Because textiles rarely are preserved in the archaeological record outside of deserts and permafrost areas, in many regions of the world very little is known about their characteristics, functions, production technology, or socioeconomic importance. While this fact is also true of organic fabrics produced during the Mississippian period in southeastern North Anerica, a wide variety of Mississippian textiles has been preserved in the form of impressions on large pottery vessels. From attribute analysis of 1,574 fabrics impressed on Wickliffe pottery sherds and comparison of the impressions with extant Mississippian textile artifacts, Drooker presents the first comparative analysis of these materials and the most inclusive available summary of information on Mississippian textiles.

First published in 1996. In recent years there has been a general increase of scholarly and popular interest in the study of ancient civilizations. Yet, because archaeologists and other scholars tend to approach their study of ancient peoples and places almost exclusively from their own disciplinary perspectives, there has long been a lack of general bibliographic and other research resources available for the non-specialist. This series is intended to fill that need.

Forging Southeastern Identities explores the many ways archaeologists and ethnohistorians define and trace the origins of Native Americans' collective social identity.

Archaeologists and textile historians bring together 16 papers to investigate the production, trade and consumption of textiles in Scandinavia and across parts of northern and Mediterranean Europe throughout the medieval period. Archaeological evidence is used to demonstrate the existence or otherwise of international trade and to examine the physical characteristics of textiles and their distribution in order to understand who was producing, using and trading them and what they were being used for. Historical evidence, mainly textual, is employed to link textile names to places, numbers and prices and thus provide an appreciation of changing economics, patterns of distribution and the organisation of trade. Different types and qualities of cloths are discussed and the social implications of their production and import/export considered against a developing background of urbanism and increasing commercial wealth.

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. Deploying material culture to discover the pasts of constituencies who have left few traces in written record, the authors present familiar historical problems in new ways. This volume offers case studies arranged thematically in six sections that address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory.

This collection of essays chronicles the diversity and richness of one broad category of traditional material culture - fiber industries or textiles - among prehistoric and historic Native Americans in eastern North America. Such industries, which include basketry, fabrics, cordage, and netting, played an important role in the economic, social, and ceremonial life of indigenous cultures. However, because of the extreme age of the artifacts, their fragile nature, and unfavorable preservation conditions, knowledge of these industries has long been incomplete - resulting in a gap in scholarship that this volume does much to address.

Basketry Technology, first published in 1977, is the only comprehensive guide for archaeologists, anthropologists, art historians, and collectors for identifying and analyzing ancient baskets and basket fragments. Long out of print, this volume is again available with an extensive new introduction by the original author that summarizes the extensive work done in this area over the past 35 years. The volume describes proper field and lab techniques for recovery of specimens and offers a systematic methodology for identifying and interpreting twined, coiled, and plaited basket samples. It then uses Canyon de Chelly as an example of how to process a large basketry assemblage properly. In addition to 200 illustrations, the book includes a variety of sample forms to use in describing and analyzing ancient baskets.

In Mississippian Culture Heroes, Ritual Regalia, and Sacred Bundles, archaeologists analyze evidence of the religious beliefs and ritual practices of Mississippian people through the lens of indigenous ontologies and material culture. Employing archaeological, ethnographic, and ethnohistoric evidence, the contributors explore the recent emphasis on iconography as an important component for interpreting eastern North America’s ancient past. The research in this volume emphasizes the animistic nature of animals and objects, erasing the false divide between people and other-than-human beings. Drawing on an array of empirical approaches, the contributors demonstrate the importance of understanding beliefs and ritual and the significance of investigating how people in the past practiced religion and ritual by crafting, circulating, using, and ultimately decommissioning material items and spaces, including ceramic effigies, rock art, sacred bundles, shell gorgets, stone figurines, and symbolic weaponry.

From approximately AD 900 to 1600, ancient Mississippian culture dominated today’s southeastern United States. These Native American societies, known more popularly as moundbuilders, had populations that numbered in the thousands, produced vast surpluses of food, engaged in longdistance trading, and were ruled by powerful leaders who raised large armies. Mississippian chiefdoms built fortified towns with massive earthen structures used as astrological monuments and burial grounds. The remnants of these cities—scattered throughout the Southeast from Florida north to Wisconsin and as far west as Texas—are still visible and awe-inspiring today. This heavily illustrated guide brings these settlements to life with maps, artists’ reconstructions, photos of artifacts, and historic and modern photos of sites, connecting our archaeological knowledge with what is visible when visiting the sites today. Anthropologist Eric E. Bowne discusses specific structures at each location and highlights noteworthy museums, artifacts, and cultural features. He also provides an introduction to Mississippian culture, offering background on subsistence and settlement practices, political and social organization, warfare, and belief systems that will help readers better understand these complex and remarkable places. Sites include Cahokia, Moundville, Etowah, and many more.