"In this magnificent book, Oliver Schuchard provides more than sixty-five exquisite black-and-white photographs spanning his thirty-eight years of photography. In addition, he explains the aesthetic rationale and techniques he used in order to produce these photographs, emphasizing the profound differences between, yet necessary interdependence of, craft and content. Although Schuchard believes that craft is important, he maintains that the idea behind the photograph and the emotional content of the image are equally vital and are, in fact, functions of one another. The author also shares components of his life experience that he believes helped shape his development as an artist and a teacher. He chose the splendid photographs included in this book from among nearly 5,000 negatives that had been exposed all over the world, from Missouri to Maine, California, Alaska, Colorado, France, Newfoundland, and Hawaii, among many other locations. Approximately 250 negatives survived the initial review, and each of those was printed before a final decision was made on which photographs were to be featured in the book. The final choices are representative of Schuchard's work and serve to substantiate his belief that craft, concept, and self must be fully understood and carefully melded for a good photograph to occur. This amazing work by award-winning photographer Oliver Schuchard will be treasured by professional and amateur photographers alike, as well as by anyone who simply enjoys superb photography."--Publishers website.

In May 1804 Meriwether Lewis, William Clark, and the Corps of Discovery embarked on a seven-thousand-mile journey with instructions from President Thomas Jefferson to ascend the Missouri River to its source and continue on to the Pacific. They had spent five months in the St. Louis area preparing for the expedition that began with a six-hundred-mile, ten-week crossing of the future state of Missouri. Prior to this, the explorers had already seen about two hundred miles of Missouri landscape as they traveled up the Mississippi River to St. Louis in the autumn of 1803.

Missouri's diverse landscapes, geology, and climate have endowed the state with a rich and varied grass flora. From tallgrass prairies to forested Ozarks to Mississippi lowlands, the state offers an array of grasses that can be classified into six subfamilies of the Poaceae, eighteen tribes, and eighty-seven genera. Significant changes have been made in grass classification since the first edition of The Grasses of Missouri was published in 1961, resulting in an increased emphasis on phyletic criteria. Recognizing the recent advances in classification and changes in nomenclature, as well as new additions to the flora, this newly revised edition serves as a compilation of the native and naturalized species and subspecific taxa found in Missouri. Formerly divided into two subfamilies, the Festucoideae and Panicoideae, the state's grass flora is now represented by six subfamilies. While the Panicoideae have remained intact, the traditional Festucoideae are now separated into smaller, more cohesive groupings. Further revisions have resulted in eighteen tribes compared to the twelve identified in the first edition. Covering more than 275 species and subspecific entities, The Grasses of Missouri is an essential research tool for identifying grasses, complete with working keys, descriptions, line drawings, distributions, a glossary, and a bibliography. The professional and lay person alike will benefit from this indispensable manual.

The essays in this volume document trails, paths, and roads across different times and cultures, from those built by hunter-gatherers in the Great Basin of North America to causeway builders in the Bolivian Amazon to Bronze Age farms in the Near East, through aerial and satellite photography, surface survey, historical records, and excavation.

Love and its attendant emotions not only spur migration—they forge our response to the people who leave their homes in search of new lives. Emotional Landscapes looks at the power of love, and the words we use to express it, to explore the immigration experience. The authors focus on intimate emotional language and how languages of love shape the ways human beings migrate but also create meaning for migrants, their families, and their societies. Looking at sources ranging from letters of Portuguese immigrants in the 1880s to tweets passed among immigrant families in today's Italy, the essays explore the sentimental, sexual, and political meanings of love. The authors also look at how immigrants and those around them use love to justify separation and loss, and how love influences us to privilege certain immigrants—wives, children, lovers, refugees—over others. Affecting and perceptive, Emotional Landscapes moves from war and transnational families to gender and citizenship to explore the crossroads of migration and the history of emotion. Contributors: María Bjerg, Marcelo J. Borges, Sonia Cancian, Tyler Carrington, Margarita Dounia, Alexander Freund, Donna R. Gabaccia, A. James Hammerton, Mirjam Milharčič Hladnik, Emily Pope-Obeda, Linda Reeder, Roberta Ricucci, Suzanne M. Sinke, and Elizabeth Zanoni

"Robert Adamss' sixth book of landscape/topographical photography, exploring the area west of the Missouri River, where his ancestors settled several generations ago. Printed by the Meriden Gravure Company using negatives prepared by Richard Benson."--Amazon.

"Plein air landscape painter Billyo O'Donnell traveled Missouri, creating a painting, on location, representing each of the state's 114 counties, plus the city of St. Louis. These paintings celebrate the beauty and diversity of Missouri's landscapes. The accompanying essays by Karen Glines describe the history and highlights of each county"--Provided by publisher.