Features an account of the evolution of Missouri's park system and essays on each of the state's historic sites and parks.

Brad Pitt. Payne Stewart. Josephine Baker. Walter Cronkite. Thomas Pendergast. George Washington Carver. What do these icons have in common? They were all born and raised in the Show Me State. In Missouri Legends, a fun yet informative new book by TV and radio broadcaster John Brown, well-known politicians, authors, artists, athletes, performers, and historical figures come to life. The book profiles more than 100 famous Missourians. Each profile includes a brief account of a legend's childhood and rise to fame, not to mention a nugget or two of entertaining trivia. Filled with intrigue and information, this book is ideal for those interested in the state's notable people and the stories behind them.

African Americans have been a part of Missouri from its territorial days to the present, and Extraordinary Black Missourians describes more than 100 pioneers, educators, civil rights activists, scientists, entertainers, athletes, journalists, authors, soldiers, and attorneys who have lived in the state for part or all of their lives. Josephine Baker, Lloyd Gaines, Langston Hughes, Annie Malone, Dred Scott, Roy Wilkins, and others featured in the book are representative of individuals who have contributed to the African American legacy of Missouri. They set records, made discoveries, received international acclaim and awards, as well as led in the civil rights movement by breaking down racial barriers. These accomplishments, and others, have played a major role in shaping the history and culture of the state and nation. Extraordinary Black Missourians attempts to put a face on these individuals and tells of their joys, failures, hardships, and triumphs over sometimes insurmountable odds.

The history and development of Missouri are traced in this textbook which includes illustrations, suggested activities, and glossary.

After fire destroyed Missouri's capitol in 1911, voters approved a bond issue to construct a new statehouse. The tax to pay the bonds produced a one-million-dollar surplus, leaving a vast amount of money to decorate the new building. A special commission of art-minded Missourians employed some of the nation's leading painters and sculptors to create powerful and often huge pieces of art to adorn Missouri's most important new structure. The art of the Missouri capitol was considered among the finest to adorn any state capitol. But the passage of time has lessened recognition of the pieces and their creators. Most people--even those daily wandering the marble halls--have little knowledge of the significance of the art and the history it portrays. Bob Priddy and Jeffrey Ball return the capitol's decorations to prominence in The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone. The book tells the many stories behind the art: the rigors of its creation, the political roadblocks that endangered the decoration program, and the triumph of the commissioners who devoted more than ten years to the project. The Art of the Missouri Capitol presents the art in 270 images, many by Lloyd Grotjan, mostly of the building's many compelling paintings, murals, and sculptures. Priddy, a journalist who has covered the Missouri legislature for more than three decades, and Ball, an art historian, use a wealth of historical materials to connect the grand design of the capitol decorations with accounts of sometimes temperamental artists and meddling politicians. The authors provide historical and artistic context to explain the many surprising, controversial choices the artists made, and they use Missouri history to explain the tales depicted in the artwork, revealing the events--and inaccuracies--that the paintings bring to life. The authors honor the Missouri capitol's artistic excellence in a way that will appeal to art enthusiasts and history buffs as well as to general readers. The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone is the definitive account of the art's creation, of the men who produced it, and of the Missourians who lived the history that inspired it.

Offers a detailed tour behind the facades of 45 Missouri houses, with nearly 300 archival photographs, drawings, and original floor plans.

The Mormon presence in nineteenth-century Missouri was uneasy at best and at times flared into violence fed by misunderstanding and suspicion. By the end of 1838, blood was shed, and Governor Lilburn Boggs ordered that Mormons were to be “exterminated or driven from the state.” The Missouri persecutions greatly shaped Mormon faith and culture; this book reexamines Mormon-Missourian history within the sociocultural context of its time. The contributors to this volume unearth the challenges and assumptions on both sides of the conflict, as well as the cultural baggage that dictated how their actions and responses played on each other. Shortly after Joseph Smith proclaimed Jackson County the site of the “New Jerusalem,” Mormon settlers began moving to western Missouri, and by 1833 they made up a third of the county’s population. Mormons and Missourians did not mix well. The new settlers were relocated to Caldwell County, but tensions still escalated, leading to the three-month “Mormon War” in 1838—capped by the Haun’s Mill Massacre, now a seminal event in Mormon history. These nine essays explain why Missouri had an important place in the theology of 1830s Mormonism and was envisioned as the site of a grand temple. The essays also look at interpretations of the massacre, the response of Columbia’s more moderate citizens to imprisoned church leaders (suggesting that the conflict could have been avoided if Smith had instead chosen Columbia as his new Zion), and Mormon migration through the state over the thirty years following their expulsion. Although few Missourians today are aware of this history, many Mormons continue to be suspicious of the state despite the eventual rescinding of Governor Boggs’s order. By depicting the Missouri-Mormon conflict as the result of a particularly volatile blend of cultural and social causes, this book takes a step toward understanding the motivations behind the conflict and sheds new light on the state of religious tolerance in frontier America.

"In this magnificent book, Oliver Schuchard provides more than sixty-five exquisite black-and-white photographs spanning his thirty-eight years of photography. In addition, he explains the aesthetic rationale and techniques he used in order to produce these photographs, emphasizing the profound differences between, yet necessary interdependence of, craft and content. Although Schuchard believes that craft is important, he maintains that the idea behind the photograph and the emotional content of the image are equally vital and are, in fact, functions of one another. The author also shares components of his life experience that he believes helped shape his development as an artist and a teacher. He chose the splendid photographs included in this book from among nearly 5,000 negatives that had been exposed all over the world, from Missouri to Maine, California, Alaska, Colorado, France, Newfoundland, and Hawaii, among many other locations. Approximately 250 negatives survived the initial review, and each of those was printed before a final decision was made on which photographs were to be featured in the book. The final choices are representative of Schuchard's work and serve to substantiate his belief that craft, concept, and self must be fully understood and carefully melded for a good photograph to occur. This amazing work by award-winning photographer Oliver Schuchard will be treasured by professional and amateur photographers alike, as well as by anyone who simply enjoys superb photography."--Publishers website.