphere of everyday life in contemporary China.

This book seeks to bring together different philosophical, theoretical, and methodological approaches to the study of human mobility within the discipline of geography. With five thematic sections – conceptualizing and analyzing mobility, inequalities of mobility, politics of mobility, decentering mobility, and qualifying abstraction – and 27 substantive chapters by leading researchers in the field, it provides a comprehensive overview of the latest thinking about human mobility and related issues. The contributors discuss mobility issues as diverse as everyday mobilities of young people, migrants and refugees, and sex workers; the relationships between citizenship and mobility; and the potential and pitfalls of big data for understanding mobility. This, coupled with a broad international focus, means that Geographies of Mobility will not only encourage and enrich dialogue on a theme that is of major importance to varied geographic research communities, but will also be of great interest to students and researchers across the wider social sciences. This book was originally published as a special issue of Annals of the American Association of Geographers.

By providing a unique perspective on China's changing relationship with religion, this groundbreaking book explores the role the Chinese state continues to play in religious revival today. Throughout China, spaces for religious expression and practice have been rebuilt, revived, and contrived for display by local officials hoping to cash in on tourist revenue. Faiths on Display argues, however, that the results of the state's instrumental approach toward religion are far from predictable. The volume explores the ways revived religious practices and commercial tourism development intersect in China, offering surprising insights into the contested nature of state governance in a rapidly transforming society.

The rise of China has brought about a dramatic increase in the rate of migration from mainland China. At the same time, the Chinese government has embarked on a full-scale push for the internationalisation of Chinese media and culture. Media and communication have therefore become crucial factors in shaping the increasingly fraught politics of transnational Chinese communities. This book explores the changing nature of these communities, and reveals their dynamic and complex relationship to the media in a range of countries worldwide. Overall, the book highlights a number of ways in which China’s "going global" policy interacts with other factors in significantly reshaping the content and contours of the diasporic Chinese media landscape. In doing so, this book constitutes a major rethinking of Chinese transnationalism in the twenty-first century.

This book explores the experiences of ethnic performers in a small Chinese city, aiming to better understand their work and migration journeys. Their unique position as service workers who have migrated within the same province provides valuable insights into the intersection of social inequalities related to the rural-urban divide, ethnicity and gender in contemporary China. Introducing the concept of ‘intimacy as a lens’, the author examines intimate negotiations involving emotions, sense of self and relationships as a way of understanding wider social inequalities. Drawing on ethnographic fieldwork, the book reveals the bordering mechanisms encountered by performers in their work as they navigate between rural and urban environments, as well as between ethnic minority and Han identities. Emphasising the intimate and personal nature of these encounters, the book argues that they can help inform understanding of broader social issues.

One China, Many Taiwans shows how tourism performs and transforms territory. In 2008, as the People's Republic of China pointed over a thousand missiles across the Taiwan Strait, it sent millions of tourists in the same direction with the encouragement of Taiwan's politicians and businesspeople. Contrary to the PRC's efforts to use tourism to incorporate Taiwan into an imaginary "One China," tourism aggravated tensions between the two polities, polarized Taiwanese society, and pushed Taiwanese popular sentiment farther toward support for national self-determination. Consequently, Taiwan was performed as a part of China for Chinese group tourists versus experienced as a place of everyday life. Taiwan's national identity grew increasingly plural, such that not just one or two, but many Taiwans coexisted, even as it faced an existential military threat. Ian Rowen's treatment of tourism as a political technology provides a new theoretical lens for social scientists to examine the impacts of tourism in the region and worldwide.

Diaspora Space-Time explores the transformations of Pine Mansion—a Shenzhen former emigrant community—and its members' changing relationship with their diaspora around the world. For more than a century, inhabitants of Shenzhen's villages have migrated to Southeast Asia, the Pacific, North and South America, and Europe. With China's economic global ascendancy, these villages no longer consist of peasants dependent on their rich overseas relatives. As the villages have become part of the special economic zone of Shenzhen, the megacity that embodies China's rise, emigration has waned. Lineage ties have long been central in choosing migration destinations and channeling donations to village projects. After China's reopening, Shenzhen's villagers used diaspora as a resource to participate in the city's booming economy and to reestablish and protect their ritual sites against government plans. As overseas financial contributions diminish and diasporic relations change, Anne-Christine Trémon highlights the way emigration is being reconceptualized in regards to China's changing position in the world, offering a new perspective on Chinese globalization and the politics of scale-making.