In this follow-up to "The Last Guardian of Everness," an army of mythic creatures invades modern-day Maine. Young Galen Waylock, the last watchman of the Dream Gate, and his friends pass through the Gate to engage in battle.

The rave reviews for John Wright's science fiction trilogy, The Golden Age, hail his debut as the most important of the new century. Now, in The Last Guardian of Everness, this exciting and innovative writer proves that his talents extend beyond SF, as he offers us a powerful novel of high fantasy set in the modern age. Young Galen Waylock is the last watchman of the dream-gate beyond which ancient evils wait, hungry for the human world. For a thousand years, Galen's family stood guard, scorned by a world which dismissed the danger as myth. Now, the minions of Darkness stir in the deep, and the long, long watch is over. Galen's patient loyalty seems vindicated. That loyalty is misplaced. The so-called Power of Light is hostile to modern ideas of human dignity and liberty. No matter who wins the final war between darkness and light, mankind is doomed either to a benevolent dictatorship or a malevolent one. And so Galen makes a third choice: the sleeping Champions of Light are left to sleep. Galen and his companions take the forbidden fairy-weapons themselves. Treason, murder, and disaster follow. The mortals must face the rising Darkness alone. An ambitious and beautifully written story, The Last Guardian of Everness is an heroic adventure that establishes John Wright as a significant new fantasist. It is just the start of a story that will conclude in the companion volume, Mists of Everness. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

But the warning bell has sounded in the dream world, unheeded. Now, the minions of Darkness have stirred in the deep and the long watch is over. An army of mythic monsters has invaded our world, and Galen and his friends have begun to fight them. To join the battle with universal darkness, even his father returns. The forces of light have gathered in Castle Everness, which must stand, or all is lost.

John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The universe shifts and changes: suddenly you understand, you get it, and are filled with wonder. That moment of understanding drives the greatest science-fiction stories and lies at the heart of Engineering Infinity. Whether it’s coming up hard against the speed of light – and, with it, the enormity of the universe – realising that terraforming a distant world is harder and more dangerous than you’d ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, it’s hard science-fiction where a sense of discovery is most often found and where science-fiction’s true heart lies. This exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field, including Gwyneth Jones, Stephen Baxter and Charles Stross.

Novelist and scholar Damien Broderick offers an exhilarating report on the state of science fiction at the start of the millennium. In the 21st century, we see a new wave rising in SF: it's complex, transreal, slipstreamy, post-postmodern. It unleashes the strange!

This tribute anthology celebrates the work of SF/F legend Jack Vance, featuring original stories from George R. R. Martin, Neil Gaiman, Dan Simmons, Elizabeth Moon, Tanith Lee, Tad Williams, Kage Baker, and Robert Silverberg, along with fifteen others--as well as an introduction by Dean Koontz. To honor the magnificent career of Jack Vance, one unparalleled in achievement and impact, George R.R. Martin and Gardner Dozois, with the full cooperation of Vance, his family, and his agents, have created a Jack Vance tribute anthology: Songs of the Dying Earth. The best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance's greatest novel. Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege. That's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers. Each story includes an afterword by the author. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The thirty-two stories in this collection imaginatively take us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including: John Barnes, Elizabeth Bear, Damien Broderick, Karl Bunker, Paul Cornell, Albert E. Cowdrey, Ian Creasey, Steven Gould, Dominic Green, Nicola Griffith, Alexander Irvine, John Kessel, Ted Kosmatka, Nancy Kress, Jay Lake, Rand B. Lee, Paul McAuley, Ian McDonald, Maureen F. McHugh, Sarah Monette, Michael Poore, Robert Reed, Adam Roberts, Chris Roberson, Mary Rosenblum, Geoff Ryman, Vandana Singh, Bruce Sterling, Lavie Tidhar, James Van Pelt, Jo Walton, Peter Watts, Robert Charles Wilson, and John C. Wright. Supplementing the stories are the editor's insightful summation of the year's events and a lengthy list of honorable mentions, making this book both a valuable resource and the single best place in the universe to find stories that stir the imagination, and the heart.

The best-ever anthology of one of science fiction's most vigorous subgenres