In a gripping historical novel of suspense and romance, two women fight to defeat the enemies of the precarious Tudor monarchy by uncovering the secrets of the dead.... London, 1501. In a time of political unrest, Varina Westcott, a young widow and candle maker for court and church, agrees to perform a clandestine service for Queen Elizabeth of York, wife of Henry VII--carve wax figures of four dead children, two of her offspring lost in infancy and her two brothers, the Princes of the Tower, whose mysterious disappearance years ago has never been solved. Having lost a child herself, Varina feels a sympathetic bond with the queen. And as she works under the watchful eye of handsome Nicholas Sutton, an ambitious assistant to the royals, she develops feelings of quite a different nature.... Then news comes from Wales of the unexpected death of newly married Prince Arthur, the queen’s eldest child and heir to the throne. Deeply grieving, Elizabeth suspects that Arthur did not die of a sudden illness, as reported, but was actually murdered by her husband’s enemies. This time her task for Varina and Nicholas is of vital importance--travel into the Welsh wilderness to investigate the prince’s death. But as the couple unearths one unsettling clue after another, they begin to fear that the conspiracy they’re confronting is far more ambitious and treacherous than even the queen imagined. And it aims to utterly destroy the Tudor dynasty.

As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen's obsessive love for her husband – a story that began as fairy tale and ended in tragedy. After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and – after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.

When the smiling King of Carnival is killed at Mardi Gras, policewoman Skip Langdon is on the case. She knows the upper-crust family of the victim and that it hides more than its share of glittering skeletons. But nothing could prepare her for the tangled web of clues and ancient secrets that would mean danger for her--and doom for the St. Amants.... "Smith is a gifted writer." THE WASHINGTON POST BOOK WORLD

Macabre tales of death and mourning in Victorian America.

Tangible remains play an important role in our relationships with the dead; they are pivotal to how we remember, mourn and grieve. The chapters in this volume analyse a diverse range of objects and their role in the processes of grief and mourning, with contributions by scholars in anthropology, history, fashion, thanatology, religious studies, archaeology, classics, sociology, and political science. The book brings together consideration of emotions, memory and material agency to inform a deeper understanding of the specific roles played by objects in funerary contexts across historical and contemporary societies.

Science fiction-roman.

When a wedding at the estate of the charming Earl of Haverhill is interrupted by the dual murders of the bride's great aunt and uncle, Daisy Dalyrmple and her husband, Detective Chief Inspector Alex Fletcher, must deduce who among a horde of wedding guests is the culprit. Reprint.

With Death Comes As Epiphany, the first in the Catherine LeVendeur mystery series, medievalist Sharan Newman has woven dark mystery and sparkling romance into a fascinating and richly detailed tapestry of everyday life in twelfth-century France, and one of the most moving love stories of all time: Abelard and Heloise. Catherine LeVendeur is a young scholar come to conquer her sin of pride at the Convent of the Paraclete, famous for learning, prayer, and its abbess, the fabled Heloise. When a manuscript the convent produced for the great Abbe Suger disappears, rumors surface saying the book contains sacrilegious passages and will be used to condemn Heloise's famous lover, Peter Abelard. To save her Order, and protect all she holds dear, Catherine must find the manuscript and discover who altered the text. She will risk disgrace, the wrath of her family and the Church, and confront an evil older than Time itself--and, if she isn't careful, lose her immortal soul. Winner of the Macavity Award for Best First Mystery At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“A beautifully written, highly seductive debut….The chemistry between Branwell and Lydia positively crackles on the page….Masterful storytelling which is sure to delight fans of the Brontës and of historical fiction.” –Hazel Gaynor, New York Times bestselling author of The Lighthouse Keeper’s Daughter This dazzling debut novel for fans of Mrs. Poe and Longbourn explores the scandalous historical love affair between Branwell Brontë and Lydia Robinson, giving voice to the woman who allegedly corrupted her son’s innocent tutor and brought down the entire Brontë family. Yorkshire, 1843: Lydia Robinson—mistress of Thorp Green Hall—has lost her precious young daughter and her mother within the same year. She returns to her bleak home, grief-stricken and unmoored. With her teenage daughters rebelling, her testy mother-in-law scrutinizing her every move, and her marriage grown cold, Lydia is restless and yearning for something more. All of that changes with the arrival of her son’s tutor, Branwell Brontë, brother of her daughters’ governess, Miss Anne Brontë and those other writerly sisters, Charlotte and Emily. Branwell has his own demons to contend with—including living up to the ideals of his intelligent family—but his presence is a breath of fresh air for Lydia. Handsome, passionate, and uninhibited by social conventions, he’s also twenty-five to her forty-three. A love of poetry, music, and theatre bring mistress and tutor together, and Branwell’s colorful tales of his sisters’ elaborate play-acting and made-up worlds form the backdrop for seduction. But Lydia’s new taste of passion comes with consequences. As Branwell’s inner turmoil rises to the surface, his behavior grows erratic and dangerous, and whispers of their passionate relationship spout from her servants’ lips, reaching all three protective Brontë sisters. Soon, it falls on Lydia to save not just her reputation, but her way of life, before those clever girls reveal all her secrets in their novels. Unfortunately, she might be too late. Meticulously researched and deliciously told, Brontë’s Mistress is a captivating reimagining of the scandalous affair that has divided Brontë enthusiasts for generations and an illuminating portrait of a courageous, sharp-witted woman who fights to emerge with her dignity intact.

A woman who was adopted as a newborn recounts her experience of meeting her birth parents, describing how adoption affected her sense of identity, her efforts to learn about her late birth mother's personal life, and her discouragement with her birth father's unwillingness to invite her into his family.